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Monang Carvajal est une Actrice née le 1 janvier 1898 à Manille (Philippines)

Monang Carvajal

Monang Carvajal
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Nom de naissance Patrocinio Tagaroma Carvajal
Naissance 1 janvier 1898 à Manille (Philippines)
Mort 22 juin 1980 (à 82 ans) à San Juan (Philippines)

Monang Carvajal (born Patrocinio Tagaroma Carvajal; 1898 – June 22, 1980) was a Filipina film actress best known for her roles in thriller and horror movies. She was dubbed the "Queen of Horror Pictures".

Biographie

Carvajal was born in Manila in 1898, the daughter of Spanish Zarzuela actors, Don Jose Carvajal and Patrocinio Tagaroma de Carvajal. By the age of four, she was appearing on stage, appearing alongside her parents. In her teens, she was touring the bodabil circuit together with Manuel Silos as a comedy duo known as "Monang & Sano". Silos would later become a prominent film director.

Carvajal made her film debut in 1920, in the silent film El Trust de los Tenorios. Soon, she found herself frequently cast in horror films, often as a monster, a witch (mangkukulam) or some other supernatural being.
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Source : Wikidata

Filmographie de Monang Carvajal (4 films)

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Actrice

Black Mama, White Mama, 1h27
Réalisé par Eddie Romero
Origine Etats-Unis
Genres Drame, Thriller, Action, Policier
Thèmes La prison, Sexualité, Erotique, Sexploitation, Prison pour femmes
Acteurs Pam Grier, Sid Haig, Lynn Borden, Eddie García, Zaldy Zshornack, Alona Alegre
Note55% 2.7991752.7991752.7991752.7991752.799175
Deux femmes créent des incidents dans la prison (l'une "Lee Daniels" était révolutionnaire, l'autre "Karen Brent" était dans un harem).
Anak Dalita, 1h59
Réalisé par Lamberto V. Avellana
Origine Philippines
Genres Drame, Policier
Acteurs Rosa Rosal, Vic Silayan, Monang Carvajal, Eddie Rodriguez
Rôle Customs Officer
Note67% 3.3537653.3537653.3537653.3537653.353765
The story begins with Cita (Rosa Rosal), a prostitute residing in one of the makeshift houses in the squatter colony, strutting down the slums in carefree fashion, donning a dress that seems inappropriate in the slum's state of deprivation, revealing a bit of her cleavage and her shapely legs. the Against the overt images of extreme penury, her striking beauty and glamorous get-up seem scandalous and sinful. Everything changes when she arrives at her destination: a pitiful shanty that houses a dying old woman whose only wish is to see for the very last time her only son, a soldier who was sent to the Korean War.
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