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Remy Sylado est un Book et Coach dialecte Indonesien né le 12 juillet 1945 à Makassar (Indonesie)

Remy Sylado

Remy Sylado
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Nom de naissance Yapi Panda Abdiel Tambayong
Nationalité Indonesie
Naissance 12 juillet 1945 (79 ans) à Makassar (Indonesie)

Yapi Panda Abdiel Tambayong (born 12 July 1945), best known by his pen-name Remy Sylado, is an Indonesian author, actor, and musician. Owing to his wide interests, in a 1999 article The Jakarta Post termed him "a walking encyclopedia of arts and humanities."

Biographie

Sylado was born in Makassar, South Sulawesi, on 12 July 1945. His father, Johannes Tambayong, was an evangelist, though he also composed music. He moved to Semarang, Central Java, at a young age, studying in elementary school there. From a young age he showed an interest in theatre, writing his first stage dramas while still in junior high school. His early education was entirely in Catholic schools, though after secondary school he began to study in schools for the theatrical arts in Surakarta and Jakarta.

By the early 1960s Sylado had become a reporter with the Semarang-based daily Tempo, becoming that publication's editor-in-chief by 1965. In the 1970s he lived in Bandung, managing the magazine Aktuil whilst teaching at the Bandung Academy of Cinematography. He made his first foray into the film industry in 1973, handling the music for Frans Totok Ars' Pelarian; he wrote two further films, Duo Kribo (1977) and Ombaknya Laut Mabuknya Cinta (1978), by the end of the decade. In 1976 he married Maria Louise.

By the late 1970s Sylado was known for his poetry, which he termed mbeling: critical yet humorous, even cheeky. According to the literary critic Sapardi Djoko Damono, "Many poets have been inspired by the mbeling idea; it broke the conventions of poetry that existed then." In his spare time Sylado began writing novels, publishing his first—Gali Lobang Gila Lobang—in 1977. Sylado moved to Jakarta in the early 1980s and established his own theatrical troupe, with some of the actors taken from that of W. S. Rendra.

By the 1980s Sylado's musical work had been featured on 13 different albums, some songs with Sylado providing vocals, others with other musicians. His songs tended to gravitate towards folk music. Musician Harry Roesli studied under him. He began his film acting career in 1986, with Eduart P Sirait's Tinggal Sesaat Lagi. By 1992 he had acted in another five films, later acting in television serials.

In 1999 Sylado published the novel Ca Bau Kan (The Courtesan), which dealt with the trials and tribulations of Chinese Indonesians in pre-independence Indonesia. In 2001 Nia Dinata adapted the novel for her first feature film. Entitled Ca-bau-kan, the movie was critically panned, though Dinata was satisfied. Between 1999 and 2007 Sylado wrote an average of two novels yearly.

Sylado is well known for wearing exclusively white. He is known to research his novels in great detail, going to the Netherlands to research his 2003 novel Paris van Java. Despite this, and using typewriters instead of computers (writing drafts by hand), Sylado usually completes his work quickly, often in less than three months.

Le plus souvent avec

Nia Dinata
Nia Dinata
(1 films)
Andi Rianto
Andi Rianto
(1 films)
Yudi Datau
Yudi Datau
(1 films)
Sastha Sunu
Sastha Sunu
(1 films)
Source : Wikidata

Filmographie de Remy Sylado (1 films)

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Scénariste

Ca-Bau-Kan
Ca-Bau-Kan (2002)
, 2h
Réalisé par Nia Dinata
Genres Drame, Historique, Romance
Rôle Créateur de nouvelle
Note71% 3.5531553.5531553.5531553.5531553.553155
Ca Bau Kan relates the saga of Giok Lan, an Indonesian woman living in the Netherlands, who returns to Indonesia in search of her roots. Her mother, Tinung, a village woman, was known as ‘Ca Bau Kan’ – a word used to describe a courtesan who entertained Chinese men in colonial Indonesia. Giok Lan’s father, Tan Peng Liang (Ferry Salim), was an immigrant Chinese merchant who had a very successful tobacco business in Batavia. She becomes deeply involved with him, and causes a scandal when he has Tinung move in with his family. The film is set between 1930 and 1950, and unfolds the story of Giok Lan and her parents: Tinung and Tan Peng Liang where Tan is eventually ruined when his rivals begin to attack him. This is owing to the significant contrast in socio-economic and cultural background, as the love of these last two characters face a series of difficulties. Depiction of Chinese Indonesian culture is largely based on the Benteng Chinese culture.

Equipe

Ca-Bau-Kan
Ca-Bau-Kan (2002)
, 2h
Réalisé par Nia Dinata
Genres Drame, Historique, Romance
Rôle Coach dialecte
Note71% 3.5531553.5531553.5531553.5531553.553155
Ca Bau Kan relates the saga of Giok Lan, an Indonesian woman living in the Netherlands, who returns to Indonesia in search of her roots. Her mother, Tinung, a village woman, was known as ‘Ca Bau Kan’ – a word used to describe a courtesan who entertained Chinese men in colonial Indonesia. Giok Lan’s father, Tan Peng Liang (Ferry Salim), was an immigrant Chinese merchant who had a very successful tobacco business in Batavia. She becomes deeply involved with him, and causes a scandal when he has Tinung move in with his family. The film is set between 1930 and 1950, and unfolds the story of Giok Lan and her parents: Tinung and Tan Peng Liang where Tan is eventually ruined when his rivals begin to attack him. This is owing to the significant contrast in socio-economic and cultural background, as the love of these last two characters face a series of difficulties. Depiction of Chinese Indonesian culture is largely based on the Benteng Chinese culture.