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Swamy Sreenarayana Guru (1985)
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Ajouter à une liste de filmsSwamy Sreenarayana Guru is a 1986 Indian Malayalam film, directed by Krishnaswamy. The film stars Adoor Bhavani, K. P. A. C. Azeez, Divyashree and KPAC Sunny in lead roles. The film had musical score by Mohammed Subair.
^ "Swaami Shree Naraayana Guru". www.malayalachalachithram.com. Retrieved 2014-10-22.
^ "Swaami Shree Naraayana Guru". malayalasangeetham.info. Retrieved 2014-10-22.
^ "Swamy Sreenarayana Guru". spicyonion.com. Retrieved 2014-10-22.
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The film captures the ascent of the protagonist, Shankaran Kutty, from a carefree individual to a mature responsible adult. The opening sequences, canned by the director himself, shows Shankaran Kutty- attending a temple festival. The film proceeds to show the irresponsible and often nomadic life style of Shankaran Kutty. Shankaran Kutty, though seemingly at the beginning of middle age, spends most of his time playing around with children, joining political processions and helping the villagers when he is not attending temple festivals. He is provided for by his younger sister who works as a house maid in the city of Thiruvananthapuram. His sister in an attempt to get his life organized arranges a marriage for him. But to the dismay of his new wife, Shankaran Kutty continues his life style often staying away from home for weeks. The already pregnant wife soon leaves him, and Shankaran Kutty does not make any attempt to have her back at home.
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Unnimaya (Mohini), a young girl is married to Palakunnath Namboothiri ( Jagannatha Varma), a man in his sixties. She is his fourth wife. Unnimaya is an educated girl hailing from Kizhakkedath Mana, a progressive family in Kerala. Due to various social and economic factors, she is compelled to marry Palakunnath Namboothiri, a rich gentleman. Coming from a progressive household, Unnimaya finds it hard to adjust with the severe orthodox practices at her new home. The sudden death of her husband brings her face-to-face with the customary rituals practiced among Namboothiri community towards widowed women. She realizes that her widowhood makes her almost a shunned individual - one who cannot participate in any celebrations, or even attend any music/dance events or performances. Kunjunni Namboothiri (Manoj.K.Jayan), the elder son of Palakkunath, is the only person who shows compassion and support towards her. Kunjunni is actively involved in reformation among the Namboothiris and is considered as a rebel among the orthodox community. Unnimaya meets Madhavan (Vineeth), an upcoming Kathakali artist, and falls in love with him. They share some intimate moments, and later Unnimaya realizes that she is pregnant. The orthodox Namboothiri community is shocked when it learns about her pregnancy and decides to excommunicate her through Smarthavicharam. A group of senior Namboothiris, under the leadership of Moothedath Bhattathiri (Thilakan), conducts a series of rituals, first to extract the name of the one who impregnated her, and then later, to throw her out of the community. Unnimaya expects Madhavan to come save her, but he is unable to muster the courage to rescue her. Realizing that he is a coward and that she cannot expect him to deliver her out of the situation, Unnimaya decides to stand up to the orthodox Namboothiris. She answers their questions with clarity and confidence, angering them further. Ultimately, the decision is made to excommunicate her, and all the necessary rituals are completed. Kunjunni arrives as her savior. He gives her shelter at his home. The progressive Yogakshema Sabha, that he is part of, finds his ways too bohemian and dismisses him from the group. Madhavan, realizing his mistake, arrives to accept Unnimaya, but now she shows him the door declaring that he is not the father of her unborn child, and that the fathers are Ajuna, Bhima, Nala (the heroic characters performed by Madhavan as part of his dance performances). Unnimaya involves herself in social service and becomes a Congress volunteer deciding to do something for the downtrodden society.
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The widow Malooty Amma is living a peaceful life in her house. Her son Haridasan is studying in town. Achuthan Nair is a steward to her house. Malootty Amma is quiet aged and she is unable to manage the household works by her own. She asks Nair to find a housemaid for her. She has a little caste bias, but the difficulty of getting a maid these days force her to accept anybody who is out of her caste. One day a poor girl, Kunjumani with her grandma comes to ‘Kizhakkampattu’ Malootty Amma’s house. On their way they hear a beautiful humming which is later revealed as a musician’s near the temple. When they reach ‘Kizahkkampattu’ her grandma reveals to Malootty Amma that they are a different caste or family named ‘Veluthedathu’. The girl soon gets acquainted with the duties of the house and she gains the appeal of Malootty Amma. Kunjimalu, the maid befriends a girl named Ammini and they maintain a good friendship. Ammini has some mysterious problems which are not explained overtly. Anyway, she talks elaborately about her sister’s husband and their children at home. One day Haridasan returns home. He soon gets attracted with the housemaid Kunjimalu. One day he asks her to come to his room in night. She has an inner torment whether to follow the words of her employer (Haridas). But after she puts money in the holy steps of the temple and pray to show her a sign whether to follow his words by blooming the Blue Lotus of the pond, she decides to go to her room. And the two have a romantic and physical relationship. Kunjimalu prays to show the sign of Blue Lotus when she hears he is going to attend an interview. In all of these pleasant occasions a beautiful humming of the musician is heard, but he never appears. Haridas then gets a job in town. In a letter sent by Haridas after some days he coolly asks about the wellbeing of the family members and informs about his stay there. This letter is later read by Kunjimalu who is in bereavement after Haridas left. She is disappointed to find not a single word is written about her. But she consoles herself with the belief that Haridas will not be able to enquire about her since she is just a maid. Later plans for Haridas’ marriage go on. They find an alignment with Haridas’ cousin Ratnam. Kunjimalu is quiet worried and is sad but she goes on with her chores. After this she comes to know that the musician lost his sound from a man who sits under the banyan tree near the temple. Haridas later visits his cousin Ratnam’s house and stays a night there. That night, just like that is with Kunjimalu he tries to make Ratnam come to his room. But she rejects the idea telling that it will not be good for them to have physical relationship before the marriage. Their marriage takes place and Kunjimalu understands Haridasan was cheating her. On the first night Kunjimalu tells Ratnam things to take care in their (Haridasan’s and Ratnam’s) room including the creaking sound in one of the steps to his room. Ratnam becomes suspicious about Kunjimalu’s concern for him. She then finds some letters and notes written by Haridas and one of his photos in Kunjimalu’s belongings. She asks Kunjimalu to come with them to their rented house in town. Haridas who has a difficulty of meeting Kunjimalu after the marriage rejects his wife’s idea. She then questions her husband and she is now sure that her husband Haridas had relationship of all means with Kunjimalu. But surprisingly Ratnam is sympathetic toward Kunjimalu. Next day Malootty Amma asks Kunjimalu to leave her house. After that day they find she is not at house. They are a little worried now. News come to the house that a body has been found near the temple pond. Everyone worries that it will be Kunjimalu’s. Ratnam blames Haridas for what might have happened. Haridas goes to the spot and finds that it was not Kunjimalu’s body but her friend Ammini’s. He comes home. Next day they plan to leave house and Ratnam bid farewell Kunjimalu. In the end Kunjimalu is taken back home by her cousin who was going to marry her and who knows much of the story between Haridas and his cousin. On their way back, near the river they meet two people who ask them the way to ‘Padinjattu’ for sending the younger girl as a servant there. At this question Kunjimalu and her cousin look at each other. It is written on screen ‘End’ later ‘But there is no End’.
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Parayanumvayya Parayathirikkanumvayya is an action drama where Mammootty plays a tough police offer while Shankar a criminal, who escapes from prison and takes shelter in Mammootty's house.