Le film commence avec le réalisateur Barry Blaustein exposant son amour du catch professionnel et des extraits d'interviews d'employés de la World Wrestling Federation et de l'Extreme Championship Wrestling. Il décide alors de voyager dans tous les États-Unis pendant trois ans, essayant de comprendre à quoi pense une personne qui choisit volontairement de devenir catcheur professionnel. Blaustein interview un grand nombre de personnalités du catch et réussit à englober leurs motivations.
The documentary tells its story by focusing on the careers of six women—The Fabulous Moolah, Mae Young, Gladys "Kill 'Em" Gillem, Ida Mae Martinez, Ella Waldek and Penny Banner. It begins by describing the beginning of wrestling in the 1930s. By the 1940s, American men had to leave the country to fight in World War II, leaving females to take over the sport. At first, women's wrestling was seen as a side-show, and it was banned in several states. The film mostly focuses on these years—the 1940s—along with the 1950s and 1960s, better known as the "heyday of women's wrestling", when the sport became more accepted and popular. The six women are interviewed and tell their stories of why they entered wrestling. They also share tales of being exploited financially, unruly fans, and being physically abused. The film splices in archival footage of their matches, television clips, and footage from a 1951 movie entitled Racket Girls in between interviews. The film also covers their post-wrestling occupations: lion-tamer, detective, nurse, and yodeler. The film ends with footage from the Gulf Coast Wrestlers Reunion, where they meet to swap stories.
The documentary (84 min) covers the birth and development of a professional style wrestling league from the mid-1980s that was produced by young teens aging from 12 to 16 years of age. The film covers the rise and fall of a unique wrestling experience for both the fans and kids that were involved. The film includes footage from the original NWF productions as well as current interviews with past NWF participants.
The film opens at the Auditorio de Tijuana to scenes of wrestlers and cheering fans. Following these scenes, the film proceeds to break down the concept of lucha libre and its cultural significance by following the dual lives of professional luchadores: Extreme Tiger, Angel Negro Jr., and Pancho Cachondo, all working-class individuals from Tijuana who become local heroes in the community the moment they put on their masks. The film breaks down Tijuana’s lucha libre components respectively:
This documentary reveals the violent, bizarre depths of the world of backyard wrestling to the mainstream. Director Paul Hough was working on a syndicated wrestling program when an audition tape led him to discover the widespread phenomenon online. Males of different ages who cannot afford pro wrestling school tuition or choose to make their activities a lifestyle, turn to compete in the unsanctioned battleground of their backyard, with the use of deadly elements and weapons, such as barbed wire, light tubes, fire, glass and staple guns. The film showcases Hough's tour, as he tracks several underground wrestlers in Arizona, Nevada, California, New York and England.