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Suggestions de films similaires à Surja Dighal Bari
Il y a 21 films ayant les mêmes acteurs, 61586 ayant les mêmes genres cinématographiques, pour avoir au final
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, 1h54
Origine BangladeshGenres DrameActeurs Farooque,
Bobita,
Anwar Hossain,
Rawshan Jamil,
Anwara,
ATM ShamsuzzamanNote83%
Mondol (A.T.M. Shamsuzzaman) is an influential person in the village. His son Milon (Farooque) likes the girl of a street singer (Anwar Hossain) Golapi (Bobita). In the meantime, Mondol brings a bridegroom for Golapi but they demand a cycle. Golapi's father cannot afford this so Milon pay for the cycle. But for some reason the marriage does not take place and Golapi's father commits suicide. As a result, Golapi's family fall into grief and she starts to work in different places by train. The people from the village do not take this positively and sit to desert them to work on trains., 2h17
Origine BangladeshGenres DrameActeurs Golam Mustafa,
Sara Zaker,
ATM ShamsuzzamanNote77%
Emil (Partho Shahid) has become first in the essay competition named "Mukto Pakhike Bondi Koro Na" by Khelaghor. He is coming to Dhaka from khulna by train to take the prize. He lost 500 Taka he was taking with him. But he was obstinate to find that money. Then the adventure starts and he finds some others in Dhaka and one friend's Uncle in his team., 2h20
Origine BangladeshGenres Drame,
Guerre,
HistoriqueActeurs Joya Ahsan,
Ferdous Ahmed,
Shampa Reza,
Ahmed Rubel,
ATM ShamsuzzamanNote80%
On the ominous night of 25 March 1971, a heinous military operation, the Operation Searchlight an operation designed to kill indiscriminately the innocent democracy loving millions, was initiated by the Pakistan Army. The hated operation was just the beginning of the worst genocide to follow, a brutal crime against humanity after the Second World War. On that very night, Hasan Ahmed, a veteran journalist of the country, husband of Bilkis (Joya Ahsan), simply vanished while on his way to his newspaper office to perform his journalistic duty. He is untraceable till date. Bilkis was in banking profession. She started a desperate search for her husband and at the same time got herself engaged as a collaborator to the guerrilla operations which were gradually gaining momentum. She was not affected by her personal loss and pain, rather, undaunted; she chose the hazardous path to carry on the fight for our liberation. With the guerrilla fighters like Shahadat, Alam, Maya, Kazi Kamal, Fateh Ali and others operating in Dhaka, she started participating directly in many dangerous and successful operations. She was in constant touch with Altaf Mahmud, the legendary personality of Bengali Nation's musical arena and scorer of many revolutionary songs. She thus became the central character in the movie, also a target to the enemy. Bilkis, Shahin and many others got involved in the publication of a secret English News bulletin The GUERRILLA, obviously from the underground. Incidentally, at a particular point of time, Taslim Ali Sardar, a traditional Chieftain of the old Dhaka's subsector (Moholla), who courageously sheltered ill-fated Bilkis, got brutally killed by the Pakistani Army and their lackeys--- the hated rajakars. At one point, Altaf Mahmud, Rumi, Bodi along with some other freedom fighters were captured. Altaf and few others like him did never return, could never be traced, a tragic fact well known to us today. Bilkis, a lonely character now, could evade the worse, and tactfully leave the labyrinth- like barriers and traps set by the occupational army around Dhaka. She could get into a train to her home, Joleswari, a remote village at Rangpur. The metallic train transforms into a character, a symbolic one, a moving replica designed to depict a catastrophic journey. The parents of Bilkis were killed in the communal riots of the Bengalis and the Biharis in January '71 earlier.. She just was desperately longing to meet her own brother: Khokon at Joleawari. Khokon was then a commander of the local freedom fighters. Pakistan Army units were on the verge of collapse due to consistent fierce attacks initiated by those fighters. Khokon dynamited a vital railway bridge near Joleswari, interrupting all train movements. . She had to reach her brother. Nothing could deter her. She opted to walk. On her way, she got a young vibrant male companion, Siraj, a member of Khokon's fighting group. At one point Khokon was captured by the Pak Army. The brutal Army and Rajakar predators SLAUGHTERED him along with other captured freedom fighters. Bilkis wanted to have a glimpse of her dead brother, wanted to touch his apparently cold, inert body to feel the warmth of a loving brother, the heat of the fire inside him which no killer could extinguish. Khokon was a living, pulsating symbol of our ongoing freedom fight. She, risking her life, could enter the 'killing fields' of the occupants but was captured immediately by them. Bilkis was captured but she did never surrender to the heinous forces. For her country, for the entire freedom loving humanity, she did set up an example, a glorious one. She does not allow her body, the body of the fledgling Bangladesh, to be molested by the vultures of Pakistan. She blew herself up with explosives, destroying the surrounding mocking dogs in the process., 1h54
Réalisé par Zahir RaihanOrigine BangladeshGenres Drame,
HistoriqueThèmes PolitiqueActeurs Abdur Razzak,
Shuchanda Akhter,
Khan Ataur Rahman,
Anwar Hossain,
Rawshan JamilNote92%
An autocratic bad tempered woman controls family members-her husband, two brothers and the servants which symbolizes the political dictatorship of Ayub Khan in then East Pakistan. Both stories run in parallel. Outside, the people of East Pakistan(now Bangladesh)rise in political protest, and inside, the family members raise their voices against the tyrannical woman. The two brothers get married and the situation gets more complicated when there are conspiracies for the control of the family between the sister-in-laws by having the keys of the house.