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National Film Development Corporation of India

National Film Development Corporation of India
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Date de fondation 1 janvier 1975

The National Film Development Corporation of India (NFDC) based in Mumbai is the central agency established in 1975, to encourage high quality Indian cinema. It functions in areas of film financing, production and distribution and under Ministry of Information and Broadcasting, Government of India. The primary goal of the NFDC is to plan, promote and organize an integrated and efficient development of the Indian film industry and foster excellence in cinema.

Ses meilleurs films

Gandhi (1982) The Lunchbox (2013)
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Filmographie de National Film Development Corporation of India (20 films)

Afficher la filmographie sous forme de liste

Distribution

Kasba
Kasba (1991)
, 2h1
Réalisé par Kumar Shahani
Origine Inde
Genres Drame
Acteurs K. K. Raina, Manohar Singh, Shatrughan Sinha, Mita Vashisht, Raghubir Yadav

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry. He runs away from his wife after their marriage night and ends up being arrested in Delhi. The police, with further investigation, start to crack down on Maniram's corrupt business all the while Tejo starts to become mad with power and greed.
Khayal Gatha, 1h43
Réalisé par Kumar Shahani
Origine Inde
Genres Drame, Musical
Thèmes La musique, Musique
Acteurs Rajat Kapoor, Mangal Dhillon, Mita Vashisht

The film is presented in an abstract format, where a music student (Mangal Dhillon) listens to stories and legends about the birth and evolution of the Khayal form of classical Indian singing. These stories are re-enacted by actors Rajat Kapoor and Mita Vasisht, who play several key figures throughout the history of classical music.
Neerab Jhada, 2h
Réalisé par Manmohan Mahapatra
Genres Drame, Documentaire

Douze lycéens se retrouvent chaque vendredi à l'heure du déjeuner, entre deux cours, dans la salle de Guillaume Lafond, leur professeur. Il les accompagne depuis la seconde, avec esprit, humour et rigueur, dans les études de Grec, Latin et Français, au Lycée Charlemagne, un des plus prestigieux de la capitale. Ensemble, ils constituent le comité d'organisation du concours d'éloquence qui a lieu au mois de mai. Chaque membre est très impliqué dans l'organisation de l'événement.
Tarang
Tarang (1984)
, 2h51
Réalisé par Kumar Shahani
Origine Inde
Genres Drame
Acteurs Amol Palekar, Smita Patil, Dr. Shriram Lagoo, Om Puri, Girish Karnad, M.K. Raina

Sethji (Shreeram Lagoo) is a widowed businessman who lives a comfortable life with his only daughter, Hansa, his son-in-law, Rahul (Amol Palekar), and a grandson, Munna. Rahul is Sethji's right-hand man, and his nephew Dinesh (Girish Karnad) is his assistant. Over time, petty rivalries and jealousies have grown in the family, and Sethji and Rahul feel that Dinesh is trying to undermine the business. They make a plan to get rid of him without attracting any attention to themselves and succeed, but the after-effects are not kind towards Sethji's health, which grows worse eventually leading to his untimely death. Shortly thereafter, Hansa also dies, leaving her husband Rahul to look after the business on his own. Things start to turn controversial once Rahul begins an affair with the maidservant Janki (Smita Patil), and it is soon revealed that Hansa's death may not have been a suicide, but was a cover-up. As the mysteries start to unfold, they leave a scarring emotional impact on Rahul, and test his relationship with his late wife's family and his new lover.
Aparoopa
Aparoopa (1982)
, 2h4
Réalisé par Jahnu Barua
Genres Drame
Acteurs Biju Phukan, Suhasini Mulay, Girish Karnad, Farooq Sheikh, Kulbhushan Kharbanda, Sushma Seth

The story is set in the colonial period in Assam. The film deals with a young woman who has to give up her university education for her arranged marriage with a rich tea-planter. The plantation and its social routine become a prison of boredom for her since her husband completely neglects her for his business. Things get worse when she discovers, outraged, that her marriage was for the sake of wiping off a huge debt owed by her father. She considers herself as having been sold to her husband. Then one day an old classmate, now an army officer, visits them. Depressed, she gets drawn to her ex-lover from whom she seeks fulfillment.