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Sa pusod ng dagat est un film Philippin de genre Drame réalisé par Marilou Diaz-Abaya avec Jomari Yllana
Sa pusod ng dagat (1998)
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Ajouter à une liste de filmsSa Pusod ng Dagat (En. In the Navel of the Sea) is a 1998 Filipino film directed by Marilou Diaz-Abaya. Starring Jomari Yllana with Chin Chin Gutierrez and Elizabeth Oropesa, it was released by GMA Films and Film Experts, Inc.
The film, was critically acclaimed in local and international film festivals. It premiered on March 13, 1998.
Synopsis
In a remote fishing island in the 50's, Pepito (Jomari Yllana) grows up learning the trade of his mother, Rosa (Elizabeth Oropesa), the only midwife capable of delivering the newborn babies of their community. At first, the young son doesn't mind the unusual arrangement, but as he grows older, he begins to resist the role traditionally meant only for women.Acteurs
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Suggestions de films similaires à Sa pusod ng dagat
Il y a 40 films ayant les mêmes acteurs, 8 films avec le même réalisateur, 61702 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Sa pusod ng dagat, vous aimerez sûrement les films similaires suivants :
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Note69%
Fredo (Cesar Montano) is a fisherman who has endured more than his share of hardship in life; his wife and child both perished in a boating accident, and today Fredo approaches each trip to the sea with the angry determination of a man out for revenge. Fredo commands a crew of young people from poor families as he takes his rattletrap ship into the ocean in search of fish that live along the reefs, snaring catch with an illegal netting system. Not all of Fredo's youthful sailors are willing to put up with his abusive arrogance, however, and even his father Dado (Pen Medina) and close friend Botong (Jhong Hilario) have grown weary of Fredo's tirades. Fredo's body is beginning to betray him as well, and as he and his crew damage the sea's reef beds in search of fish, no one is certain how much longer he will be able to continue.
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Note69%
Fredo (Cesar Montano) is a fisherman who has endured more than his share of hardship in life; his wife and child both perished in a boating accident, and today Fredo approaches each trip to the sea with the angry determination of a man out for revenge. Fredo commands a crew of young people from poor families as he takes his rattletrap ship into the ocean in search of fish that live along the reefs, snaring catch with an illegal netting system. Not all of Fredo's youthful sailors are willing to put up with his abusive arrogance, however, and even his father Dado (Pen Medina) and close friend Botong (Jhong Hilario) have grown weary of Fredo's tirades. Fredo's body is beginning to betray him as well, and as he and his crew damage the sea's reef beds in search of fish, no one is certain how much longer he will be able to continue.
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Note66%
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José Rizal was imprisoned in Fort Santiago under the abusive Spanish colonization. José Rizal was approached by a young uneducated Austronesian peoples asking the importance of education during his life. Meanwhile, in Balintawak, Andrés Bonifacio and his fellow secret organization of Katipunan commenced the uprising against the tyranny created by the Spaniards by tearing their cedula as a sign of Spanish slavery.
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Note66%
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Note71%
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Origine Philippines
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Note62%
Joey comes home after nearly a decade of living in the States. With Joey back, the four friends find themselves complete again—they reminisce on the good old times, marvel at the changes in each other’s lives. Indeed, a lot of things may have changed through the years, but some things remain constant. The ever-effervescent Kathy gives up on her girlhood dream of becoming a singer—something which her sparklingly vivacious teenage daughter, Bernadette, seems to have inherited. Sylvia brings up her son Bobby (Marvin Agustin) in ways that are more liberal, than most, ironically recoils at her grown son’s only flaw: his infertility. Maritess, a widow, contends with the complexities of being a mother to independent, self-asserting young adults: Guia, who chooses to remain single despite her pregnancy; Bryan, who’s gay and proud of it; and Levi, whose floater’s ways hint at a yearning for something beyond what his present life can offer. Joey’s stay in the States changes her a great deal; the untamed child of twenty years ago has matured into a woman who has come to embrace humanity and life. But pain and death may be realities that Joey has yet to learn to accept---because of her mother Maggie, who is fighting a losing battle with cancer, and the main reason why she has come home. Bernadette persistently courts Bryan despite his openly gay orientation, only to have her heart broken by the futility of her feelings Guia staunchly refuses to get back together with the father of her child in her desire to assert her self-sufficiency, but later realizes that needing people is not necessarily a sign of weakness. Bobby and wife Miriam are torn between religion and science as they try to find a solution to their childlessness, while Levi finds love in the personification of Joey—the woman who loves the father he never got to know. As the four women try to reconcile past with present to cope with the changing times, the children come to terms with themselves, with the people they love, and with life on the whole.
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Note75%
Variety describes the film thus: "Lav Diaz’s Evolution of a Filipino Family patiently and methodically observes the collapse and hopeful revival of a poor farming clan, meant to symbolize a nation’s history spanning 1971 to 1987."
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Note62%
Amelia, a girl from a poor Ilocano family, decides to go abroad and find her fortune and also help her family. She becomes a maid of a royal family in the Middle East, which is running out of time, for the wife of the Sheikh is giving birth to a child. The newborn child is a son named Ahmed, and the Sheikh's wife asks Amelia to take care of the baby, to which she agrees. Amelia grows fond of the baby, teaching him to speak Tagalog and play tumbang preso.