Recherchez un film ou une personnalité :
FacebookConnexionInscription
Karneval, anđeo i prah est un film de genre Drame réalisé par Antun Vrdoljak avec Ena Begović

Karneval, anđeo i prah (1990)

Karneval, anđeo i prah
Si vous aimez ce film, faites-le savoir !
  • Infos
  • Casting
  • Infos techniques
  • Photos
  • Vidéos
  • Passages TV
  • Citations
  • Personnages
  • Musique
  • Récompenses
Réalisé par
Genres Drame
Note74% 3.7375853.7375853.7375853.7375853.737585

Karneval, anđeo i prah is a Croatian film directed by Antun Vrdoljak. It was released in 1990.

Acteurs

Bande annonce de Karneval, anđeo i prah

Bluray, DVD

Streaming / VOD

Source : Wikidata

Commentaires


Postez un commentaire :

Suggestions de films similaires à Karneval, anđeo i prah

Il y a 77 films ayant les mêmes acteurs, 11 films avec le même réalisateur, 61571 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.

Si vous avez aimé Karneval, anđeo i prah, vous aimerez sûrement les films similaires suivants :
Glembajevi
Glembajevi (1988)
, 2h
Réalisé par Antun Vrdoljak
Genres Drame
Thèmes Adaptation d'une pièce de théâtre
Acteurs Mustafa Nadarević, Ena Begović, Žarko Potočnjak, Zvonimir Rogoz, Ksenija Pajic, Emil Glad
Note76% 3.834323.834323.834323.834323.83432
It is a period piece set in 1913 in Zagreb (which was at the time part of Austria-Hungary) and follows members of the fictional Glembay family, headed by Ignjat Glembay (Tonko Lonza), a prominent banker, and his second wife baroness Castelli (Ena Begović). Eleven years after his mother's suicide, Leone Glembay (Mustafa Nadarević) returns from abroad to his family home in Zagreb. He is haunted by depressing memories, particularly by thoughts of his deceased mother, his sister who committed suicide, and the Baroness Castelli, his father's second wife. The only member of his family that Leone confides in is Beatrice (Bernarda Oman), his brother Ivan's widow, who in the meantime became a nun and renamed herself Angelika. Leone witnesses omnipresent hypocrisy in the family and is repulsed by the criminal means through which his family became rich. Ultimately, Leone confronts his father and the baroness.