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Amar Ache Jol est un film Bangladais réalisé par Humayun Ahmed avec Zahid Hasan
Amar Ache Jol (2008)
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Ajouter à une liste de filmsAmar Ache Jol is a 2008 dhallywood film directed by Humayan Ahmed and produced by Impress Telefilm Limited. The film stars Zahid Hasan, Ferdous Ahmed, Meher Afroz Shaon and marks the debut of Bidya Sinha Mim.
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Suggestions de films similaires à Amar Ache Jol
Il y a 33 films ayant les mêmes acteurs, 5 films avec le même réalisateur, pour avoir au final 37 suggestions de films similaires.Si vous avez aimé Amar Ache Jol, vous aimerez sûrement les films similaires suivants :
Srabon Megher Din (2000)
, 2h30Réalisé par Humayun Ahmed
Origine Bangladesh
Genres Romance
Acteurs Zahid Hasan, Mahfuz Ahmed, Anwara, Golam Mustafa, Rawshan Jamil
Note85%
Moti (Zahid Hasan) is a folk singer in a village and a girl from that village Kusum (Meher Afroz Shaon) fall in love with him, even though she tries to hide it. The story take a turn when Suruj Miah (Mahfuz Ahmed) came in, who is brought by Kusum’s father (Saleh Ahmed) to give marry her with him. But tragedy hits in the end. Love, conflict, sorrow, tragedy all are the part in the movie.
আগুনের পরশমণি (1995)
Réalisé par Humayun Ahmed
Origine Bangladesh
Genres Drame, Guerre
Acteurs Asaduzzaman Noor, Bipasha Hayat, Abul Hayat, Dilara Zaman, Doli Johur
Note90%
Ghetu Putro Komola (2012)
, 2h1Réalisé par Humayun Ahmed
Origine Bangladesh
Genres Drame, Musical
Thèmes Musique
Acteurs Tariq Anam Khan, Jayanta Chattopadhyay, Tamalika Karmakar
Note74%
The story takes place 150 years ago during colonial era in a village Jalshuka, Habibganj. During that time a musical group was created called Ghetugaan where young boys dance in female clothings and Those dancers were called "Ghetu". Soon they became famous among people but the landlords wanted them for sexual desires and the theory of gay marriage was recognized in the society. The Ghetus were used to get hired for the flood season. The story is about a teenage boy who is hired by a colonial era landlord to entertain his sexual desires until the annual flood is over.
Shyamol Chhaya (2004)
, 1h50Réalisé par Humayun Ahmed
Origine Bangladesh
Genres Drame
Acteurs Humayun Faridi, Riaz, Tania Ahmed, Ahmed Rubel
Note85%
It's a story of boat journey. Monsoon, 1971 of helpless people was going towards the liberated zone. A horrific situation was prevailing in Bangladesh. Pakistan military had unleashed genocide in the country. Heroic sons of the soil started a war of liberation- Passengers of the boat were terribly frightened but they had dreams of war of Shaymol Chhaya - the land of people of peace. Would they be able to reach Shaymol Chhaya?
Dui Duari (2000)
, 2h20Réalisé par Humayun Ahmed
Origine Bangladesh
Acteurs Riaz, Mahfuz Ahmed
Note77%
'Taru' (Shawon), Taru's father and little brother 'Tagor' goes on a car by forest side road. Unfortunately, a young man 'Rahossa Manob' (Riaz) with a guitar widenes his two hands in the middle of the road. Taru's car driver wants to break to save the man, but it was impossible. So, a small accident occurs. Taru's father takes Rahossa Manob in their car and takes home. Rahossa Manob in the mean time feels good, Taru's father sent him some money with his servant 'Mobarak' (Dr. Ezazul Islam). But Mobarak arranges him a rickshaw and 100 money. Sometime later Rahossa Manob come back to Taru's home. Taru doesn't like him but Tagor likes him too much and also loves.
Final Mission (2013)
Acteurs Ferdous Ahmed, Rimjhim Mitra, Shankar Chakraborty, Bhola Tamang
The film starts with the murder of an honest industrialist, Jayabrata Chakraborty (Rajat Ganguly), as the result of a terrible plan made by three criminals - Ranabir Hazra (Shyamal Dutta), Binod Pandey (Shankar Chakraborty), and Manmohan Sawant (Raja Chattopadhyay). Formerly, Jayabrata was a close friend of Ranabir Hazra. Their relationship was strengthened by an unassailable companionship. Apart from that, Jayabrata’s wife (Irani Mukherjee) shared an extremely sympathetic relationship with Ranabir’s wife, Jui (Santana Bose). However, the harmony between the two families got spoiled as the greedy and cruel thoughts of Ranabir Hazra came to the forefront, with fumes of retaliation harboured by Jui against her own husband. Jui had thought of a deadly mission of avenging her husband. As a demonstration of her canny strategy, Jui deploys her own son, Rana (Ferdous Ahmed) along with Jayabrata’s son, Raja (Sanjay Banerjee) in the ferocious dynamic encounter against her own husband Ranabir. Emboldened by the momentum of Jui, Rana initiated the courageous campaign of exercising penal measures against the three conspirers - Ranabir, Binod and Manmohan.
