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Lydia Reed est une Actrice Américaine née le 23 aout 1944 à Mitchel Air Force Base (Etats-Unis)
Lydia Reed (born August 23, 1944, at Mitchel Field on Long Island, New York) is an American former child actress best known for her role as Tallahassee "Hassie" McCoy from 1957 to 1963 in 145 episodes of the ABC situation comedy The Real McCoys, starring Walter Brennan in the title role of Grandpa Amos McCoy. Irving Pincus was the creator, and Hy Averback the first principal director.
The pilot episode of the series "Sweet Fifteen," which aired on April 9, 1957, centers on Grandpa's determination to keep Hassie's looming fifteenth birthday party a secret.
After its five-year run on ABC, The Real McCoys switched to CBS for its final season in 1962-1963 without the services of Kathleen Nolan as Kate McCoy. Reed appeared less frequently in the final year, as did Michael Winkelman (1946–1999) as Little Luke McCoy, who played Reed's younger brother on the series.
Reed's first performances were in 1952 episodes of two NBC anthology series, Hallmark Hall of Fame (the second episode of the series entitled "Dr. Serocold") and Robert Montgomery Presents. In 1955, she played Mary Foy in the Bob Hope film, The Seven Little Foys. That same year, she played another "Mary" in the episode "Ride with the Executioner" of the anthology Jane Wyman Presents the Fireside Theatre. In 1956, she appeared in the role of Caroline Lord in High Society, with Bing Crosby, Frank Sinatra, and Grace Kelly, and in the episode "Hit and Run" of the NBC series Big Town. Her last role other than that of Hassie McCoy was as Betsy Beecher in a horror film The Vampire.
Reed left acting after her role on The Real McCoys ended and did not appear in a 2000 cable television reunion special (The Nashville Network) with Nolan, Tony Martinez, who portrayed farmhand Pepino Garcia, and Richard Crenna, who played the role of Luke McCoy, Hassie's older brother, for the entire duration of the series.
^ "Lydia Reed". Internet Movie Data Base. Retrieved August 20, 2011.
^ "Sweet Fifteen". Internet Movie Data Base. Retrieved September 4, 2011.
^ "Michael L. Winkelman". findagrave.com. Retrieved August 20, 2011.
^ "The Real McCoys". cheddarbay.com. Retrieved August 20, 2011.
Source : Wikidata
Lydia Reed
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The pilot episode of the series "Sweet Fifteen," which aired on April 9, 1957, centers on Grandpa's determination to keep Hassie's looming fifteenth birthday party a secret.
After its five-year run on ABC, The Real McCoys switched to CBS for its final season in 1962-1963 without the services of Kathleen Nolan as Kate McCoy. Reed appeared less frequently in the final year, as did Michael Winkelman (1946–1999) as Little Luke McCoy, who played Reed's younger brother on the series.
Reed's first performances were in 1952 episodes of two NBC anthology series, Hallmark Hall of Fame (the second episode of the series entitled "Dr. Serocold") and Robert Montgomery Presents. In 1955, she played Mary Foy in the Bob Hope film, The Seven Little Foys. That same year, she played another "Mary" in the episode "Ride with the Executioner" of the anthology Jane Wyman Presents the Fireside Theatre. In 1956, she appeared in the role of Caroline Lord in High Society, with Bing Crosby, Frank Sinatra, and Grace Kelly, and in the episode "Hit and Run" of the NBC series Big Town. Her last role other than that of Hassie McCoy was as Betsy Beecher in a horror film The Vampire.
Reed left acting after her role on The Real McCoys ended and did not appear in a 2000 cable television reunion special (The Nashville Network) with Nolan, Tony Martinez, who portrayed farmhand Pepino Garcia, and Richard Crenna, who played the role of Luke McCoy, Hassie's older brother, for the entire duration of the series.
^ "Lydia Reed". Internet Movie Data Base. Retrieved August 20, 2011.
^ "Sweet Fifteen". Internet Movie Data Base. Retrieved September 4, 2011.
^ "Michael L. Winkelman". findagrave.com. Retrieved August 20, 2011.
^ "The Real McCoys". cheddarbay.com. Retrieved August 20, 2011.
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Filmographie de Lydia Reed (4 films)
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Le vampire (1957)
, 1h15Genres Science-fiction, Thriller, Horreur
Thèmes Vampire
Acteurs John Beal, Coleen Gray, Kenneth Tobey, Paul Brinegar, Lydia Reed, James Griffith
Rôle Betsy Beecher
Note58%
Un docteur tout ce qu'il ya de gentil avale par mégarde une drogue expérimentale faite à partir de chauve-souris vampire et se transforme en créature assoiffée de sang.
Haute société (1956)
, 1h51Réalisé par Sol C. Siegel, Charles Walters
Origine Etats-Unis
Genres Drame, Comédie, Comédie romantique, Musical, Romance
Thèmes La musique, Musique, Adaptation d'une pièce de théâtre, Mariage
Acteurs Bing Crosby, Grace Kelly, Frank Sinatra, Celeste Holm, John Lund, Louis Calhern
Rôle Caroline Lord
Note68%
Tracy Lord (Grace Kelly) va bientôt se marier avec George Kittredge (John Lund), un homme d'affaires. Mais son premier mari C.K. Dexter Haven (Bing Crosby) vient de rentrer dans sa maison qui est voisine de celle de Tracy. Des musiciens viennent de s'installer chez lui. L'un d'eux est Louis Armstrong (joué par lui-même).
Mes sept petits chenapans (1955)
, 1h33Réalisé par Melville Shavelson
Origine Etats-Unis
Genres Drame, Biographie, Comédie, Comédie dramatique, Musical
Thèmes La musique, Musique
Acteurs Bob Hope, James Cagney, Eddie Foy, Jr., Milly Vitale, George Tobias, Angela Clarke
Rôle Mary Foy
Note66%
Vaudeville entertainer Eddie Foy (Bob Hope), who has vowed to forever keep his act a solo, falls in love with and marries Italian ballerina Madeleine (Milly Vitale). While they continue to tour the circuit, they begin a family and before long have seven children. After the tragedy of the Iroquois Theater Fire threatens to stall Eddie's career, he comes to realize that his children are worth their weight in gold. The second eldest Foy, Charley, narrates the film.
Main Street to Broadway (1953)
Réalisé par Tay Garnett, James Anderson
Origine Etats-Unis
Genres Comédie dramatique, Comédie romantique, Musical, Romance
Thèmes Musique
Acteurs Mary Murphy, Agnes Moorehead, Rosemary DeCamp, Lionel Barrymore, Herb Shriner, Tallulah Bankhead
Rôle Self (uncredited)
Note60%