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Vyamoham est un film réalisé par K. G. George avec Adoor Bhasi

Vyamoham

Vyamoham
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Vyamoham is a 1978 Malayalam film directed by K. G. George. The film marked the debut of composer Ilaiyaraaja in Malayalam Cinema.

Acteurs

Adoor Bhasi
Bande annonce de Vyamoham

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions de films similaires à Vyamoham

Il y a 514 films ayant les mêmes acteurs, 18 films avec le même réalisateur, pour avoir au final 70 suggestions de films similaires.

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Mannu
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Acteurs M. G. Soman, Sharada, Sukumaran, P. K. Abraham, Adoor Bhasi, Kuthiravattam Pappu

Mannu is about the struggle between Damu, a tenant whose legal right to his land is obscure, and Krishnan Nair, a rapacious landlord. The local leader of the party, comrade Mulamkadan, supports the tenant. and the landlord's political strategy to evict the tenant fails. When the landlord gores to a Nambudiri priest, the priest advises recourse to the Lord.
Swapnadanam
Swapnadanam (1976)

Réalisé par K. G. George
Genres Drame
Acteurs Rani Chandra, M. G. Soman, Mallika Sukumaran, P. K. Venukuttan Nair, T. R. Omana, Prema
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The story proceeds in a flashbacks as the hero, Dr. Gopi, who has had a nervous breakdown, relives his past under psychiatric probing. It is the story of an ill-matched marriage — the husband, sensitive, introvertive and plagued by memories of a bygone love and the wife, rich, spoilt and self-centred — and how under the mounting stresses of daily life, the husband cracks up. Gopi is the only son of a widowed mother, and in strained circumstances, is put through medical college by his rich uncle on the understanding that Gopi marries his daughter Sumithra. Gopi, while in college, falls in love with a fellow-student, but they part company when his mother meets the girl and persuades her to give up the betrothed Gopi. Gopi's marriage with his rich cousin takes place, but it is doomed from its very start. They are not made for each other in either taste or temperament, and besides Gopi is haunted by memories of his former love. And Gopi, being the introvert he is, consummates the marriage, as it were, in a psychiatric ward.
Rappadikalude Gatha
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Rappadikalude Gatha is woven around Gatha, a young girl who finds happiness in drugs and music. She marries a doctor of humble indisposition. Their marriage runs into difficulty but, after several traumatic experiences, the couple are reconciled. The film is a sharp indictment of society, its awry priorities, on the frustrations of the youth, their disappointments, and how youngsters get hooked to drugs. On the other side, the film is also on the conflicts and complexities of marital life.
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The film's protagonist is Rahulan who loves three different women in different stages of his life. After his childhood love Thulasi commits suicide, Rahulan falls in love with his friend's sister Reena. She hails from an orthodox Christian family and Rahulan never has the courage to approach her father for a marriage proposal. After completing college, Rahulan gets a teacher job. He eventually falls in love with Meera, a rich student of his. Meera's family fixes her marriage with Rahulan. One night, Reena visits Rahulan in his house and at the same time Meera and her father also come and is shocked to see another woman with Rahulan. In the climax, Rahulan accepts Reena into his life. On the parallel, another romance story is also told, between Davis (Rahulan's friend and Reena's brother), and a nun.
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The plot is structured around the search for a missing infamous tabla player of a touring drama group. Investigation of members of the drama group reveals complicated sexual rivalries and internal conflicts within the group, yielding several possible suspects to the conspiracy.
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, 2h22
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Vasanthi has to mother three generations of her family in addition to her daytime job. She finds liberation by escaping into madness and a mental asylum. Alice is married to a ruthless businessman and seeks solace in affairs. When she is refused a divorce, she commits suicide. When both the middleclass women prefer self-destruction as their way to liberation, the third, a brutally exploited housemaid, Ammini ends up in a home for women, but latter helps all the inmates of this home to break out of the suffocating atmosphere of the home to freedom.