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نيمه پنهان est un film iranien de genre Drame réalisé par Tahmineh Milani avec Niki Karimi

نيمه پنهان (2001)

نيمه پنهان
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Durée 1h43
Réalisé par
OrigineIran
Genres Drame
Note68% 3.4395853.4395853.4395853.4395853.439585

The Hidden Half (Nimeh-ye Penhan; نيمه پنهان) is a 2001 controversial drama film, written and directed by Iranian feminist Tahmineh Milani. The film stars Niki Karimi, Mohammad Nikbin and Atila Pesiani. The story is told as a manuscript of Fereshteh Samimi's (Niki Karimi) life, revealing her politically active and romantic past life, to her husband (Mohammad Nikbin).

The Hidden Half won the award for Best Screenplay in the Asia Pacific Film Festival in 2002. In 2001, the movie was nominated for the Golden Pyramid award from the Cairo International Film Festival, and won the award for Best Artistic Contribution, as well as being nominated for the PFS award from the Political Film Society in 2002.

Synopsis

The story is told through a manuscript which Fereshteh (Niki Karimi) leaves for her husband (Atila Pesiani) to read. This manuscript tells the story of her life when she was 18 years old and attending the University of Tehran. Fereshteh becomes interested in the fall of the Shah and other such political topics, and so joins a revolutionary, communist group. She gives out fliers, which was illegal as it was the Islamic Revolution period of 1978. Through the group, the young girl meets an older man, a pro-Mossadeq-era intellectual and magazine editor, Roozebeh (Mohammad Nikbin), who is intrigued by her “naive dedication to a noble cause". While government authorities inspect the university and streets of Tehran for revolutionary activists, Roozebeh presents Fereshteh with an opportunity to flee abroad to England. However, when Roozebeh’s wife finds out about the young lady, she informs her of Roozebeh’s family. Thus, when Fereshteh finds out about the intellectual’s wife and son, as well as the fact that she is a lookalike of his childhood sweetheart, she cuts all contact with him. She then marries her husband and does not inform him of her hidden past, only to reveal it to him when he tells her about the woman who is sentenced to death, whom he is interviewing for an appeal. Fereshteh does this in hopes that her husband will listen to the woman in a less critical and more understanding view, and to reveal to him her hidden half.

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