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Julia Bacha est une Réalisatrice, Scénariste, Producteur, Directeur de la Photographie et Monteur Brésil née le 1980 à Rio de Janeiro (Bresil)

Julia Bacha

Julia Bacha
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Nationalité Bresil
Naissance 1980 (45 ans) à Rio de Janeiro (Bresil)

Julia Bacha (born 1980) is a Brazilian documentary filmmaker. She is a media strategist and award-winning filmmaker whose work has been exhibited at Sundance, Tribeca, Berlin, Jerusalem, and Dubai International Film Festivals, and broadcast on the BBC, HBO, Al Jazeera and Al Arabiya television channels. Since graduating Magna Cum Laude from Columbia University in 2003, she has strategically used film to highlight under documented stories from the Middle East.

Julia started her filmmaking career in Cairo, where she co-wrote and edited Jehane Noujaim’s critically acclaimed documentary, Control Room (2004), for which she was nominated to the Writer’s Guild of America Award.
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Le plus souvent avec

Ronit Avni
Ronit Avni
(1 films)
Andrew Rossi
Andrew Rossi
(1 films)
Source : Wikidata

Filmographie de Julia Bacha (2 films)

Afficher la filmographie sous forme de liste

Réalisatrice

Budrus
Budrus (2010)
, 1h10
Réalisé par Julia Bacha
Origine Etats-Unis
Genres Documentaire
Thèmes Afrique post-coloniale, Religion, Documentaire sur le droit, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la politique, Documentaire sur la religion, Politique, Religion juive
Note76% 3.8222653.8222653.8222653.8222653.822265
Jordana Horn in The Jewish Daily Forward states that: Budrus [is] a documentary by Julia Bacha that examines one West Bank town’s reaction to Israel’s construction of the security barrier. The town, with a population of 1,500, was set to be divided and encircled by the barrier, losing 300 acres of land and 3,000 olive trees. These trees were not only critical for economic survival but also sacred to the town’s intergenerational history. The film tells the story of Ayed Morrar, a Palestinian whose work for Fatah had led to five detentions in Israeli jails, but whose momentous strategic decision that the barrier would be best opposed by nonviolent resistance had far-reaching ramifications.

Scénariste

Budrus
Budrus (2010)
, 1h10
Réalisé par Julia Bacha
Origine Etats-Unis
Genres Documentaire
Thèmes Afrique post-coloniale, Religion, Documentaire sur le droit, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la politique, Documentaire sur la religion, Politique, Religion juive
Rôle Ecrivain
Note76% 3.8222653.8222653.8222653.8222653.822265
Jordana Horn in The Jewish Daily Forward states that: Budrus [is] a documentary by Julia Bacha that examines one West Bank town’s reaction to Israel’s construction of the security barrier. The town, with a population of 1,500, was set to be divided and encircled by the barrier, losing 300 acres of land and 3,000 olive trees. These trees were not only critical for economic survival but also sacred to the town’s intergenerational history. The film tells the story of Ayed Morrar, a Palestinian whose work for Fatah had led to five detentions in Israeli jails, but whose momentous strategic decision that the barrier would be best opposed by nonviolent resistance had far-reaching ramifications.

Production

Budrus
Budrus (2010)
, 1h10
Réalisé par Julia Bacha
Origine Etats-Unis
Genres Documentaire
Thèmes Afrique post-coloniale, Religion, Documentaire sur le droit, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la politique, Documentaire sur la religion, Politique, Religion juive
Rôle Producteur
Note76% 3.8222653.8222653.8222653.8222653.822265
Jordana Horn in The Jewish Daily Forward states that: Budrus [is] a documentary by Julia Bacha that examines one West Bank town’s reaction to Israel’s construction of the security barrier. The town, with a population of 1,500, was set to be divided and encircled by the barrier, losing 300 acres of land and 3,000 olive trees. These trees were not only critical for economic survival but also sacred to the town’s intergenerational history. The film tells the story of Ayed Morrar, a Palestinian whose work for Fatah had led to five detentions in Israeli jails, but whose momentous strategic decision that the barrier would be best opposed by nonviolent resistance had far-reaching ramifications.

Caméra

Budrus
Budrus (2010)
, 1h10
Réalisé par Julia Bacha
Origine Etats-Unis
Genres Documentaire
Thèmes Afrique post-coloniale, Religion, Documentaire sur le droit, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la politique, Documentaire sur la religion, Politique, Religion juive
Rôle Directeur de la Photographie
Note76% 3.8222653.8222653.8222653.8222653.822265
Jordana Horn in The Jewish Daily Forward states that: Budrus [is] a documentary by Julia Bacha that examines one West Bank town’s reaction to Israel’s construction of the security barrier. The town, with a population of 1,500, was set to be divided and encircled by the barrier, losing 300 acres of land and 3,000 olive trees. These trees were not only critical for economic survival but also sacred to the town’s intergenerational history. The film tells the story of Ayed Morrar, a Palestinian whose work for Fatah had led to five detentions in Israeli jails, but whose momentous strategic decision that the barrier would be best opposed by nonviolent resistance had far-reaching ramifications.

Monteur

Budrus
Budrus (2010)
, 1h10
Réalisé par Julia Bacha
Origine Etats-Unis
Genres Documentaire
Thèmes Afrique post-coloniale, Religion, Documentaire sur le droit, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la politique, Documentaire sur la religion, Politique, Religion juive
Rôle Monteur
Note76% 3.8222653.8222653.8222653.8222653.822265
Jordana Horn in The Jewish Daily Forward states that: Budrus [is] a documentary by Julia Bacha that examines one West Bank town’s reaction to Israel’s construction of the security barrier. The town, with a population of 1,500, was set to be divided and encircled by the barrier, losing 300 acres of land and 3,000 olive trees. These trees were not only critical for economic survival but also sacred to the town’s intergenerational history. The film tells the story of Ayed Morrar, a Palestinian whose work for Fatah had led to five detentions in Israeli jails, but whose momentous strategic decision that the barrier would be best opposed by nonviolent resistance had far-reaching ramifications.