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Jaani Dyakha Hawbe est un film de genre Drame avec Parambrata Chatterjee
Jaani Dyakha Hawbe (2011)
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Ajouter à une liste de filmsJaani Dyakha Hawbe is a 2011 Bengali film directed by Birsa Dasgupta and produced under the banner of Cine Nine. The film features actors Parambrata Chatterjee and Payel Sarkar in the lead roles. Music of the film has been composed by Indradeep Dasgupta.
Synopsis
Megh (Parambrata Chatterjee) wants to be a musician and Hiya (Payel Sarkar) is an aspiring model. But both of them couldn't really establish themselves. They meet at a bookstore and fall in love with each other. But a time comes when they had to give more time for their career rather than their love. This resulted in a break-up, with its ill-effects on both lives. It was too late when they realised that they cannot stay without each other.Acteurs
Parambrata Chatterjee
(Megh)
Payel Sarkar
(Hiya)
Anjan Dutt
(Ishwar)
Roopa Ganguly
(Minakshi)
Mamata Shankar
(Nirupama)
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Suggestions de films similaires à Jaani Dyakha Hawbe
Il y a 109 films ayant les mêmes acteurs, 70979 ayant les mêmes genres cinématographiques (dont 995 ayant exactement les mêmes 3 genres que Jaani Dyakha Hawbe), pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Jaani Dyakha Hawbe, vous aimerez sûrement les films similaires suivants :
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The film starts with a woman writing a letter, which reads 'Amar mrittur jonne keu dayi noy' which means that 'no one is responsible for my death'; but she strikes out 'keu dayi noy', hinting that there is someone, or some people responsible. A man is seen coming out of a taxi, coming up the stairs, and then opening a study room where the woman is seen hanging from the ceiling. A young boy, who was probably sleeping on a bed nearby, rushes to greet the man, but discovers the woman's hanging corpse. Here the camera rolls back to sometime past. A beautiful woman named 'Nilanjana' is seen talking with some people, and then visits another man in a corner named 'Ritwik', and together, they go to meet someone. The audience is brought to the present again, where a producer and a director is seen having a deal that the latter would convince three famous film-artists to feature in the film. The director leaves, and starts doing what he said. 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