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Life's for Living: Aadmi est un film de genre Drame réalisé par V. Shantaram avec Raja Paranjape
Life's for Living: Aadmi (1939)
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Ajouter à une liste de filmsAadmi is a 1939 Hindi social reformist film directed by V. Shantaram. It was a remake of the Marathi film Manoos (1939) and is regarded as a classic from the Prabhat Film Company. The film starred Shahu Modak, Shanta Hublikar, Sundara Bai, Ram Marathe, Ganpat Rao, Ulhas and Gauri The music was composed by Master Krishna Rao and the lyrics were by Munshi Aziz. The story is about a policeman who marries a sex worker in order to better her life but is faced by an unforgiving society.
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Suggestions de films similaires à Life's for Living: Aadmi
Il y a 6 films ayant les mêmes acteurs, 45 films avec le même réalisateur, 61665 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Life's for Living: Aadmi, vous aimerez sûrement les films similaires suivants :
Manoos (1939)
, 2h44Réalisé par V. Shantaram
Genres Drame, Romance
Acteurs Ramchandra Purushottam Marathe, Raja Paranjape
Note73%
Shahu Modak plays the role of an honest policeman, Ganpat, who on his beat round meets a prostitute, Maina (Shanta Hublikar). He saves her when there is a police raid on the sex-workers. Over their several meetings he falls in love with her. He attempts Maina's rehabilitation by getting her out of that atmosphere by marrying her. In this endeavour he takes her to meet his mother to get her approval. The social disapproval brings misery. Modak resorts to drinks and descends into alcoholism. Maina is driven by guilt and is unable to bear the jeers and snide remarks. She finally kills her evil uncle and refuses Ganpat's help when arrested.
Réalisé par V. Shantaram
Genres Musical, Romance
Acteurs Sandhya Shantaram, Abhijeet Bhattacharya, Iftekhar, Raja Paranjape, Dina Pathak, Siddharth Ray
Note72%
Alaknanda lives a wealthy lifestyle with her widowed dad, Dr. Verma. She is fond of dancing and singing to such an extent that she refuses to marry the groom her dad has chosen for, runs away to Laitpur, enlists in the song and dance troupe that Rajkumar Kailash runs in his palatial house called 'Lalit Mahal'. Both Kailash and Alaknanda meet and fall in love, but Kailash's mom wants him to get married to Rajkumari Rupmati. Then when Alaknanda is performing, she meets with an accident, is hospitalized with a fractured leg that may never heal. Afraid to show her face to Kailash, who still insists on marrying her, she uses her crutches to escape from the hospital, ends up with a gang of bandits, is rescued by Kailash and brought home - where circumstances will again put her on the stage to perform a dance.
Sehra (1963)
, 2h31Réalisé par V. Shantaram
Genres Drame, Romance
Acteurs Sandhya Shantaram, Lalita Pawar, Manmohan Krishna Chadha, Mumtaz, Jeetendra
Note62%
Sherpal (Ulhas) and Tailab (Manmohan Krishan) are chiefs of two opposing clans who regularly meet at an annual competition that highlights their combative strengths in fields of weaponry. Sherpal's daughter Angara (Sandhya) is a tomboy who has been taught all that is required for the competition. She defeats Vikram (Prashant) who is from the clan of Taibal. The two fall in love, but cannot marry due to the old feud. Angara’s mother (Lalita Pawar) is after her to behave like a girl and dress accordingly. She finally gives in to her mother's demands. When her father dies, Mangal (M. Rajan) appears claiming to be her bethrothed, chosen by her father. When things start taking a violent turn she agrees to marry him. Mangal then treats her badly after marriage. Angara suffers the humiliation and even carries a heavy weight across the desert, a punishment meted out to her by Mangal. As she trudges through the desert she comes across a dying Vikram, who asks for water. She attempts to give him water against her husband's wishes, and is shot by Mangal. Angara and Vikram die together.
Ladki Sahyadri Ki (1966)
, 2h31Réalisé par V. Shantaram
Genres Drame, Thriller
Acteurs Sandhya Shantaram
Note54%
Rani (Sandhya) and her family are poor but she is not allowed to work when offered a job in a theatrical company, as it is against the custom of her family to have girls working. However she takes on the job when the village temple needs money for repairs. The stage-owner starts drinking and makes inappropriate advances to Rani. When she snubs him he stops the work on the temple restoration. Rani is separated from her family but finally reunites with them and has the temple completed.
