The Greatest Silence: Rape in the Congo is a 2007 documentary film directed by Lisa F. Jackson concerned with survivors of rape in the regions affected by
ongoing conflicts stemming from the Second Congo War. Central to the film are moving interviews with the survivors themselves, as well as interviews with self-confessed rapist soldiers. The Greatest Silence was nominated for a Grand Jury Prize and won a Special Jury Prize at the 2008 Sundance Film Festival. It was also nominated for two News & Documentary Emmy Awards in 2009. It aired on HBO in January & February 2009.
Synopsis
In 2006, producer/director Lisa F. Jackson travelled alone to the war zones of the Democratic Republic of the Congo documenting the plight of women and girls impacted by the conflicts there. She was "afforded privileged access" to the realities of life in Congo, and found "examples of resiliency, resistance, courage and grace". In a 2008 interview with NPR, Jackson said "I knew going to eastern Congo as a white woman alone in the bush with a video camera that I might as well have landed from a spaceship." Jackson had been a victim of gang rape thirty years earlier, and shared this experience with the survivors she interviewed. Much of the film features these women recounting their stories, which have left them "traumatised and isolated - shunned by society and their families, and suffering life-long health effects, including HIV." Context and background are discussed in interviews with doctors, politicians, peacekeepers, activists and priests. Jackson visits a clinic devoted to treating women with traumatic injury due to sexual violence, particularly cases of vesicovaginal and rectovaginal fistula. In addition, Jackson went out into the bush to interview some of the perpetrators, soldiers who spoke without apparent conscience about the women they had raped, and their often bizarre justifications. "You really can say that there's a culture of impunity in the Congo, where none of these men will face arrest for what they've confessed to me on videotape," Jackson noted. The focus of the film, though, is the stories of the victims, "who just poured their hearts out to me with these stories, including over and over again, please take these stories to someone who will make a difference.
Bande annonce de The Greatest Silence: Rape in the Congo
Suggestions de films similaires à The Greatest Silence: Rape in the Congo
Il y a 8965 ayant les mêmes genres cinématographiques, 5386 films qui ont les mêmes thèmes (dont 8 films qui ont les mêmes 6 thèmes que The Greatest Silence: Rape in the Congo), pour avoir au final 70 suggestions de films similaires.
Si vous avez aimé The Greatest Silence: Rape in the Congo, vous aimerez sûrement les films similaires suivants :
En 1939, la fin de la guerre civile espagnole oblige des milliers d’hommes, de femmes et d’enfants à fuir l’Espagne franquiste. En Algérie, l’administration française ouvre des camps pour les accueillir. 70 après, un jeune Algérien enquête sur ces camps. Malgré l’absence d’archives, les traces ont survécu à l’oubli collectif et transparaissent dans l’Algérie d’aujourd’hui.
, 45minutes Réalisé parMohamed Malas GenresDocumentaire ThèmesAfrique post-coloniale, L'immigration, Religion, Documentaire sur le droit, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la religion, Politique, Religion juive Note62% The film was composed of several interviews with different Palestinian refugees including children, women, old people, and militants from the refugee camps in Lebanon. In the interviews Malas questions his subjects about their dreams at night. Through their answers, the film attempts to reveal the underlying subconsciousness of the Palestinian refugee. The dreams always converge on Palestine; a woman recounts her dreams about winning the war; a fedai of bombardment and martyrdom; and one man tells of a dream where he meets and is ignored by Gulf emirs. According to Rebecca Porteous, the film constructs "the psychology of dispossession; the daily reality behind those slogans of nationhood, freedom, land and resistance, for people who have lost all of these things, except their recourse to the last.
Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.