A Good Man is a 2011 documentary film about Tony Award-winning dance choreographer, Bill T. Jones, and his efforts to create the dance-theatre piece, "Fondly Do We Hope...Fervently Do We Pray", a salute to Abraham Lincoln for Chicago's Ravinia Festival. A Good Man details Jones's personal struggles with race and coming to grips with the legacy of the Lincoln Presidency and the American Civil War. From the initial pre-production to the show's final performance, the documentary follows Jones as he attempts to connect with his dancers and convey the spirit of the civil rights movement that has inspired him as an artist.
A Good Man was a co-production of American Masters, ITVS, Kartemquin Films, Media Process Group, The Ravinia Festival and was produced by Joanna Rudnick and directed by Gordon Quinn and Bob Herucles. The documentary aired on PBS's American Masters series in 2011.
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, 1h21 GenresDocumentaire ThèmesDanse, La musique, Documentaire sur la musique, Documentaire sur une personnalité, Musique Note73% The movie follows the lives of a family of belly dancers living in a small Egyptian neighborhood in Cairo. Reda is the matriarch of the family who passes down her knowledge of the art of belly dancing to each of her children. Her husband died more than a year prior to the making of the documentary, so the viewer sees her in a state of mourning and uncertainty. She represents the authoritative figure, but her seven children often test the boundaries of her power. Each of her children contributes to the family profession through performing at local events, learning the trade during the day, or in the case of her younger son, watching the process of knowledge transition from generation to generation. Only three of her daughters currently perform, typically for all-male audiences. The documentary follows their journeys, from their household to the stage.