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Kan Mukai est un Réalisateur Japonais né le 16 octobre 1937 à Dalian (Chine)
Kan Mukai (向井寛, Mukai Kan) aka Hiroshi Mukai and Patrick Kan (カン・パトリック, Kan Patorikku) was a Japanese film director, cinematographer, producer and screenwriter, known for his pioneering work in the pink film genre. In the realm of pink cinema, Japanese critics have estimated that Mukai is, "the only serious rival of Kōji Wakamatsu." As a producer, Mukai helped the early careers of many prominent directors, including Hisayasu Satō and Academy-Award winner Yōjirō Takita. In his career he directed nearly 200 films and produced approximately 500.
Source : Wikidata
Kan Mukai
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Nom de naissance Hiroki Mukae
Nationalité Japon
Naissance 16 octobre 1937 à Dalian (Chine)
Mort 9 juin 2008 (à 70 ans) à préfecture métropolitaine de Tokyo (Japon)
Nationalité Japon
Naissance 16 octobre 1937 à Dalian (Chine)
Mort 9 juin 2008 (à 70 ans) à préfecture métropolitaine de Tokyo (Japon)
Kan Mukai (向井寛, Mukai Kan) aka Hiroshi Mukai and Patrick Kan (カン・パトリック, Kan Patorikku) was a Japanese film director, cinematographer, producer and screenwriter, known for his pioneering work in the pink film genre. In the realm of pink cinema, Japanese critics have estimated that Mukai is, "the only serious rival of Kōji Wakamatsu." As a producer, Mukai helped the early careers of many prominent directors, including Hisayasu Satō and Academy-Award winner Yōjirō Takita. In his career he directed nearly 200 films and produced approximately 500.
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Filmographie de Kan Mukai (6 films)
Réalisateur
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Tōkyō Diipu Surōto Fujin (1975)
, 1h17Réalisé par Kan Mukai
Genres Drame, Horreur
Thèmes La mer, Sexualité, Transport, Erotique
Acteurs Kumi Taguchi, Hideo Murota
Note65%
Kumi Taguchi is a model who leaves her boxer boyfriend after he sustains an injury. She meets and quickly marries Hideo, the heir to a corporate empire. Hideo's father, Takehiko, lusts after Kumi. Takehiko sends his son away, ostensibly on a business trip, but actually so that he can be murdered by Takehiko's henchmen. Takehiko seduces Kumi, but is frustrated when she refuses to perform oral sex on him. Angered, Takehiko forces Kumi to undergo surgery in which her clitoris is transferred to her throat, thereby requiring that she engage in oral sex in order to have an orgasm. Hideo, the supposedly murdered son, returns having paid off his assassins. Hideo shoots and kills his father, but Kumi grabs the gun and kills Hideo so that she can inherit the family's fortune.
Burū firumu no onna (1969)
, 1h20Réalisé par Kan Mukai
Genres Drame
Thèmes La mer, Sexualité, Transport, Erotique
Note48%
As his investments in the stock market fail, a man finds himself in serious debt to a lecherous loan-shark named Uchiyama. The man's wife hires herself to Uchiyama to buy time for the husband to pay off the debt. After Uchiyama uses the wife to provide companionship for his mentally-impaired son, she is hit by a car, and her husband falls into despair and illness. Their daughter works as a nightclub dancer, intending to save the money to help with the debt. After her father's suicide, the girl decides to get revenge.
Aoi firumu shinasadame (1968)
, 1h9Réalisé par Kan Mukai
Genres Pornographique
Thèmes La mer, Sexualité, Transport, Erotique
Note62%
The film depicts the plight of a female office worker whose boss introduces to the world of pornographic films.
Gendai Kunoichi Niku Jigoku (1968)
, 1h8Réalisé par Kan Mukai
Genres Pornographique
Thèmes La mer, Sexualité, Transport, Erotique
Note53%
One member of a secret society of female ninjas in contemporary Tokyo is kidnapped by international slave traders. The other female ninjas set about rescuing her.
Iro no michizure (1967)
, 1h10Réalisé par Kan Mukai
Genres Pornographique
Thèmes La mer, Sexualité, Transport, Erotique
Tomoko suffers at the hand of her husband, Arakawa, who practises sadistic sex with her and various other women. After Arakawa dies suddenly, Tomoko is at first relieved, but then discovers that she is incapable of enjoying sex unless she is in a masochistic position.
餌 (1966)
, 1h2Réalisé par Kan Mukai
Genres Drame, Pornographique
Thèmes La mer, Sexualité, Transport, Erotique
Note62%
A gigolo is paid by a rich older woman to seduce young girls while she and friends watch his love-making behind a two-way mirror. He tries to break free of the older woman's control, but when his sick mother needs an operation, he returns to the rich woman, making love to her for money. Humiliated by his dependency, he takes the woman's daughter to the love-show, where he rapes her in front of her mother.