Boond Jo Ban Gayee Moti (1967)
, 2h31Réalisé par V. Shantaram
Genres Drame, Policier, Romance
Acteurs Jeetendra, Mumtaz, Nana Palsikar, Lalita Pawar
Note69%
The story is told in a flashback with Satyaprakash (Jeetendra) reliving his past life in the village as a teacher. Satyaprakash's parents give him the task of looking after his younger brother, Mahesh (Akashdeep), before they die. Shefali (Mumtaz) is a village girl who falls in love with him. Satya is a teacher who honours truth and uses new teaching methods in school for which he continuously gets into trouble with the school Board and the principal (Nana Palsikar). He sends Mahesh to the city to study further in college. However, Mahesh turns out to be a spoilt brat who enjoys drinking and romancing girls. He fails his exams but fools his brother by giving him a wrong roll number. He has fallen in love with Renuka (Vaishali) and when she gets pregnant, he kills her. Satyaprakash is arrested for her murder. With Shefali's help Satya manages to find the real murderer, his brother, and he hands him over to the police.
Teen Batti Chaar Raasta (1953)
, 1h52Réalisé par V. Shantaram
Genres Drame, Comédie
Acteurs Sandhya Shantaram, Shashikala, Leela Mishra, Nirupa Roy, Sheila Ramani, Karan Dewan
Note69%
Lala Gulabchand (Dewan Sharar), is a Punjabi and his wife is from Uttar Pradesh. They live at the corner of a crossroads with three lights and four roads. He is a firm believer in national unity and has had five of his six sons, each married to a girl from a different state; a Marathi, Sindhi, Bengali, Tamil and a Gujarati. His sixth son Ramesh (Karan Dewan), works in the press and is a writer and an artist. He is a bachelor but falls in love with a woman named Kokila whose singing he hears on the radio. He draws a portrait of Kokila from imagination just listening to her sing. Unbeknownst to him, Kokila, called Shyama (Sandhya), is the dark-complexioned maid who works in their home and is proficient in all the different languages that the wives of the brothers' speak and very efficient in her chores. However, he rejects her as she's dark and Shyama leaves the house despondent. The turmoil the household goes through with the absence of Shyama and a repentant Ramesh finally makes for a happy ending by everyone getting together again.
Lok Shahir Ram Joshi (1947)
, 2h3Réalisé par V. Shantaram, Baburao Painter
Genres Drame
Acteurs Hansa Wadkar, Manmohan Krishna Chadha
Note62%
Ram Joshi is a Brahmin poet, who through his love of poetry and dance starts associating with the tamasha artists. He falls in love with the tamasha dancer Baya (Hansa Wadkar). The artists are of low-caste, and Joshi's interacting with them brings censure and he is out-lawed by the other members of his caste. The film follows his descent into alcoholism and his redemption from it through poetry.
Shakuntala (1943)
, 2h2Réalisé par V. Shantaram
Genres Drame, Romance
Acteurs Chandra Mohan
Shakuntala (Jayshree) is the daughter of sage Vishwamitra and Menaka, but is brought up by the sage Kanva, and stays with him in a forest dwelling. She meets King Dushyanta (Chandra Mohan), when he comes there for a hunt. The two fall in love and get married, with Dushyanta staying with her. Soon he has to leave and he promises to come back for her. Before leaving he gives her a ring as a token of their marriage. Shakuntala passes her days waiting for Dushyanta. She is so lost in his thoughts that she doesn’t hear a sage asking for water. He then leaves her with a curse that the one she is thinking about will forget her. She gives birth to a son, Bharata and several years pass without the return of Dushyanta who has lost his memory and has no recollection of Shakuntala. The ring he has given her is lost in the river and swallowed by a fish. Dushyanta turns her away when Shakuntala goes to the court. Later when Dushyanta recovers his memory Shakuntala refuses to go with him but both are finally united.
Padosi (1941)
, 2h15Réalisé par V. Shantaram
Genres Drame
Acteurs Mazhar Khan, Gajanan Jagirdar
Note71%
The story is set in a small village in India where the villagers of different communities live in harmony. Pandit (Mazhar Khan) a Hindu, and Mirza (Gajanan Jagirdar) a Muslim, are two old friends who function as the village elders and look out for each other's families. An industrialist, Onkar, arrives to construct a dam in the village. He is opposed by the two friends and the other villagers. Onkar decides to create distrust and disunity between the two communities and friends. When a house is set on fire, Mirza is made to believe it is the work of Pandit and his son. Encouraged by the villagers, he is forced to ex-communicate the two. This causes strife and the dam is constructed. Finally the dam breaks and the two old friends come together again and die in their attempt to save lives.
Apna Desh (1949)
, 2h1Réalisé par V. Shantaram
Genres Drame
Acteurs Manmohan Krishna Chadha
Mohini a Hindu Punjabi girl, is living with her family when the Partition riots break out. In the melee while her family escape their home, which now becomes part of Pakistan and go to India, she is kidnapped and raped by some Muslim rioters. After undergoing several harrowing experiences Mohini manages to come to India and locate her family. Her family and society is unwilling to accept her in their midst. Determined to get revenge on the society that has boycotted her she becomes a smuggler and gets into the black-marketing business. She sends ammunition to Pakistan smuggled in crates that have music instruments. Mohini soon becomes involved with another refugee, Satish. When Satish is implicated in the smuggling racket, Mohini admits her role in the business and surrenders to the police.