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Accueil > Tous les films > Films Musical > আপন আমার আপন
আপন আমার আপন est un film de genre Musical réalisé par Tarun Majumdar avec Prosenjit Chatterjee

আপন আমার আপন (1990)

আপন আমার আপন
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Réalisé par
Genres Musical
Note66% 3.309793.309793.309793.309793.30979

Apan Amar Apan is a 1990 Bengali film directed by Tarun Majumdar and produced by Pradip Kundalia. The film features actors Prosenjit Chatterjee and Tapas Pal and Satabdi Roy in the lead roles. Music of the film has been composed by R. D. Burman.

Acteurs

Prosenjit Chatterjee
Tapas Paul
Soumitra Chatterjee
Subhendu Chatterjee
Biplab Chatterjee
Et :
Deepankar De
Anup Kumar
Indrani Dutta
Shakuntala Barua
Bande annonce de আপন আমার আপন

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions de films similaires à আপন আমার আপন

Il y a 242 films ayant les mêmes acteurs, 13 films avec le même réalisateur, 6343 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.

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Keya (Debashree Roy) is a college student who also goes for music classes in Kolkata. She stays in a girls' hostel whereas her parents and cousin brother (Anup Kumar) stay in Shimultala (Bihar). Arup (Tapas Pal) is a small business man dealing in poultry and also helps poor people with free medicine and education. His mother (Madhabi Mukherjee) was a noted singer who was had recently died from cancer. His father had left his mother for another rich woman when she was expecting Arup.
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Kedar Chatujye (Tapas Paul), a dim-witted simpleton, is exiled to his uncle’s house in a small town in Bihar by his father, who is extremely angry with him for being unable to pass his B.A. exams after three attempts. The simple-minded Kedar becomes the butt of all jokes of his cousin Santu (Ayan Banerjee) gang of friends led by Bhombol Bhattacharjee also known as Bhombolda (Anup Kumar).
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The Sanyals are a large extended family composed of the nonagarian grandfather, (Haradhan Banerjee), his son (Ranjit Mullick), daughter-in-law (Laboni Sarkar) who rules over the house like a female Hitler, reincarnated, and their children of whom two, a daughter (Koel Mallick) and son (Rishi Kaushik) live together in a beautiful mansion in Bhawanipur. There seems to be more servants in their house than family members, extending the virtues and parameters of the ideal ‘joint’ family. The film starts with everyone being excited about the return of the elder son (Babul Supriyo) from US, where he had gone for some business related work. However, all hell breaks loose, when he returns with a wife (Rituparna Sengupta) and her child from a former marriage in tow. Her first husband with underworld links was killed in police crossfire. Everyone accepts the new additions to the Sanyal family except the mother-in-law who refuses to even acknowledge her presence. The story revolves around how these two women build bridges to keep the joint family intact, with most of the credit going to the beautiful daughter-in-law who can sing, dance, cook, clean, supervise, nurse and even do matchmaking in her own way – in short, being politically appropriate and offering a perfect celluloid example of a matrimonial ‘bride wanted’ classified ad.
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Ayan Banerjee and Mahua Roychoudhury as the child-couple are still remembered lovingly. Such a simple story of love is entertaining as well as inspiring. Moreover, the blend of the pre-Independence political backdrop with the simple love life of the newlywed is excellently portrayed. On one hand you have the caricature of a typical Babu, who’s hell-bent on getting the ‘Raibahadur’ title from the British rulers played excellently by Utpal Dutt, and on the other hand you have Biswajit, a Swadeshi who is out to teach the British rulers a lesson. The main focus is on Ayan, a notorious boy. To curb him, his parents get him married to Utpal Dutt’s daughter, Mohua. But he creates havoc in his in-laws’ house as well. The interplay between the two, their becoming friends, missing each other, understanding responsibilities towards each other all make for a charming love story.