Waste Land (Lixo Extraordinário) est un film documentaire brésilien écrit et réalisé par Lucy Walker, João Jardim et Karen Harley en 2010.
Il a été présenté au festival de Sundance 2010, où il a remporté le Prix du public international, et a été nominé pour l'Oscar du meilleur film documentaire en 2011.
Synopsis
Le film traite du travail de l'artiste brésilien Vik Muniz, qui crée ses œuvres grâce à des déchets recyclables issus de Jardim Gramacho , la plus grande décharge du monde pour la ville de Rio de Janeiro au Brésil.
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, 1h16 OrigineEtats-Unis GenresDocumentaire ThèmesL'environnement, Documentaire sur l'environnement, Documentaire sur la guerre, Documentaire historique, Documentaire sur une personnalité, Documentaire sur la santé Note73% German American Jerry Ensminger was a devoted Marine Corps Master Sgt. for nearly twenty-five years. As a drill instructor he lived and breathed the "Corps" and was responsible for indoctrinating thousands of new recruits with its motto Semper Fidelis or "Always Faithful." When Jerry's nine-year-old daughter Janey died of a rare type of leukemia, his world collapsed. As a grief-stricken father, he struggled for years to make sense of what happened. His search for answers led to the shocking discovery of a Marine Corps cover-up of one of the largest water contamination incidents in U.S. history. Semper Fi: Always Faithful follows Jerry's mission to expose the Marine Corps and force them to live up to their motto to the thousands of Marines and their families exposed to toxic chemicals. His fight reveals a grave injustice at North Carolina's Camp Lejeune and a looming environmental crisis at military sites across the country.
Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.