Paul Kirkwood
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Supermodels are beautiful girls, Will. A beautiful girl can make you dizzy, like you've been drinking Jack and Coke all morning. She can make you feel high full of the single greatest commodity known to man - promise. Promise of a better day. Promise of a greater hope. Promise of a new tomorrow. This particular aura can be found in the gait of a beautiful girl. In her smile, in her soul, the way she makes every rotten little thing about life seem like it's going to be okay. The supermodels, Willy? That's all they are. Bottled promise. Scenes from a brand new day. Hope dancing in stiletto heels...A beautiful girl is all-powerful and that's as good as love. That's as good as love.
Dialogue
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Jan: Only when faced with losing me do you decide you want to spend the rest of your life with me.
Paul: So, what's wrong with that? I didn't like the alternative. I mean that's how one usually comes to a decision anyway, right?
Jan: Wrong again, Paul - one comes to a decision based on what one wants, not based on what one doesn't want. Got it?
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Tommy: Can I ask you a question?
Andera: Go ahead.
Tommy: How long have you been going out with you boyfriend?
Andera: Eight months.
Tommy: And it's good?
Andera: It's very good.
Tommy: He makes you happy?
Andera: Yeah. I look for that in a man you know. The ones that make me miserable don't seem to last.
Tommy: Right.
Andera: You know there are fours words I need to hear before I go to sleep. Four little words. "Good night sweet girl." That's all it takes. I'm easy, I know, but a guy who can muster up those four words is a guy I want to stay with.
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Willie: Do you want to go home with me?
Andera: No.
Willie: I had to ask, because to be honest with you, I don't find you the least bit attractive.
[Andera laughs]
Willie: Now do you want to go home with me?
Andera: No.
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Willie: You know how it is, the beginnings? When you first fall in love and you can't eat, you can't sleep and getting a call from her, it makes your day. It's like seeing a shooting star.
Andera: It's the best.
Willie: Yeah, but, inevitably it goes away. It quiets down. So, this is my thing see, why get married now? Why not have two, three more of those beginning things before I, you know, settle into the big fade?
Andera: The big fade, that's an awful way to put it.
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Willie: What are you doing?
Marty: Another exciting Saturday night.
Willie: You got many exciting Saturday nights in your future.
Marty: Yeah, yeah. So your lady's here, huh?
Willie: Yeah, yeah.
Marty: I saw her. She- she's really pretty.
Willie: She's OK. She's not as pretty as you, though.
Marty: Kinda got that boob-thing going for her.
Willie: And she can get into R-rated movies.
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Paul: Did you hear that Andera went back to Chicago? She was supposed to stay through the reunion. She just up and left. What did you say to her in that ice shack, Will?
Willie: I told you, we just talked.
Paul: You told her things, didn't you?
Willie: What things?
Paul: You let her behind the curtain, didn't you?
Willie: Maybe she missed her boyfriend.
Paul: You let her behind the curtain, I know you did. You never let them behind the curtain Will. You never let them see the little old man behind the curtain working the levers of the great and powerful Oz. They are all sisters Willie... they aren't allowed back there... they mustn't see.
Willie: Tell me the truth. You stay up nights thinking about this shit?
Paul: You say it like it's a bad thing.