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Shart est un film de genre Drame avec Naseeruddin Shah

Shart (1986)

Shart
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Genres Drame,    Thriller,    Horreur
Note65% 3.2555753.2555753.2555753.2555753.255575

Shart is a 1986 Bollywood crime thriller directed by Ketan Anand. The film stars Naseeruddin Shah, Shabana Azmi, Kanwaljit Singh, Sarika and Tom Alter.

Synopsis

When the city is rocked by a series of brutal murders of some prostitutes and a part of a photograph is the only clue. Inspector Arjun Dutt is assigned to crack the case. He is sure the murders have been committed by Vikram alias Devendra. But there is a sting in the tale as it is revealed that both Arju and Vikram have been close friends and vying for the same woman, Kiran.

Acteurs

Naseeruddin Shah

(Vikram/ Devendra)
Shabana Azmi

(Kiran Dutt)
Kanwaljit Singh
Sarika

(Ruhi)
Dina Pathak

(Jankibai)
Tom Alter
Bande annonce de Shart

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions de films similaires à Shart

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Soni Razdan is a budding actress. Shah is a military man. Amol Palekar is an established actor. Shabana Azmi is a fellow actresS. Ajit Vachani is a film producer and Pankaj Kapoor is his mentally unstable brother. Sushma Seth plays Mrs. Bhal, a retired actress now doing character roles and pushing her reluctant daughter into the film industry to obtain fame and fortune.
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Un instituteur et son épouse arrivent dans un village de la région d'Hyderabad sur lequel une fratrie de zamindars (propriétaires terriens) fait régner la terreur. Le plus jeune des frères s'éprend de la jeune femme et l'enlève. Son mari tente de la libérer par lui-même, puis fait appel, sans succès, à la police, au conseil du village, à la justice, et au prêtre du temple local. Pendant ce temps, dans le palais des zamindars, Sushila s'accommode de son sort.
Parzania
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Allan (Corin Nemec), an American, arrives in Ahmedabad searching for answers, to find internal peace and to understand the world and his troubled life. He chooses India as his school and Gandhi as his subject of his thesis. It is here that he meets the Pithawala family — Cyrus (Naseeruddin Shah), his wife Shernaz (Sarika), son Parzan (Parzan Dastur) and daughter Dilshad (Pearl Barsiwala). The Pithawalas being Parsis follow Zoroastrianism. Through them and the teachings of an Gandhian, Allan starts to find peace of mind.
Pestonjee
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The film is an intimate look into the life and manners of the Parsi community especially those living in the city of Bombay (now Mumbai) in the 1950s and 60s. Phirojshah (Naseeruddin Shah) and Pestonjee (Anupam Kher) are close friends. They like to do everything together (and even plan to get married on the same day), even though they are very different in temperament. Phirojshah (Phiroj) is quiet, thoughtful, and indecisive, while Pestonjee (Pesi) is an extrovert. Phiroj is unable to make up his mind about marrying a girl, Jeroo (Shabana Azmi), selected for him by a matchmaker. It is Pesi who ends up marrying her. Phiroj has fallen in love with her, but does not grudge Pesi his happiness. He decides not to marry, and moves to another city. They keep in touch by mail. Phiroj is delighted to hear that they are expecting a baby. He decides to travel to Bombay to visit them. During his visit, Phiroj learns that the married life of Pesi and Jeroo is not as he had imagined it. Jeroo has had a miscarriage. Phiroj is horrified to discover that Pesi has a mistress. He is saddened by how Jeroo has changed. She is no longer the pretty girl she was, but appears cantankerous and uncaring. Both she and Pesi are unhappy in their marriage. Phiroj resolves not to meet them, but mentally is unable to keep himself aloof. All three carry on with their unhappy lives until Pesi's sudden death. Finally, Phiroj discovers that he cannot help Jeroo. Soona, Pesi's mistress whom Phirojshah had thought of as a loose woman, turns out to be the one person capable of genuine love.
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The film captures the angst of a worker, in Mumbai exemplified by a young Christian car mechanic, Albert Pinto (Naseeruddin Shah) who is under the illusion that if he works hard and emulates the rich, one day he can also be successful. He makes friendly relations with his customers, who are usually the rich of the city and who keep telling him that good workers do not go on strike. Strikes are the handiwork of lumpen elements. Pinto gets angry with the supposedly wrong attitudes of the workers who he assumes go on strike under any pretext. However, when Pinto's father, who is a mill worker is abused by the lumpen elements hired by the mill owners, he realizes that it is not the workers but the capitalists who should be blamed for the plight of the workers. He also realizes the legitimacy of strikes. Towards the end of the movie, Pinto still remains an angry man; but now his anger is directed against the capitalists, not the striking workers.
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The basic injustice at the core of Gangvaa is the way the landed classes take advantage of ordinary village folk.Early on in the film, a work crew finds a pot full of gold coins, and a suitably mustache-twirling zamindar (Amrish Puri) confiscates them to add to his already massive wealth. Enter Gangvaa (Rajnikanth) to save the day; Gangvaa kills zamindar and his goons. Gangvaa puts together a band of the men who had suffered under the zamindar's tyranny. Together they hang out in the wilderness and perform Robin-Hood-esque raids for the sake of vigilante justice. At some point Jamna (Shabana Azmi) encounters Gangvaa and is smitten. Then a village girl accuses Gangvaa of rape, and Jamna is enraged - it is here that she gets down to find the truth. It turns out that the rape was actually done by a totally different guy named Gangvaa (Raza Murad), and righting this wrong wins Jamna back for our hero, but makes him a new set of enemies that he spends the rest of the film fleeing from. Also on his tail is an police inspector(Suresh Oberoi), who cannot allow vigilante justice in his district, no matter how noble the intention.
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The story is set around the Indian Mutiny of 1857. Javed Khan (Shashi Kapoor) is a feckless feudal chieftain with a Muslim Pathan heritage, whose world revolves around breeding carrier pigeons. His younger brother-in-law, Sarfaraz Khan (Naseeruddin Shah) is politically awakened and actively plots the fight against the British. Freedom fighters attack the local British administrators while they are in Sunday Worship at Church, massacring them all. Miriam Labadoor, Jennifer Kendal) manages to escape with her daughter, Ruth (Nafisa Ali) and mother. The three women seek refuge with the wealthy Hindu family of Lala Ramjimal (Kulbhushan Kharbanda). Lala is torn between his loyalty for India and his privileged position under the British. However, matters are taken out of his hand by Javed Khan who barges into Lala's house and forcibly takes Ruth and her family to his own house. This leads to jealousy on part of his wife, Firdaus (Shabana Azmi) and anger on part of his brother, who ultimately gives in to the Pathan tradition of offering hospitality and sanctuary (Nanawatai) even to uninvited guests. Various situations ensue due to cultural misunderstandings in the domestic routine of the Muslim household with its new English guests. Javed falls in love with Ruth, and wants to marry her but is opposed bitterly by her mother. Noticing intense feelings of Javed for her daughter Ruth, Miriam Labadoor (mother) cleverly makes an agreement with Javed that she would only give her daughter’s hand to Javed if British were defeated. At first instance, Javed is hesitant but accepts the offer when again Miriam asks him if he has misgivings in his war against the British. There are simmerings of a love affair under the watchful suspicious eyes of Firdaus.