Connexion
விளையாட்டுப் பிள்ளை est un film de genre Drame avec Sivaji Ganesan
விளையாட்டுப் பிள்ளை (1970)
Si vous aimez ce film, faites-le savoir !
Ajouter à une liste de filmsGenres Drame
Vilaiyaattu Pillai is a 1970 Indian Tamil film, directed by A. P. Nagarajan and produced by Gemini Films. The film stars Sivaji Ganesan, Padmini, Kanchana and Manorama in lead roles. The film had musical score by K V Mahadevan.
Acteurs
Sivaji Ganesan
(Muthaiah)
Padmini Ramachandran
(Maragatham)
Kanchana
(Indu)
Aachi Manorama
(Velu's wife)
Sennalkudi Narayana Thevar Lakshmi
(Muthaiah's mother)
Commentaires
Postez un commentaire :
Suggestions de films similaires à விளையாட்டுப் பிள்ளை
Il y a 610 films ayant les mêmes acteurs, 61808 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé விளையாட்டுப் பிள்ளை, vous aimerez sûrement les films similaires suivants :
Avan Oru Sarithiram (1977)
Réalisé par K. S. Prakash Rao
Genres Drame
Acteurs Sivaji Ganesan, Manjula Vijayakumar, Kanchana, Aachi Manorama, Pandari Bai, Bhanumati Ramakrishna
Thillana Mohanambal (1968)
, 2h46Genres Drame, Musical, Romance
Thèmes Danse, Musique
Acteurs Sivaji Ganesan, Padmini Ramachandran, Chittor V. Nagaiah, S. Balaiah, Aachi Manorama, Nagesh
Note75%
"Sikkal" Shanmugasundaram (Sundaram) (Sivaji Ganesan) is a devoted Nadaswaram player, but is short-tempered and sensitive. He meets Mohanambal (Mohana) (Padmini), a Bharatnatyam dancer, and they fall in love with each other. Sundaram's ego prevents him from developing his relationship with Mohanambal, who asks him to play a Thillana on his Nadaswaram while she dances. Mohanambal's mother Vadivambal (C. K. Saraswathi), an influential and mercenary woman, wants her daughter to marry a wealthy man so that she can settle down in life properly. Blinded by love, she disobeys her mother, creating a rift between them. Unaware of her feelings, Sundaram decides to leave the country along with Karuppayi (Manorama), a folk dancer whom he considers to be his sister. Mohana calls him a coward and challenges him to stay, which he readily accepts. In a temple, Sundaram plays the Thillana and Mohana dances. Sundaram, impressed with Mohana's performance, crowns her the title "Thillana Mohanambal". Suddenly Nagalingam (E. R. Sahadevan), a landlord who wanted to marry Mohana, turns up to stab Sundaram with a poisoned knife out of jealousy. He came to the temple to kill Mohana.
Iru Malargal (1967)
Réalisé par A. C. Tirulokachandar
Genres Drame, Romance
Acteurs Sivaji Ganesan, Padmini Ramachandran, K. R. Vijaya, Chittor V. Nagaiah, Nagesh, Aachi Manorama
Note65%
Sundar (Sivaji Ganesan) and Uma (Padmini) are classmates who fight often. Sundar, however, is very much in love with Uma, and when they perform in a dance drama competition at Madurai, and later move on to Kodaikanal, he expresses this love. Uma asks him to climb up a peak so that she will consider him as a suitor. Sundar suffers from Acrophobia and almost falls while climbing, at which point Uma accepts his love.
Thangai (1967)
Genres Drame
Acteurs Sivaji Ganesan, Gemini Ganesan, Kommareddy Savitri, Padmini Ramachandran, K. Balaji, Kanchana
Note73%
Pattikkada Pattanama (1972)
, 2h30Réalisé par P. Madhavan
Genres Drame
Thèmes Le viol
Acteurs Sivaji Ganesan, Jayalalithaa, Aachi Manorama, Manorama, V K Ramasamy, Sennalkudi Narayana Thevar Lakshmi
Note60%
Mookkaiyan (Sivaji Ganesan) belongs to a well-to-do family and lives in the village Sozhavandan. He is held in high esteem by the villagers for his prowess. One day, his uncle Chockalingam (V. K. Ramaswamy), his wife Bama (Sukumari) and their foreign-educated daughter Kalpana (Jayalalithaa) come to Sozhavandan to participate in the Mariamman festival. Kalpana is fascinated by Mookaiyan's prowess; her mother disapproves of Kalpana's emotional reaction while her father is happy. Bama settles a young man of Madurai to marry Kalpana. Moved by the pleas of Chockalingam, Mookaiyan goes to the bridegroom's house and brings back Kalpana, saying that he has the right by birth to marry her.
Vietnam Veedu (1970)
Réalisé par P. Madhavan
Genres Drame
Acteurs Sivaji Ganesan, Padmini Ramachandran, Nagesh, Thangavelu, Rama Prabha, V.S. Raghavan
Note70%
Prestige Padmanabha Iyer retires from his company executive position and has a lonely and unhappy life with his family in the ancestral home Vietnam House, named for the constant fighting and arguing.
Navarathiri (1964)
Genres Drame
Acteurs Sivaji Ganesan, Kommareddy Savitri, Nagesh, Aachi Manorama, Manorama, V K Ramasamy
Note76%
The film opens with the narrator explaining that there are nine types of human behaviors (Navarasam) such as Wonder (அற்புதம்), Fear (பயம்), Compassion (கருணை), Anger (கோபம்), Equanimity (சாந்தம்), Disgust (அருவருப்பு), Elegance (சிங்காரம்), Bravery (வீரம்) and Bliss (ஆனந்தம்) and that Sivaji Ganesan's nine roles represents one character per role.
Dharma Raja (1980)
Genres Drame
Acteurs Sivaji Ganesan, K. R. Vijaya, K. Balaji, Sundarrajan, Aachi Manorama, Thengai Srinivasan
Baagyavathi (1957)
Réalisé par L. V. Prasad
Genres Drame
Acteurs Sivaji Ganesan, Padmini Ramachandran, M. N. Rajam, Thangavelu, K. Sarangapani, Ragini
Saraswathi Sabatham (1966)
, 2h28Genres Fantasy
Thèmes Mythologie, Religion
Acteurs Sivaji Ganesan, Devika, Padmini Ramachandran, K. R. Vijaya, Gemini Ganesan, Aachi Manorama
Note72%
Saraswati Sabatham tells the story of a dispute between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati (Savitri), the Goddess of knowledge, and purposely annoys Her by saying that wealth is more important and abundant. Saraswati angrily said that She will prove that Her power, knowledge is more important. Narada then goes to Vaikuntha to see Lakshmi (Devika), the Goddess of wealth, and also annoys Her by saying that education is more abundant and is the best. Lakshmi also retorted that She will prove that Her power of wealth is more important. Narada finally goes to Mount Kailas, seeking Parvati(Padmini), the goddess of power and strength and annoys Her too, saying that wealth and knowledge is more important. Parvati too stressed that She will prove that Her power of strength is more important.