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Master Vithal est un Acteur Indien né le 1 janvier 1906
Master Vithal or Vithal (died 1969) was an actor in Indian cinema, best known as the hero of India's first talkie Alam Ara (1931) and of Marathi and Hindi silent stunt films (silent films had cue cards in a particular language), which gave him the epithet as the Douglas Fairbanks of India.
Vithal started his film career in Marathi films in 1924 and worked as a film technician and dancer. He was cast as the male lead in Ratan Manjari (1926) and followed with the swashbuckling roles of many silent stunt films and became a very popular actor. Though he was the male lead of Alam Ara, he hardly had any dialogue due to poor Hindi diction. He returned to silent films and then to talkie Marathi films from 1932 till his last film in 1966. He also directed two films and gave music score to one film. He acted in more than 90 films during his career of 42 years from 1924 to 1966.
Source : Wikidata
Master Vithal
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Vithal started his film career in Marathi films in 1924 and worked as a film technician and dancer. He was cast as the male lead in Ratan Manjari (1926) and followed with the swashbuckling roles of many silent stunt films and became a very popular actor. Though he was the male lead of Alam Ara, he hardly had any dialogue due to poor Hindi diction. He returned to silent films and then to talkie Marathi films from 1932 till his last film in 1966. He also directed two films and gave music score to one film. He acted in more than 90 films during his career of 42 years from 1924 to 1966.
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Filmographie de Master Vithal (6 films)
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रामशास्त्री (1944)
Réalisé par Gajanan Jagirdar
Genres Historique
Acteurs Gajanan Jagirdar, Lalita Pawar, Master Vithal, Anant Purushottam Marathe, Meenakshi Shirodkar
Note62%
Alam Ara (1931)
, 2h4Réalisé par Ardeshir Irani
Origine Inde
Genres Drame, Fantastique, Drame romantique, Fantasy
Thèmes Magie
Acteurs Zubeida, Master Vithal, Prithviraj Kapoor, L. V. Prasad
Rôle Adil
Note73%
The film is a love story between a prince and a gypsy girl, based on a Parsi play written by Joseph David. David later served as a writer at Irani's film company. The story centres on an imaginary, historical royal family in the kingdom of Kumarpur. The main characters are the king and his two warring wives, Dilbahar and Naubahar. Their rivalry escalates when a fakir predicts that Navbahar will bear the king's heir.