Busy Little Bears is a 1939 American short family film directed by John A. Haeseler. It won an Academy Award at the 12th Academy Awards in 1940 for Best Short Subject (One-Reel).
Suggestions de films similaires à Busy Little Bears
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, 1h45 Réalisé parEnrique Piñeyro GenresDrame, Documentaire ThèmesTransport, Aviation, Politique, Film catastrophe, Film de catastrophe aérienne ActeursMercedes Morán, Alejandro Awada, Enrique Piñeyro, Paulo Brunetti, Silvina Bosco Note73% 31 août 1999. Le Boeing 737 de la compagnie argentine LAPA s'enflamme après avoir percuté un terre-plein dans le centre de Buenos Aires et provoque la mort de 67 personnes. Whisky Romeo Zulu narre l'histoire qui mène à ce terrible accident.
Réalisé et interprété par Enrique Piñeyro, ex-pilote de la compagnie, le film révèle la trame complexe des complicités entre la Force Aérienne et LAPA pour esquiver les contrôles de sécurité dans le but d'obtenir de plus en plus de bénéfices.
, 3h22 Réalisé parYoshishige Yoshida OrigineJapon GenresDrame, Biographie, Documentaire ThèmesFilm libertaire, La mer, Politique, Sexualité, Transport, Erotique, Politique ActeursMariko Okada, Toshiyuki Hosokawa, Yūko Kusunoki, Yoshisada Sakaguchi Note73% Le film relate la vie de Sakae Osugi, anarchiste et militant japonais, assassiné par la police militaire durant les troubles qui ont suivi le grand tremblement de terre du Kantô de 1923. Le film expose ses relations avec trois femmes différentes : sa femme Yasuko Hori, la militante féministe Itsuko Masaoka, et sa dernière amante Noe Itō, auteur anarchiste et féministe assassinée en même temps que lui. La narration suit deux étudiants, Eiko Sokuta et son ami Wada, qui découvrent en 1969 les idées politiques et le concept d'« amour libre » formulé par Ōsugi.
, 3h55 Réalisé parJoe Wright GenresDrame, Documentaire, Historique, Romance ActeursRufus Sewell, Ian McDiarmid, Rupert Graves, Helen McCrory, Christian Coulson, Shirley Henderson Note75% It covers the life of Charles II - beginning just before his Restoration to the throne in 1660. He was deeply traumatized by the execution of his father in 1649, after the former's defeat in the Wars of the Three Kingdoms; it begins, however, with his penurious exile in Antwerp in 1658. The film's emphasis is on his court, and his conflicts with Parliament - essentially the same issues which led to the Civil War between his father and the House of Commons, the politics of whom would succeed him - and his relationships with his family, his mistresses and his illegitimate son James, Duke of Monmouth.
, 2h18 Réalisé parVictor Erice GenresDrame, Documentaire ThèmesPeinture, Documentaire sur l'art, Documentaire sur une personnalité Note76% The film begins by showing Antonio López García as a very meticulous painter. He drives in pegs to mark his stance, hangs a weight and uses strings to determine the symmetry and center of his painting. His first attempt starts out peacefully but he soon encounters problems due to the weather and the size of his canvas. As García and a friend discuss Michelangelo's The Last Judgement, painted when Michelangelo was in his 60s, which García is fast approaching, the film's subject takes shape as the relationship between the artist's work and his own mortality. García's future attempts are much more rushed and frantic as he struggles to compete with the weather, the fleeting sun and the rotting and weighed down fruit in maintaining his vision.