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Nothing Shall Be Hidden est un film américain réalisé par Harry A. Pollard avec Harry A. Pollard

Nothing Shall Be Hidden (1912)

Nothing Shall Be Hidden
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Réalisé par
OrigineEtats-Unis

Nothing Shall Be Hidden is a 1912 American drama film. It was produced by the Independent Moving Pictures (IMP) Company of New York, and is the earliest-known directorial effort of Harry A. Pollard, who also stars.

Acteurs

Harry A. Pollard
Margarita Fischer
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Source : Wikidata

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Suggestions de films similaires à Nothing Shall Be Hidden

Il y a 18 films ayant les mêmes acteurs, 16 films avec le même réalisateur, pour avoir au final 33 suggestions de films similaires.

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L'Oncle Tom et Eliza sont tous deux esclaves de la même maison dans le Kentucky.
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As described in a studio publication, Bert Lyons (Gibson) returns to his ranch to discover his foreman dead and the ranch leased to a real estate shark. The new hands seem to be trafficking in booze and narcotics under the guise of raising cattle. He goes to see his sweetheart Molly Grainger (Olmstead) who shares her suspicions. The smugglers do not care for Bert's curiosity and plan to "get him." The new boss of the ranch has designs on Molly, and tells her that he will assist in freeing her brother Joe (Sutherland), who is in prison charged with murder, if she goes with him across the border. Bert learns of this ruse, tricks the smugglers, and rides to Molly's rescue. The smugglers are rounded up, and Joe is freed, leaving Bert and Molly to plan their new home.
The Cohens and Kellys
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As articulated in the Nichols case, The Cohens and The [sic] Kellys presents two families, Jewish and Irish, living side by side in the poorer quarters of New York in a state of perpetual enmity. The wives in both cases are still living, and share in the mutual animosity, as do two small sons, and even the respective dogs. The Jews have a daughter, the Irish a son; the Jewish father is in the clothing business; the Irishman is a policeman. The children are in love with each other, and secretly marry, apparently after the play opens. The Jew, being in great financial straits, learns from a lawyer that he has fallen heir to a large fortune from a great-aunt, and moves into a great house, fitted luxuriously. Here he and his family live in vulgar ostentation, and here the Irish boy seeks out his Jewish bride, and is chased away by the angry father. The Jew then abuses the Irishman over the telephone, and both become hysterically excited. The extremity of his feelings makes the Jew sick, so that he must go to Florida for a rest, just before which the daughter discloses her marriage to her mother. On his return, the Jew finds that his daughter has borne a child; at first he suspects the lawyer, but eventually learns the truth and is overcome with anger at such a low alliance. Meanwhile, the Irish family who have been forbidden to see the grandchild, go to the Jew's house, and after a violent scene between the two fathers in which the Jew disowns his daughter, who decides to go back with her husband, the Irishman takes her back with her baby to his own poor lodgings. The lawyer, who had hoped to marry the Jew's daughter, seeing his plan foiled, tells the Jew that his fortune really belongs to the Irishman, who was also related to the dead woman, but offers to conceal his knowledge, if the Jew will share the loot. This the Jew repudiates, and, leaving the astonished lawyer, walks through the rain to his enemy's house to surrender the property. He arrives in great dejection, tells the truth, and abjectly turns to leave. A reconciliation ensues, the Irishman agreeing to share with him equally. The Jew shows some interest in his grandchild, though this is at most a minor motive in the reconciliation, and the curtain falls while the two are in their cups, the Jew insisting that in the firm name for the business, which they are to carry on jointly, his name shall stand first.
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Rufus Billops, son of wealthy parents, has been reared to manhood in the belief that he is delicate and ill. He inherits a huge fortune which is tied up so that for some years he will have only a small income. Needing coin, he borrows from three elderly loan-sharks who wish him to live long enough to obtain his principal. They supply inspiration in the form of a beautiful nurse. Rufus falls in love with her and finding that she admires daring men, he does some reckless stunts that cause his creditors to almost die from anxiety. Dolores, the nurse, schemes out a plan to gain the release of his fortune from the lenders, and Rufus finally wins her affection.