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Perdigão Queiroga est un Opérateur caméra et Cinématographie Portugais né le 12 juin 1916 à Évora (Portugal)

Perdigão Queiroga

Perdigão Queiroga
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Nationalité Portugal
Naissance 12 juin 1916 à Évora (Portugal)
Mort 8 mai 1980 (à 63 ans) à Alcoentre (Portugal)

José Manuel Nobre Perdigão Queiroga, né à Évora le 12 juin 1916 et mort à Azambuja le 8 mai 1980, est un cinéaste portugais.

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Source : Wikidata

Filmographie de Perdigão Queiroga (2 films)

Afficher la filmographie sous forme de liste

Caméraman

O Pátio das Cantigas, 1h45
Réalisé par Ribeirinho
Genres Comédie, Comédie musicale, Musical
Acteurs Antonio Vilar, António Silva, Ribeirinho, Carlos Otero
Rôle Opérateur caméra
Note77% 3.8988553.8988553.8988553.8988553.898855
In a typical Lisbon "pátio", or courtyard, by the Popular Saints festivals, a handful of plain people live their day-to-day, their dreams, disappointments, passions, jealousies and joys in an almost enchanted atmosphere. Alfredo is a good lad whose brother Carlos, flirts with frivolous Amália. Her sister, Suzana, is in turn in love with Alfredo. Narciso, Rufino's father and his partner in the neighbourhoods café, is a chronic drunkard and a guitar virtuoso. Rosa, a merry widow that sells flowers, is in turn courted by Narciso and by the unpleasant and arrogant Evaristo, the grocer, father to envious and spoiled Celeste. The rivalry between Narciso and Evaristo reaches its height in a dance night at the courtyard that ends in a veritable camp battle. At long last all is settled between the several loving couples and life goes on serenelly in the courtyard.

Equipe

O Pai Tirano, 1h54
Réalisé par António Lopes Ribeiro
Genres Comédie, Romance
Acteurs Ribeirinho, Leonor Maia, Arthur Duarte
Rôle Cinématographie
Note77% 3.884063.884063.884063.884063.88406
Francisco Mega (Ribeirinho), a clerk at the then leading department stores of Lisbon, "Grandes Armazéns do Grandella", is in love with Tatão (Leonor Maia), who works in front at "Perfumaria da Moda". Tatão, however, is a cinephile who largely ignores him, whereas Francisco is also an amateur theatre player; so his amateur theatre company, the Grandellinhas, uses its rehearsals of the play O Pai Tirano (ou O Último dos Almeidas) to present Francisco as a son who split from his tyrant father for love, and woo Tatão.