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Debshishu est un film de genre Drame avec Smita Patil

Debshishu (1985)

Debshishu
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Genres Drame
Note71% 3.5740753.5740753.5740753.5740753.574075

Debshishu is a 1985 Hindi-language Indian feature film directed by Utpalendu Chakraborty, starring Smita Patil and Om Puri in lead roles. The film is an NFDC production.

Acteurs

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Streaming / VOD

Source : Wikidata

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Suggestions de films similaires à Debshishu

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Dukhi (joué par Om Puri), tanneur intouchable d'un village du Rajasthan, a besoin des services du prêtre brahmane (joué par Mohan Agashe) pour fixer la date du mariage de sa fille. Il se rend donc chez lui, et le brahmane, qui n'a pas le temps de venir, lui confie toute une série de travaux à accomplir. Bien qu'il se remette à peine d'une mauvaise fièvre, Dukhi s'exécute.
Arvind Desai Ki Ajeeb Dastaan, 1h50
Réalisé par Saeed Akhtar Mirza
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Acteurs Dr. Shriram Lagoo, Om Puri, Anjali Paigankar, Sulabha Deshpande, Rohini Hattangadi, Satish Shah
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Arvind Desai (Dilip Dhawan) is the only son of a rich businessman (Shriram Lagoo) who deals in luxury handicrafts and products. His feelings for his father are mixed. While he hates his dominating nature, he admires his power and lack of scruples. He has long discussions on art and politics with a Marxist friend (Om Puri), is seeing his father's secretary, Alice (Anjali Paigankar) and sometimes he visits a prostitute, Fatima. Much against his wishes, his marriage is arranged to a girl from a high-class family that has just returned from Paris much to Alice's mother dismay who realizes that Alice was time-pass for Arvind and nothing more. Suresh Oberoi has done cameo in movie.
Tarang
Tarang (1984)
, 2h51
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Origine Inde
Genres Drame
Acteurs Amol Palekar, Smita Patil, Dr. Shriram Lagoo, Om Puri, Girish Karnad, M.K. Raina
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Sethji (Shreeram Lagoo) is a widowed businessman who lives a comfortable life with his only daughter, Hansa, his son-in-law, Rahul (Amol Palekar), and a grandson, Munna. Rahul is Sethji's right-hand man, and his nephew Dinesh (Girish Karnad) is his assistant. Over time, petty rivalries and jealousies have grown in the family, and Sethji and Rahul feel that Dinesh is trying to undermine the business. They make a plan to get rid of him without attracting any attention to themselves and succeed, but the after-effects are not kind towards Sethji's health, which grows worse eventually leading to his untimely death. Shortly thereafter, Hansa also dies, leaving her husband Rahul to look after the business on his own. Things start to turn controversial once Rahul begins an affair with the maidservant Janki (Smita Patil), and it is soon revealed that Hansa's death may not have been a suicide, but was a cover-up. As the mysteries start to unfold, they leave a scarring emotional impact on Rahul, and test his relationship with his late wife's family and his new lover.
Mirch Masala, 2h8
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The film is set in Colonial India in the early 1940s. The plot begins with an arrogant subedar (Naseeruddin Shah) (local tax collector in colonial India) and his henchmen rampaging through a village. The subedar has an eye for women and soon spots Sonbai (Smita Patil) on the riverbank. Sonbai is an intelligent, beautiful and strong woman. Her confidence intrigues the subedar.
Ardh Satya
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The film opens at a party where Anant Welankar (Om Puri), a police officer, meets Jyotsna Gokhale (Smita Patil), a lecturer in literature at a local college. Anant is a sub-inspector with Bombay police. They seem to hit it off despite some initial skirmishing about ideology, and the friendship blossoms into a relationship.
Bhavni Bhavai, 2h15
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The film begins with a group of Harijans migrating to a city pausing for a night. An elderly (Om Puri) starts narrating the story of King Chakrasen.
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Arth (1982)
, 2h18
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Pooja (Shabana Azmi), who grew up as an orphan girl and always dreamt of owning a house, becomes insecure when she finds out that she and her husband, Inder (Kulbhushan Kharbanda), have to leave the apartment they rent. The twist that occurred when Inder gives her the keys of a new house proves to be double-edged, when it is revealed that he is in love with another woman, Kavita (Smita Patil), with whom he earned the money (in the film industry) for the new apartment. While previously giving advice to her maid (Rohini Hattangadi) cheated by her husband, now Pooja becomes herself involved in a similar situation. When Inder deserts Pooja for Kavita, she chooses to leave the apartment for a women's hostel with only 7px2000 that she had when she got married. She is helped by Raj (Raj Kiran) to surpass the difficulties of life as a single person, to find a job and to rely morally on herself. Raj and Pooja become good friends. Gradually, Kavita's mental instability deepens her fears of insecurity, even after Inder requests Pooja to sign the divorce papers.
Albert Pinto Ko Gussa Kyon Ata Hai, 1h50
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The film captures the angst of a worker, in Mumbai exemplified by a young Christian car mechanic, Albert Pinto (Naseeruddin Shah) who is under the illusion that if he works hard and emulates the rich, one day he can also be successful. He makes friendly relations with his customers, who are usually the rich of the city and who keep telling him that good workers do not go on strike. Strikes are the handiwork of lumpen elements. Pinto gets angry with the supposedly wrong attitudes of the workers who he assumes go on strike under any pretext. However, when Pinto's father, who is a mill worker is abused by the lumpen elements hired by the mill owners, he realizes that it is not the workers but the capitalists who should be blamed for the plight of the workers. He also realizes the legitimacy of strikes. Towards the end of the movie, Pinto still remains an angry man; but now his anger is directed against the capitalists, not the striking workers.
Giddh
Giddh (1984)

Genres Drame
Acteurs Om Puri, Smita Patil, Nana Patekar, M.K. Raina, Naseeruddin Shah
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In a remote village at Karnataka-Maharashtra border in India, the poor residents follow Devdasi tradition according to which young girls are given up in the service of Goddess Yellamma. The landlords, priests and other men take advantage of these young girls and pimps like Veerapppan take them to brothels in Bombay. Bhashya, a laborer and his wife Ahnami lead an attempt at awakening against the practice by deciding to save Laksmi from becoming a Devdasi with the help of Masterji, going against the powerful feudal lord Desai.