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Le Piège à rats est un film de genre Drame réalisé par Adoor Gopalakrishnan avec Karamana Janardanan Nair
Le Piège à rats (1982)
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Ajouter à une liste de filmsElippathayam (Translation: The Rat Trap; Malayalam: എലിപ്പത്തായം) (1981) is a Malayalam film, written and directed by Adoor Gopalakrishnan. It is critically considered by many to be one of the most outstanding pieces in Adoor Gopalakrishnan's filmography.
This film documents the feudal life in Kerala at its twilight. The protagonist is trapped within himself and is unable to comprehend the changes taking place around him. The film won the British Film Institute award for Most Original and Imaginative film shown at the National Film Theatre in 1982. The film was shown at a number of film festivals around the world, including the 1982 Cannes Film Festival.
Synopsis
Un propriétaire terrien, héritier d'une société féodale en décomposition, vit avec ses deux sœurs. Incapable de faire face à ses problèmes, il sombre dans la folie.Acteurs
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Suggestions de films similaires à Le Piège à rats
Il y a 378 films ayant les mêmes acteurs, 10 films avec le même réalisateur, 61095 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Le Piège à rats, vous aimerez sûrement les films similaires suivants :
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Note68%
The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.
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Note81%
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Note82%
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The film captures the ascent of the protagonist, Shankaran Kutty, from a carefree individual to a mature responsible adult. The opening sequences, canned by the director himself, shows Shankaran Kutty- attending a temple festival. The film proceeds to show the irresponsible and often nomadic life style of Shankaran Kutty. Shankaran Kutty, though seemingly at the beginning of middle age, spends most of his time playing around with children, joining political processions and helping the villagers when he is not attending temple festivals. He is provided for by his younger sister who works as a house maid in the city of Thiruvananthapuram. His sister in an attempt to get his life organized arranges a marriage for him. But to the dismay of his new wife, Shankaran Kutty continues his life style often staying away from home for weeks. The already pregnant wife soon leaves him, and Shankaran Kutty does not make any attempt to have her back at home.
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Note70%
Kunjunni's (Vishwanathan) parents separate soon after his birth, and he's left to be cared by his mother, void of paternal care and affection. He is brought up by his mother with the help of his grandmother, an estimate manager and his friend Meenakshi (Mini Nair), the daughter of a maid servant working in Kunjunni's house. Inspired by his Uncle (Narendra Prasad), who was initially a Gandhian, and eventually a Marxist, Kunjunni finds himself drawn to left-wing ideologies during his studies at college, believing that communism is the answer to heal all social hardships and inequalities. Eventually he joins an extremist Marxist group, and his affairs land him in trouble. After an attack at a police station, Kunjunni is arrested and taken to court, but later acquitted of all charges.
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Note64%
Naalu Pennungal is the story of four women from Kuttanad in Alappuzha district in Kerala. The stories are set in the years between the 1940s to the 1960s.
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Note64%
The four chapters of the film tell stories, which are independent of each other. The only connection between them is the recurring theme of crime. With the flow of the movie, there is an increase in the complexity of the crimes.
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Note79%
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Onnum Mindatha Bharya (1984)
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