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Calzada est un film américain réalisé par Eduardo Montes-Bradley

Calzada (2010)

Calzada
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Durée 30minutes
OrigineEtats-Unis

Calzada is a documentary film based on the life and works of Cuban-American artist Humberto Calzada. Calzada was entirely shot in Miami, FL where Humberto Calzada has lived since 1960. Calzada was produced by Heritage Film Project, and directed by Eduardo Montes-Bradley, as part of a series of portraits of visual artists. The film was presented at the Tower Theatre in Miami on January 7, 2010, and broadcast for the first time on January 12, 2010, on WPBT Channel 2 (PBS).
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The film is made of a series of in-depth, on-camera interviews with Poet Laureate Rita Dove—conducted and recorded between September 2012 and October 2013. These interviews were edited with hundreds of still images and several hours of home movies from the Dove family's collection. The intimacy of the dialogue between Rita Dove and Montes-Bradley's camera provide a rare personal insight into the wide range of Dove's artistic passions. Most of these images are the results of the efforts of Rita Dove's father (Ray A. Dove) to record family life in the 1950s and 1960s. Mr. Ray Dove recorded in 8mm and Super 8mm birthdays, the opening of gifts on Christmas Day year after year, holidays and family excursions. According to the filmmaker, "Rita's father is omnipresent and perhaps the silent protagonist of the film as he captured images of Rita which have become fundamental clues to the evolution of the suburban middle class African American child into the celebrated poet we know and recognize.
Julian Bond - Reflections from the Frontlines of the Civil Rights Movement, 30minutes
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Genres Biographie, Documentaire
Thèmes Le racisme, Documentaire sur la discrimination, Documentaire sur le droit, Documentaire historique, Documentaire sur la politique, Politique

The film is built around an in-depth interview with Julian Bond, by Eduardo Montes-Bradley at the Sixth & I Synagogue in Washington, D.C., along with the last few lectures that he delivered, as a member of faculty, at the University of Virginia in May 2012. The interviews are bolstered by a barrage of photographs and archival footage taken from different sources. These images help define and illustrate the different historical eras beginning with the American Civil War and running up to the 2008 US presidential election.
Che Guevara - L'ascension et la chute, 1h
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Origine Etats-Unis
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Note75% 3.7842353.7842353.7842353.7842353.784235
De sa maissance jusqu’à sa mort, de ses années de médecine en Amérique Latine jusqu’à son adhésion au mouvement du 26 juiillet, du tribunal révolutionnaire cubain jusqu’aux jungles du Congo et de la Bolivie : ce documentaire extraordinaire retrace la vie d’Ernesto Guevara, plus connu sous le nom de Che Guevara ou Le Che. Le Dr Alberto Granados, compagnon de moto du Che, ainsi que trois survivants de la guardia de Hierro du Che nous livrent leurs souvenirs et leurs témoignages sur celui qui est devenu une icone pour les mouvements révolutionnaires marxistes du monde entier.
Samba On Your Feet, 1h
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Origine Etats-Unis
Thèmes Danse, La musique, Documentaire sur la musique, Documentaire sur une personnalité, Musique
Acteurs Tia Surica
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Montes-Bradley approaches Jorge Luis Borges on film. The portrait of Borges emerges as a counterpoint to the interviewees, some of which evoke scandal and most of which cut through stereotypes and presuppositions surrounding this key figure. The title of the film is a reference to a quote from the poem “Borges and I”, slightly modify to pay a tribute to the writer´s billings. The strategy employed by Montes-Bradley when it comes to Borges, a writer of whom almost everything has been said, consists on giving the word to the writer himself and to a select group of intellectuals who dwell on the margins of the Argentine cultural aparatik. Montes-Bradley, however, does not exhibit Borges like a painting to be admired but rather as counterpoint to the observations of others. We are neither the hapless witnesses of another saccharine celebration of Jorge Luis Borges, nor are we forced to endure another fashionable defrocking of an idol. The Borges that emerges from the interaction of the testimonies in this documentary surges from the heat of the debate, from the strong opinions, some certainly scandalous, most politically incorrect.