খোকাবাবু (2012)
Genres Comédie, Romance
Acteurs Dev, Subhasree Ganguly, Ferdous Ahmed, Laboni Sarkar, Tathoi Deb, Biswajit Chakraborty
Note52%
The film is about Abir Roy a.k.a. Khoka/Khokababu (Dev) who is a cool and a clever guy. Shankar Das a.k.a. Bhaiji (Ferdous) is a well-known don in his territory whom everybody fears and obeys. Khoka joins Bhaiji's circle as an accountant where he has a wacky senior Khanra Babu (Subhashish Mukherjee). Khoka with his super wit starts to obtain every luxury that a perfect office should have and starts to hoax Bhaiji. Problems occur when Khoka falls in love with Bhaiji's sister Pooja (Subhasree Ganguly). Anyone who even looks in her direction is simply dealt with in the cruellest possible way. Khoka somehow manages to win over Pooja and also gains the complete trust of Bhaiji by changing the system in which his business operates. Bhaiji asks him to look after Pooja as he considers his other employees to be incapable. Khoka and Pooja fall in love with each other and even get secretly married. She even goes to his house to stay for 3 days as Bhaiji's rival Ballu (Ashish Vidyarthi) is after her life. Bhaiji is completely unaware of Khoka and Pooja's relation, however he does come to know about it later. Can their love survive when Bhaiji is over-possessive about his sister and goons like Ballu are on the loose to take revenge from Bhaiji by killing his sister Pooja? That's how our super-clever Chalu Cheez Khokababu takes the story ahead.
Guerrilla (2011)
, 2h20Origine Bangladesh
Genres Drame, Guerre, Historique
Acteurs Joya Ahsan, Ferdous Ahmed, Shampa Reza, Ahmed Rubel, ATM Shamsuzzaman
Note80%
On the ominous night of 25 March 1971, a heinous military operation, the Operation Searchlight an operation designed to kill indiscriminately the innocent democracy loving millions, was initiated by the Pakistan Army. The hated operation was just the beginning of the worst genocide to follow, a brutal crime against humanity after the Second World War. On that very night, Hasan Ahmed, a veteran journalist of the country, husband of Bilkis (Joya Ahsan), simply vanished while on his way to his newspaper office to perform his journalistic duty. He is untraceable till date. Bilkis was in banking profession. She started a desperate search for her husband and at the same time got herself engaged as a collaborator to the guerrilla operations which were gradually gaining momentum. She was not affected by her personal loss and pain, rather, undaunted; she chose the hazardous path to carry on the fight for our liberation. With the guerrilla fighters like Shahadat, Alam, Maya, Kazi Kamal, Fateh Ali and others operating in Dhaka, she started participating directly in many dangerous and successful operations. She was in constant touch with Altaf Mahmud, the legendary personality of Bengali Nation's musical arena and scorer of many revolutionary songs. She thus became the central character in the movie, also a target to the enemy. Bilkis, Shahin and many others got involved in the publication of a secret English News bulletin The GUERRILLA, obviously from the underground. Incidentally, at a particular point of time, Taslim Ali Sardar, a traditional Chieftain of the old Dhaka's subsector (Moholla), who courageously sheltered ill-fated Bilkis, got brutally killed by the Pakistani Army and their lackeys--- the hated rajakars. At one point, Altaf Mahmud, Rumi, Bodi along with some other freedom fighters were captured. Altaf and few others like him did never return, could never be traced, a tragic fact well known to us today. Bilkis, a lonely character now, could evade the worse, and tactfully leave the labyrinth- like barriers and traps set by the occupational army around Dhaka. She could get into a train to her home, Joleswari, a remote village at Rangpur. The metallic train transforms into a character, a symbolic one, a moving replica designed to depict a catastrophic journey. The parents of Bilkis were killed in the communal riots of the Bengalis and the Biharis in January '71 earlier.. She just was desperately longing to meet her own brother: Khokon at Joleawari. Khokon was then a commander of the local freedom fighters. Pakistan Army units were on the verge of collapse due to consistent fierce attacks initiated by those fighters. Khokon dynamited a vital railway bridge near Joleswari, interrupting all train movements. . She had to reach her brother. Nothing could deter her. She opted to walk. On her way, she got a young vibrant male companion, Siraj, a member of Khokon's fighting group. At one point Khokon was captured by the Pak Army. The brutal Army and Rajakar predators SLAUGHTERED him along with other captured freedom fighters. Bilkis wanted to have a glimpse of her dead brother, wanted to touch his apparently cold, inert body to feel the warmth of a loving brother, the heat of the fire inside him which no killer could extinguish. Khokon was a living, pulsating symbol of our ongoing freedom fight. She, risking her life, could enter the 'killing fields' of the occupants but was captured immediately by them. Bilkis was captured but she did never surrender to the heinous forces. For her country, for the entire freedom loving humanity, she did set up an example, a glorious one. She does not allow her body, the body of the fledgling Bangladesh, to be molested by the vultures of Pakistan. She blew herself up with explosives, destroying the surrounding mocking dogs in the process.
