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King Kong contre Godzilla est un film japonais de genre Science-fiction réalisé par Ishirō Honda sorti en France le 7 juillet 1976 avec Kenji Sahara

King Kong contre Godzilla (1962)

Kingu Kongu tai Gojira

King Kong contre Godzilla
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Osamu Sakurai

Facebook Partager la citation sur facebook When you and the monster meet, be sure you tell him all about your corn problems.

Dialogue

Facebook Partager la citation sur facebook Osamu Sakurai: [King Kong is breaking free] There's no time to argue! Destroy him!
Mr. Tako: What? King Kong is my responsibility, and you have no right to destroy him!
Furue: You dumbbell!
Mr. Tako: Dumbbell?
Furue: King Kong could kill us all! You wouldn't care! Publicity's all you want! Publicity!

Facebook Partager la citation sur facebook Osamu Sakurai: The storm will awaken Kong's inner strength. You'll see.
Kazuo Fujita: Like spinach does for Popeye?
Osamu Sakurai: Exactly.

Facebook Partager la citation sur facebook Mr. Tako: We scored a full-page display in the newspapers. Why don't we take a photo of him smiling to put in our ads?
Osamu Sakurai: Do you think King Kong smiles?
Mr. Tako: We get him to smile.

Cast

Facebook Partager la citation sur facebook Somesho Matsumoto — Onuki, doctor

Facebook Partager la citation sur facebook Senkichi Omura — Konno, TTV translator

Facebook Partager la citation sur facebook Sachio Sakai — Obayashi, Mr. Tako's assistant

Facebook Partager la citation sur facebook Haruya Kato — Obayashi's assistant

Facebook Partager la citation sur facebook Nadao Kirino — General's aide

Facebook Partager la citation sur facebook Yoshio Kosugi — Faro Island Chief

Facebook Partager la citation sur facebook Shin Otomo — ship captain

Facebook Partager la citation sur facebook Harold Conway — scientist on submarine

Quotes about King Kong vs. Godzilla

Facebook Partager la citation sur facebook One of the most popular Godzilla designs, the Kingoji was radically different from any Godzilla suit before or since. The costume was more reptilian in appearance and the build was very stocky, especially in the lower half. The head was small and streamlined, with a strange combination of human-like eyes placed on the sides of the head in a reptilian manner. Other distinctive features for the Kingoji included large hands with spike-like claws and thumbs nearly as large as the three other fingers. The Kingoji also had several features that would be common to all Godzilla suits until the rebirth of the Godzilla series in 1984. These were a lack of ears, no fangs, three toes, smooth underside for the tail, and one main row of dorsal plates flanked by two small rows.
Robert Biondi, "The Evolution of Godzilla – G-Suit Variations Throughout the Monster King’s Twenty One Films", G-FAN #16 (July/August 1995)

Facebook Partager la citation sur facebook Robert Biondi, "The Evolution of Godzilla – G-Suit Variations Throughout the Monster King’s Twenty One Films", G-FAN #16 (July/August 1995)