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Harry A. Pollard est un Acteur, Réalisateur, Scénariste, Producteur et Editeur de dialogue Américain né le 23 janvier 1879 à Comté de Republic (Etats-Unis)

Harry A. Pollard

Harry A. Pollard
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Nationalité Etats-Unis
Naissance 23 janvier 1879 à Comté de Republic (Etats-Unis)
Mort 6 juillet 1934 (à 55 ans) à Pasadena (Etats-Unis)

Harry A. Pollard, né le 23 janvier 1879 dans le Comté de Republic (Kansas) et mort le 6 juillet 1934 à Pasadena (Californie) est un acteur et un réalisateur américain.

Impliqué dans plus de 300 productions cinématographiques, sa carrière se déroule pour l'essentiel à l'époque du film muet. Il réalise tout de même une des toutes premières adaptations d'une comédie musicale de Broadway à l'écran avec Show Boat (1929).

Le plus souvent avec

Margarita Fischer
Margarita Fischer
(8 films)
Carl Laemmle
Carl Laemmle
(3 films)
Gilbert Warrenton
Gilbert Warrenton
(1 films)
Gertrude Howard
Gertrude Howard
(2 films)
Daniel Mandell
Daniel Mandell
(2 films)
Source : Wikidata

Filmographie de Harry A. Pollard (28 films)

Afficher la filmographie sous forme de liste

Acteur

Ça, c'est du cinéma
Ça, c'est du cinéma (1951)
, 1h29
Réalisé par Claude Accursi
Origine France
Genres Comédie
Acteurs Monty Banks, Stan Laurel, Marjorie Beebe, Mack Sennett, Billy Bevan, Andy Clyde
Rôle (archive footage)
Note43% 2.162422.162422.162422.162422.16242
Film de montage de scènes du cinéma muet, sonorisées, prenant pour trame une enquête menée par Stan Laurel.
La Case de l'oncle Tom
La Case de l'oncle Tom (1913)
, 30minutes
Réalisé par Otis Turner
Origine Etats-Unis
Genres Drame
Thèmes Esclavagisme, Le racisme
Acteurs Margarita Fischer, Gertrude Short, Harry A. Pollard, Iva Shepard

L'Oncle Tom et Eliza sont tous deux esclaves de la même maison dans le Kentucky.

Réalisateur

Fast Life
Fast Life (1932)
, 1h22
Réalisé par Harry A. Pollard
Origine Etats-Unis
Genres Comédie, Comédie romantique, Action, Romance
Thèmes La mer, Sport, Transport
Acteurs William Haines, Madge Evans, Conrad Nagel, Arthur Byron, Cliff Edwards, Warburton Gamble
Note59% 2.953182.953182.953182.953182.95318
Two people leave the US Navy after having served ten years as a sailor. Sandy is one of them and later invents a carburetor that should increase the speed that powered boats will run. When testing it, he accidentally sinks a boat and has to pay for it. Now he is broke and enters a boat contest. To win, he has to invent the fastest boat in the world.
Show Boat
Show Boat (1929)
, 2h9
Réalisé par Harry A. Pollard
Origine Etats-Unis
Genres Drame, Musical, Romance
Thèmes Théâtre, Musique, Adaptation d'une pièce de théâtre, Adaptation d'une comédie musicale
Acteurs Laura La Plante, Joseph Schildkraut, Emily Fitzroy, Otis Harlan, Stepin Fetchit, Alma Rubens
Note60% 3.048693.048693.048693.048693.04869
The eighteen-year-old Magnolia meets, falls in love with, and elopes with riverboat gambler Gaylord Ravenal.
La Case de l'oncle Tom
La Case de l'oncle Tom (1928)
, 2h24
Réalisé par Harry A. Pollard
Origine Etats-Unis
Genres Drame
Thèmes Esclavagisme, Le racisme
Acteurs Margarita Fischer, Rondo Hatton, George Siegmann, James B. Low, Arthur Edmund Carewe, Eulalie Jensen
Note67% 3.390223.390223.390223.390223.39022
L'Oncle Tom et Eliza sont tous deux esclaves de la même maison dans le Kentucky.
The Cohens and Kellys
The Cohens and Kellys (1926)
, 1h20
Réalisé par Harry A. Pollard
Origine Etats-Unis
Genres Comédie
Acteurs Charles Murray, Kate Price, Jason Robards Sr., Olive Hasbrouck, Nat Carr
Note62% 3.103233.103233.103233.103233.10323
As articulated in the Nichols case, The Cohens and The [sic] Kellys presents two families, Jewish and Irish, living side by side in the poorer quarters of New York in a state of perpetual enmity. The wives in both cases are still living, and share in the mutual animosity, as do two small sons, and even the respective dogs. The Jews have a daughter, the Irish a son; the Jewish father is in the clothing business; the Irishman is a policeman. The children are in love with each other, and secretly marry, apparently after the play opens. The Jew, being in great financial straits, learns from a lawyer that he has fallen heir to a large fortune from a great-aunt, and moves into a great house, fitted luxuriously. Here he and his family live in vulgar ostentation, and here the Irish boy seeks out his Jewish bride, and is chased away by the angry father. The Jew then abuses the Irishman over the telephone, and both become hysterically excited. The extremity of his feelings makes the Jew sick, so that he must go to Florida for a rest, just before which the daughter discloses her marriage to her mother. On his return, the Jew finds that his daughter has borne a child; at first he suspects the lawyer, but eventually learns the truth and is overcome with anger at such a low alliance. Meanwhile, the Irish family who have been forbidden to see the grandchild, go to the Jew's house, and after a violent scene between the two fathers in which the Jew disowns his daughter, who decides to go back with her husband, the Irishman takes her back with her baby to his own poor lodgings. The lawyer, who had hoped to marry the Jew's daughter, seeing his plan foiled, tells the Jew that his fortune really belongs to the Irishman, who was also related to the dead woman, but offers to conceal his knowledge, if the Jew will share the loot. This the Jew repudiates, and, leaving the astonished lawyer, walks through the rain to his enemy's house to surrender the property. He arrives in great dejection, tells the truth, and abjectly turns to leave. A reconciliation ensues, the Irishman agreeing to share with him equally. The Jew shows some interest in his grandchild, though this is at most a minor motive in the reconciliation, and the curtain falls while the two are in their cups, the Jew insisting that in the firm name for the business, which they are to carry on jointly, his name shall stand first.