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Shaadi Ke Baad est un film de genre Drame réalisé par L. V. Prasad avec Jeetendra

Shaadi Ke Baad (1972)

Shaadi Ke Baad
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Réalisé par
Genres Drame
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Shaadi Ke Baad is a 1972 Bollywood drama film directed by L. V. Prasad. The film is a remake of the 1952 Telugu film Pelli Chesi Choodu.

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Suggestions de films similaires à Shaadi Ke Baad

Il y a 509 films ayant les mêmes acteurs, 21 films avec le même réalisateur, 61573 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.

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Desperate to earn money to support his extended family, Mohan becomes entangled in a web of deceit when he tells a lie in order to obtain a secretarial job in the city with the wealthy Mr Rai. He says he isn't married, but he is. Mr Rai has a daughter with a heart condition. In the beginning of the film she uses a wheelchair, but Mohan has more than a mild therapeutic effect on her. She is soon up and running - running after him. Meanwhile, back in the village, the money he has been sending home is being filched by his greedy sister. Soon, mother, wife and a flock of children come looking for him and Mohan finds himself leading a double life in an increasingly desperate effort to avoid all parties learning the truth.
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Bidaai
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After his business partner leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar (Satyen Kappu), Sudhakar (Jeetendra) and a dumb daughter Gauri (Meena T), on the verge of destitution. When Prabhakar grows up, he marries Pooja (Kanan Kaushal) and moves out. Meanwhile, as time passes, Sudhakar grows up, completes his schooling, gets a job out of the town and relocates. When Gauri is not allowed to marry Murli (Asrani), she commits suicide and so does Murli, calling for Sudhakar back home. Sudhakar marries wealthy Padma (Leena Chandavarkar) and brings her home. Padma dislikes playing second fiddle even to Parvati leading to disagreements in the household. Padma's pregnancy too fails to resolve any of the problems. Thus the couple re-locates to Padma's palatial house in the city, leaving an ailing Parvati on her own. The rest of the film shows how Padma understands the value of family ties and brothers, Prabhakar and Sudhakar, get together to unite the family.
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