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Rosa Rosal est une Actrice Philippine née le 16 octobre 1931 à Manille (Philippines)
Florence Danon Gayda (born October 16, 1931), better known as Rosa Rosal, is a FAMAS award-winning Filipino film actress dubbed as the "original femme fatale of Philippine cinema". She is also known for her work with the Philippine National Red Cross. For her humanitarian activities, she received the 1999 Ramon Magsaysay Award for Public Service, an award widely considered as Asia's Nobel Prize. She is the mother of TV host Toni Rose Gayda.
Source : Wikidata
Rosa Rosal
Nom de naissance Florence Lansang Danon
Nationalité Philippines
Naissance 16 octobre 1931 (93 ans) à Manille (Philippines)
Récompenses Filipino Academy of Movie Arts and Sciences Award
Nationalité Philippines
Naissance 16 octobre 1931 (93 ans) à Manille (Philippines)
Récompenses Filipino Academy of Movie Arts and Sciences Award
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Filmographie de Rosa Rosal (2 films)
Actrice
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Biyaya ng Lupa (1959)
, 1h51Origine Philippines
Genres Drame, Policier
Acteurs Rosa Rosal, Tony Dantes, Carmencita Abad, Marita Zóbel
Rôle Maria
Note69%
Maria and Jose begin their married life by establishing a countryside orchard of lanzones. They soon have four children, namely Miguel, Arturo, Angelita, and Lito. They live happily in the community, until Bruno comes along; he is a widower believed to have killed his own wife. Bruno wants to remarry and courts Choleng, a niece of Jose. Choleng dies by falling from a cliff while trying to evade Bruno. Bruno goes to the mountains to hide from the angry villagers. Bruno returns and rapes Jose's daughter, Angelita. Together with the villagers, Jose pursues Bruno but is shot by the latter.
Anak Dalita (1956)
, 1h59Réalisé par Lamberto V. Avellana
Origine Philippines
Genres Drame, Policier
Acteurs Rosa Rosal, Vic Silayan, Monang Carvajal, Eddie Rodriguez
Rôle Cita
Note67%
The story begins with Cita (Rosa Rosal), a prostitute residing in one of the makeshift houses in the squatter colony, strutting down the slums in carefree fashion, donning a dress that seems inappropriate in the slum's state of deprivation, revealing a bit of her cleavage and her shapely legs. the Against the overt images of extreme penury, her striking beauty and glamorous get-up seem scandalous and sinful. Everything changes when she arrives at her destination: a pitiful shanty that houses a dying old woman whose only wish is to see for the very last time her only son, a soldier who was sent to the Korean War. Vic (Tony Santos, Sr.), the war hero who returns to Manila and is forced to live within the ruined walls of the cathedral and among the people who have temporarily resided therein, whose left arm was rendered useless by a war injury, returns to the Philippines a hero. His welcome is cut short when Cita's younger brother informs him of his mother's impending death. He rushes to his mother's shanty in the slums and rushes to her bed, and she recognizes his face, greeted by Cita's emphatic stare and her mother's staggered breath. As if it’s the only thing she is waiting before crossing the realm of afterlife, she screams, lays her head on the side, and dies in his arms, leaving Vic in the grips of despair and depression, driving away the concern of people around him including his mother’s friend Cita who struggles to give him hope and win his love. Disillusioned and unemployed he turns to black market trading and currency smuggling.