The Battle of the Sexes is a 1914 American silent drama film directed by D. W. Griffith for the Majestic Motion Picture Company. No complete prints of the film are known to exist, however, a fragment has survived. Griffith remade the film as The Battle of the Sexes in 1928 as a dramedy and this latter version is available on DVD.
Synopsis
Frank Andrews (Donald Crisp) is a well-to-do, middle class apartment dweller who is devoted to his wife (Mary Alden) and two children, John (Robert Harron) and Jane (Lillian Gish). Andrews enters into a mid-life crisis when a fetching young lady, Cleo (Fay Tincher), moves into the apartment next door to the Andrews'. Cleo takes note of Andrews' interest in her and begins to flirt with him, going so far as to set a fire in her apartment in order to attract his aid. Before long, Andrews and Cleo are involved in an affair, and Andrews begins to neglect both his family and responsibilities at work. Humiliated and aghast at her mother's silent suffering over the situation, Jane goes next door with the idea of killing Cleo, but instead they strike up a conversation, and a mutual understanding. They hatch a plan whereby one of Cleo's former beaus (Owen Moore) appears to be courting Jane in front of Andrews, who swiftly condemns his daughter's interest in the man. Jane counters by pointing out Andrews' own poor moral choices, and he sees the error of his ways. Andrews is happily reconciled to his family, and Cleo sets out in search of new digs.
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Réalisé parD. W. Griffith OrigineEtats-Unis GenresDrame ThèmesAdaptation d'une pièce de théâtre ActeursDonald Crisp, Robert Harron, Earle Foxe, Lew Landers, Ralph Lewis, Mae Marsh Note59% The film begins with a short prologue explaining the science of Eugenics; contrasting the careful selection observed in the animal world with the less predictable breeding habits of humans. This is illustrated by the story of the Joyce family, headed by Jim Joyce (Turner), a cruel and senseless man. Joyce's son Larry (Harron) is by nature a sensitive kid, but Jim Joyce turns him into a heartless monster, strangling a cat as a sort of coming of age ritual.