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Ribeirinho est un Acteur, Réalisateur et Scénariste Portugais né le 21 septembre 1911 à Lisbonne (Portugal)
Ribeirinho, stage name of Francisco Carlos Lopes Ribeiro (Lisbon, 21 September 1911 – Lisbon, 7 February 1984) was a Portuguese actor and director.
He started his career in theatre in 1929, and kept the connection all his life, both as an actor and as a manager. However, he is best known today for his comic roles in several films of the 1930s and 1940s, namely O Pai Tirano (The Tyrant Father, 1941) and O Pátio das Cantigas (Songs' Yard or Courtyard of Songs, 1942), which he also directed.
Son of Manuel Henrique Correia da Silva Ribeiro and wife Ester da Nazaré Lopes, he was the younger brother of António Lopes Ribeiro, one of the most famous directors of the Golden Age of Portuguese cinema, who directed him in several films.
He married actress Maria Adelaide da Silva Lalande (Castelo Branco, Salgueiro do Campo, 7 November 1913 - Lisbon, 21 March 1968), daughter of José Inocêncio Lalande (born Castelo Branco, Salgueiro do Campo) and Virgínia Carma da Silva (born Vila Franca de Xira, Vila Franca de Xira), and had an only daughter, Maria Manuel Lalande Lopes Ribeiro. His wife had a natural daughter by Clotário Luís Ribeiro Supico Pinto (1909–1986, son of Liberato Damião Ribeiro Pinto and Maria Augusta Supico).
Source : Wikidata
Ribeirinho
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Nom de naissance Francisco Carlos Lopes Ribeiro
Nationalité Portugal
Naissance 21 septembre 1911 à Lisbonne (Portugal)
Mort 7 février 1984 (à 72 ans) à Lisbonne (Portugal)
Nationalité Portugal
Naissance 21 septembre 1911 à Lisbonne (Portugal)
Mort 7 février 1984 (à 72 ans) à Lisbonne (Portugal)
He started his career in theatre in 1929, and kept the connection all his life, both as an actor and as a manager. However, he is best known today for his comic roles in several films of the 1930s and 1940s, namely O Pai Tirano (The Tyrant Father, 1941) and O Pátio das Cantigas (Songs' Yard or Courtyard of Songs, 1942), which he also directed.
Son of Manuel Henrique Correia da Silva Ribeiro and wife Ester da Nazaré Lopes, he was the younger brother of António Lopes Ribeiro, one of the most famous directors of the Golden Age of Portuguese cinema, who directed him in several films.
He married actress Maria Adelaide da Silva Lalande (Castelo Branco, Salgueiro do Campo, 7 November 1913 - Lisbon, 21 March 1968), daughter of José Inocêncio Lalande (born Castelo Branco, Salgueiro do Campo) and Virgínia Carma da Silva (born Vila Franca de Xira, Vila Franca de Xira), and had an only daughter, Maria Manuel Lalande Lopes Ribeiro. His wife had a natural daughter by Clotário Luís Ribeiro Supico Pinto (1909–1986, son of Liberato Damião Ribeiro Pinto and Maria Augusta Supico).
Le plus souvent avec
Filmographie de Ribeirinho (4 films)
Acteur
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Trilogy of Terror (1968)
, 1h41Réalisé par José Mojica Marins, Luis Sérgio Person
Origine Bresil
Genres Horreur
Acteurs Ribeirinho, Lima Duarte
Rôle Procession of the Dead
Note60%
The Agreement (O Acordo) A mother becomes involved with black magic and offers a virgin woman to the devil in exchange for curing the illness of her only son. (40 minutes) Procession of Dead (A Procissão dos Mortos) A poor laborer is the only man in one village with courage to face a group of guerrilheiros ("guerrilla ghosts") that haunt the minds of the local villagers. (28 minutes) Macabre Nightmare (Pesadelo Macabro) A young man named Claudio (Mário Lima) is obsessed by fear of reptiles and spiders and the fear of being buried alive. When he undergoes a shocking event, he becomes unresponsive and is mistakenly buried, only to revive in the coffin after burial. His screams of terror from underground go unheard by the villagers (31 minutes)
A Menina da Rádio (1944)
Réalisé par Arthur Duarte
Origine Portugal
Genres Comédie, Musical, Romance
Thèmes Musique
Acteurs Maria Matos, António Silva, Maria Eugénia, Ribeirinho
Rôle Fortunato
Note63%
O Pátio das Cantigas (1942)
, 1h45Réalisé par Ribeirinho
Genres Comédie, Comédie musicale, Musical
Acteurs Antonio Vilar, António Silva, Ribeirinho, Carlos Otero
Rôle Rufino
Note77%
In a typical Lisbon "pátio", or courtyard, by the Popular Saints festivals, a handful of plain people live their day-to-day, their dreams, disappointments, passions, jealousies and joys in an almost enchanted atmosphere. Alfredo is a good lad whose brother Carlos, flirts with frivolous Amália. Her sister, Suzana, is in turn in love with Alfredo. Narciso, Rufino's father and his partner in the neighbourhoods café, is a chronic drunkard and a guitar virtuoso. Rosa, a merry widow that sells flowers, is in turn courted by Narciso and by the unpleasant and arrogant Evaristo, the grocer, father to envious and spoiled Celeste. The rivalry between Narciso and Evaristo reaches its height in a dance night at the courtyard that ends in a veritable camp battle. At long last all is settled between the several loving couples and life goes on serenelly in the courtyard.
