An angry black priest (Andre Braugher) in 1960s New Orleans goes against the wishes of his parish leader (Rip Torn) as he pushes a basketball game between his unbeaten all-black team and an undefeated all-white prep school team.
The film begins two years before African-American Darnellia Russell attends the predominantly white and upper-class Roosevelt High School. Bill Resler, a tax law professor at the University of Washington, becomes their new girls basketball coach. Resler, a coach who uses animal and nature themes to motivate his team, believes they can win the Washington State championship but they fall short in the first game of the state tournament.
Since the age of nine, Sebastian Telfair has been a well known player on the basketball courts in his hometown of Brooklyn. Now entering his senior year of high school, Sebastian is determined to get his team, the Lincoln Railsplitters, to their third straight PSAL championship title. He is also faced with the decision to either attend The University of Louisville or make the jump from high school to the NBA in order to provide for his family and get them out of the projects of New York City. Telfair's environment also plays a big part in his life. He deals with a death and having the entire neighborhood depending on him to be next in the line of great New York point guards.
Clay Driscoll, a young coach from Louisiana with dreams of being the head coach of a successful boys basketball team, is hired by an Oklahoma superintendent to coach basketball. Driscoll immediately finds himself in conflict with the head of the school board, Ellis Brawley, who is also the great-great grandson of the town's founder, the owner of the bank, and the most influential man in the town. The superintendent did not ask Brawley about the hire, and now is off recovering from a medical condition. Brawley has hired another man to coach the schools' boy's basketball team, and has relegated newcomer Driscoll to the unenviable job of coaching the girl's team. Early 1960s Oklahoma is in the midst of a drought, and the school and town are facing economic distress. High school sports are an integral part of the town's fabric and pride, but girls' sports are an afterthought and receive little attention. The girls' team is more akin to a gym class than a basketball program. Clay is crushed by the news that the job he came for has gone to “someone more qualified”, and he sees no future in coaching the girls.
Jérôme Jenkins Jr., un jeune garçon afro-américain de 12 ans, rêve de devenir de maître du terrain de basket pour ne plus être la cible des écrasements des grands. Malheureusement, il est trop jeune, pas assez grand et peu rapide. Un jour, avant qu'un orage n'éclate, il trouve une paire de baskets qui ont appartenu à un certain M.J.. Celles-ci vont alors l'aider à devenir un grand joueur de basketball.
Ball Don't Lie plays out over one day in the life of Sticky (Boucher), a skinny high school sophomore and basketball prodigy from Venice, California. Burdened with emotional scars from a traumatic childhood, a callous foster care system, and obsessive-compulsive personality disorder, Sticky manages to transcend his limitations whenever he has a ball in his hands.
The film follows 8 of the top high school basketball players in the US at the time of filming, in 2006. The plot centers around the first annual Boost Mobile Elite 24 Hoops Classic at the legendary Rucker Park in Harlem.
Tai sort de prison et découvre que son frère jumeau est dans un coma profond depuis un an. Ce dernier avait été laissé pour mort lors de sa participation à un tournoi de Fireball, un jeu violent dérivé du basketball qui est organisé clandestinement par des bandes de criminels. Tai accepte d'intégrer l'équipe de Den afin de retrouver l'homme qui a brutalement blessé son frère.
Kobe Doin’ Work is an 84-minute exploration of Kobe Bryant’s work ethic, his in game mentality, and his bluntness that makes Kobe a great competitor. [1] It focuses on Kobe Bryant during one day of the 2007–08 Los Angeles Lakers season. Bryant granted filmmaker Spike Lee and 30 cameras unprecedented access to his life for one day. Kobe: Doin' Work premiered on ESPN on May 16, 2009.The documentary follows Kobe Bryant during the 2007–08 NBA season throughout the April 13, 2008 game against the San Antonio Spurs.[2] The game in which Kobe was documented and given a microphone to capture live in game moments was a heated game with the rival Spurs. Kobe shot 6 of 14 from the field, scored 20 points, and played 32 minutes. The game was a crucial game in the end of the regular season, as the Los Angeles Lakers hoped to keep first place in the Western Conference with a record of 55-25. Spike Lee was interviewed asking why he chose Kobe Bryant to direct this documentary, in which Lee replied, "I'm a big basketball fan. It was obvious. He was having an MVP-type year, in which he did win the MVP. Also the Lakers looked like they were going to take it to the Finals. And I wanted them to beat the Celtics. I hate the Celtics. But the Celtics won. But I don't think I was taking a gamble by choosing Kobe." (Lee, NBA.com)3. Kobe agreed to let Lee microphone him during the game, in which he also played in the game. According to Spike Lee, "He (Kobe) said several times how much fun it was just doing it." (Lee, NBA.com)3. The 83-minute documentary ran on ESPN commercial free.[3] The documentary also focuses on Bryant and the team in huddles and during time-outs. The cameras also get full access of coach Phil Jackson in the locker room with the team during half-time.[4] Bryant provided the voiceover for the documentary on February 2, 2009, hours after he scored 61 points against the New York Knicks at Madison Square Garden, (then a single-game record at the arena, which has been broken since).[5] Spike Lee said that he was excited for Kobe to do the commentary following a game at Madison Square Garden, but no one expected a 61-point performance from Bryant. "I know that if he had a terrible game the commentary would not have been the same. Guaranteed. But Kobe said he made a point to make sure not to lose the game or he would hear it from me." (Lee, 8th paragraph)3. Kobe indeed said in an after game interview that he was going to give the game his all in order to show Spike Lee a thing or two about Bryant’s skills on the court against the Knicks. "On a lighter note, I'm going to review this documentary I'm doing with Spike Lee tonight after the game and I didn't feel like sitting next to him and hearing him talking trash about the Knicks, so that was added incentive as well. Seriously. He's going to get an earful tonight." (Bryant, 8th paragraph, ESPN.