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La sangsue est un film de genre Drame réalisé par Salah Abou Seif avec Shadia

La sangsue (1956)

La sangsue
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Durée 2h6
Réalisé par ,    
Genres Drame
Note73% 3.679793.679793.679793.679793.67979

The Leech (Arabic: Shabab emraa‎, also known as A Woman's Youth) is a 1956 Egyptian drama film directed by Salah Abu Seif. It was entered into the 1956 Cannes Film Festival.

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Suggestions de films similaires à La sangsue

Il y a 25 films ayant les mêmes acteurs, 14 films avec le même réalisateur, 61578 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.

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A greedy man betrays his friend and falls in love with his wife, who is a rich lady. He kills him and marries the widow. He steals her money and jewellery and mistreats her. He is then arrested by the police and receives his punishment.
La anam
La anam (1957)
, 2h7
Réalisé par Salah Abou Seif, Salah Abou-Sayf
Genres Drame, Romance
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Faten Hamama plays Nadia Lutfi, a young woman who belongs to an aristocratic, upper-class family. After her parents divorce each other, her father wins custody of her. She lives with her father (Yehia Chahine) and over the years develops a very close and strong relationship with him to the extent of being sexually attracted towards him, an obsessive behavior known as Electra complex.
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Faten Hamama plays Fayza, a young student who lives with her family after the death of her father. Left with no money, her mother (Zouzou Mady) is forced to turn her house into an illegal gambling house. Fayza opposes her mother's solution. Munir (Ahmed Mazhar) is a writer who meets Fayza and falls in love with her but she rejects him. Fayza decides to leave to the countryside where she works as a teacher in a small school. Fayza gets into trouble in the school and, desperate and hopeless, decides to walk in her mother's path. Munir convinces Fayza to stop.
Ana hurra
Ana hurra (1959)
, 1h55
Réalisé par Salah Abou Seif
Genres Drame
Acteurs Lobna Abdel Aziz, Hassan Youssef
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The film is an account of a college girl's frustrations with the predominantly male patriarchal system in Egypt. Released in 1959, the film captures much of the feminist sentiments of the 1960s and its widespread fervor in Egypt. The film's protagonist, Aminia, played by Lubna Abdel Aziz, is a young woman living with her aunt's family which includes her uncle and her cousin. The men in her life further reinforce the themes of male dominance in the film with their restriction on her life.
La tutfi el-shams
Réalisé par Salah Abou Seif, Salah Abou-Sayf
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Acteurs Faten Hamama, Emad Hamdy, Nadia Lutfi, Ahmad Ramzy, Samiha Ayoub
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An aristocratic family is torn down after the death of its patriarch. He leaves alone his widow wife and five of his daughters and sons. His eldest son, Ahmed (Shukry Sarhan), takes the role of the man in the house and helps his mother take care of his brother and sisters. Mamdouh (Ahmed Ramzy), his brother, is a self-centered man who refuses to follow his brother's step and decides to make his own decisions in his life. Meanwhile, despite restricting social conventions, Layla (Faten Hamama) falls in love with her piano teacher, a married man who is years older than she is, and marries him. The other two daughters accept their conditions and move on. Layla and Mamdouh's impetuous decisions result in unfortunate consequences. Layla divorces her husband shortly after their marriage and Mamdouh dies in a car accident after a quarrel. Ahmed finds the strength to face his brother's death and enrolls in the army to fight in the war. His sister falls in love with another soldier in the war, and Ahmed himself falls in love with a woman and marries her.
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Après la mort du père, la famille composée d'une mère et deux jeunes hommes et une fille elles-mêmes sans soutien de famille trouve, pour commencer chacun d'entre eux dans la direction d'un autre chemin, de pécher par excès frère aîné (Hassan) pour travailler drogue, et a obtenu son diplôme (Hussein) est du Collège de police, tout en travaillant (Nafisa) la prostitution sans la famille de connaissances, de les cacher du sort de nombreuses surprises.