O Pai Tirano (1941)
, 1h54Réalisé par António Lopes Ribeiro
Genres Comédie, Romance
Acteurs Ribeirinho, Leonor Maia, Arthur Duarte
Rôle Francisco Mega (as Ribeirinho)
Note77%
Francisco Mega (Ribeirinho), a clerk at the then leading department stores of Lisbon, "Grandes Armazéns do Grandella", is in love with Tatão (Leonor Maia), who works in front at "Perfumaria da Moda". Tatão, however, is a cinephile who largely ignores him, whereas Francisco is also an amateur theatre player; so his amateur theatre company, the Grandellinhas, uses its rehearsals of the play O Pai Tirano (ou O Último dos Almeidas) to present Francisco as a son who split from his tyrant father for love, and woo Tatão.
Réalisateur
O Pátio das Cantigas (1942)
, 1h45Réalisé par Ribeirinho
Genres Comédie, Comédie musicale, Musical
Acteurs Antonio Vilar, António Silva, Ribeirinho, Carlos Otero
Note77%
In a typical Lisbon "pátio", or courtyard, by the Popular Saints festivals, a handful of plain people live their day-to-day, their dreams, disappointments, passions, jealousies and joys in an almost enchanted atmosphere. Alfredo is a good lad whose brother Carlos, flirts with frivolous Amália. Her sister, Suzana, is in turn in love with Alfredo. Narciso, Rufino's father and his partner in the neighbourhoods café, is a chronic drunkard and a guitar virtuoso. Rosa, a merry widow that sells flowers, is in turn courted by Narciso and by the unpleasant and arrogant Evaristo, the grocer, father to envious and spoiled Celeste. The rivalry between Narciso and Evaristo reaches its height in a dance night at the courtyard that ends in a veritable camp battle. At long last all is settled between the several loving couples and life goes on serenelly in the courtyard.
Scénariste
O Pátio das Cantigas (1942)
, 1h45Réalisé par Ribeirinho
Genres Comédie, Comédie musicale, Musical
Acteurs Antonio Vilar, António Silva, Ribeirinho, Carlos Otero
Rôle Concepteur de dialogues
Note77%
In a typical Lisbon "pátio", or courtyard, by the Popular Saints festivals, a handful of plain people live their day-to-day, their dreams, disappointments, passions, jealousies and joys in an almost enchanted atmosphere. Alfredo is a good lad whose brother Carlos, flirts with frivolous Amália. Her sister, Suzana, is in turn in love with Alfredo. Narciso, Rufino's father and his partner in the neighbourhoods café, is a chronic drunkard and a guitar virtuoso. Rosa, a merry widow that sells flowers, is in turn courted by Narciso and by the unpleasant and arrogant Evaristo, the grocer, father to envious and spoiled Celeste. The rivalry between Narciso and Evaristo reaches its height in a dance night at the courtyard that ends in a veritable camp battle. At long last all is settled between the several loving couples and life goes on serenelly in the courtyard.
O Pai Tirano (1941)
, 1h54Réalisé par António Lopes Ribeiro
Genres Comédie, Romance
Acteurs Ribeirinho, Leonor Maia, Arthur Duarte
Rôle Concepteur de dialogues
Note77%
Francisco Mega (Ribeirinho), a clerk at the then leading department stores of Lisbon, "Grandes Armazéns do Grandella", is in love with Tatão (Leonor Maia), who works in front at "Perfumaria da Moda". Tatão, however, is a cinephile who largely ignores him, whereas Francisco is also an amateur theatre player; so his amateur theatre company, the Grandellinhas, uses its rehearsals of the play O Pai Tirano (ou O Último dos Almeidas) to present Francisco as a son who split from his tyrant father for love, and woo Tatão.