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Haal E Kangaal est un film réalisé par Ramchandra PN avec Niraj Sah

Haal E Kangaal (2014)

Haal E Kangaal
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Durée 1h45
Réalisé par

Haal-E-Kangaal (Hindi: हाल ए कंगाल, English: The Bankrupts) is a Hindi language feature film that is completed in 2015. The film is shot in a single location - a suburban flat in the city of Mumbai. The film uses the services of just two actors. It is one of those few two character films made over the world.

The story, screenplay and direction of Haal-E-Kangaal is by Ramchandra PN, a graduate of the Film and Television Institute of India, Pune. His earlier film Suddha had won the best Indian film at the Osean Cinefan Festival of Asian Films, New Delhi, 2006 and his second feature Putaani Party had won the Best Children's Film at the Indian National Film Awards for the year 2009.

Synopsis

Two struggling filmmakers meet after a gap of fifteen years and amidst celebration, enmity and jealousy realise that they are as bankrupt as every before - in all sense of the word.

Acteurs

Niraj Sah

(Tripurari Gupta (Trips))
Hemant Mahaur

(Lokesh Sharma.)
Bande annonce de Haal E Kangaal

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions de films similaires à Haal E Kangaal

Il y a 1 films ayant les mêmes acteurs, 7 films avec le même réalisateur, pour avoir au final 8 suggestions de films similaires.

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[[File:|thumb|200px|left|Miyar House]] The filmmaker’s 200-year-old ancestral house is dismantled, giving him an opportunity to undertake a journey into a past. It is a past that he shares not only with his extended family, but also with successive generations of India’s rural population. Armed with a cranky digital camera, he and his friend Ajay Raina sets out to document the dismantling process. They meet the four owners of the house – the uncles and aunt of the filmmaker - and gather from them what it means to undergo the process of change and migration. A sense of nostalgia and loss; as well as the excitement and the insecurity of the future accompany this process; the essence of which is transition. A realization of the inevitability of this transition marks this journey. It could well have been the journey of a country that has propelled itself into modernity. As plans are on for the house to get reconstructed elsewhere in an open-air museum, out of its original context – for the filmmaker, the fossilization seems to be complete. The film ends with the tile that says that the filmmaker's father has expired in Mumbai in 2010.
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