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A Quinta Dimensão do Sexo est un film brésilien de genre Science-fiction réalisé par José Mojica Marins avec José Mojica Marins

A Quinta Dimensão do Sexo (1984)

A Quinta Dimensão do Sexo
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Durée 1h21
Réalisé par
OrigineBresil
Genres Science-fiction,    Comédie,    Aventure,    Policier,    Pornographique
Themes Sexualité,    Erotique,    Sexploitation,    Homosexualité,    LGBT,    LGBT
Note52% 2.620122.620122.620122.620122.62012

The Fifth Dimension of Sex (original title: A 5ª Dimensão do Sexo, A Quinta Dimensão Do Sexo) is a 1984 Brazilian exploitation film directed by Brazilian filmmaker José Mojica Marins. The film is one of several exploitation sex films that Marins made throughout the 1980s.

Synopsis

Two chemistry students, Paulo and Norberto are ridiculed by their classmates, as it is rumored that they are impotent. They work together to develop a formula that turns them into crazed sex maniacs, and begin kidnapping women on the streets and raping them. The series of sex crimes soon leads to a police chase, and the two men discover that they are in love with each other.

Acteurs

Source : Wikidata

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Suggestions de films similaires à A Quinta Dimensão do Sexo

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24 horas de Sexo Explícito, 1h17
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Genres Drame, Comédie, Pornographique
Thèmes Sexualité, Erotique, Sexploitation
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. Three men make a wager on which one will have sex with more women in a period of 24 hours. They hire an obese and flamboyant gay man to be the judge and keep tally. They get 7 "ugly" women for the challenge. One man comments to another that "these women look like something from a Coffin Joe movie". The men gather them at a beach house and the competition begins. One man decides to quit the competition and return home to his wife (veteran Brazilian porn actress Vânia Bournier), whom he finds having sexual intercourse with "Jack", their German Shepherd dog, in Brazil's first scene of cinematic zoophilia. Her husband takes revenge by leaving her to romance a talking male horse, whom the man persuades to penetrate her in the rear-end. Most sexual events are narrated and critiqued by a caged parrot.
Finis Hominis, 1h19
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An mysterious man (Marins) emerges naked from the ocean and proceeds to affect the lives of townspeople, the country, then the world.
48 Horas de Sexo Alucinante, 1h39
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In the film (as well as its two predecessors), Marins exploited Brazil's then loosening restrictions on nudity in film in order to produce an alternate sort of pornography which presents physical sexuality with bizarre and often repulsive imagery, generally depicting characters which are carrying out some type of test, contest, or experiment.
Meu Destino em Tuas Mãos, 1h20
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A husband comes home drunk and beats his wife. His son Carlito tries to defend his mother with a broomstick. The father turns to the boy menacingly and threatens "I'll kill you!". Terrified, the boy flees with four other young children, all poor and suffering abuse and exploitation at home by their families. The children try to live and survive life on the streets on the outskirts of São Paulo.
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Coffin Joe returns to his village after recovering in a hospital from shock and blindness from the events in the previous film. Having been absolved of his previous crimes and murders, this time he is even more determined to find the "perfect" woman with whom to sire a son of superior lineage, for his singular, obsessive desire for the "continuity of blood". Assisted by his gaunt, hunchbacked, facially disfigured servant Bruno, he kidnaps six beautiful women the first night he returns to town. He puts them through a series of sadistic trials to determine if one of them exhibits no fear, indicating superiority to bear his son. When the woman named Marcia remains proudly unaffected while the others scream and beg to the terrors they are submitted into, Coffin Joe retains her as his chosen and imprisons the other five in a pit below his bedroom, where he releases poisonous snakes to kill them. Too shocked with what Coffin Joe had done, however, Marcia refuses to make love with him, and Coffin Joe lets her go stating he knows she won't report him to the authorities.
Le monde étrange de Zé do Caixão, 1h20
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Episode 1 : Le faiseur de poupées. Une bande de brutes entend parler d'un faiseur de poupées plein aux as. Il débarque chez lui pour lui soutirer son pactole et tombe sur ses quatre nymphes de filles. Episode 2 : Obsession. Un clochard tombe fou amoureux d'une jeune fille riche et inaccessible. Le jour de son mariage, sa meilleure amie assassine celle-ci par jalousie. La cérémonie funéraire achevée, le corps reste seul. Le clochard va enfin pouvoir consumer sa passion. Episode 3 : Idéologie. Un scientifique, Oaxiac Odez, expose ses théories lors d'une émission télé. Agressé par un journaliste sceptique, il l'invite chez lui pour lui prouver le bien fondé de sa théorie sur l'Instinct contre la Raison.
L'éveil de la bête, 1h33
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Le fossoyeur Zé do Caixão, surnommé `Coffin Joe', est désormais au centre de débats de journalistes et scientifiques. Un psychiatre pense que l'utilisation de la drogue est la principale cause des problèmes dans le comportement violent des individus. Selon lui, n'importe quelle personne pourrait agir ainsi sous l'influence de substances chimiques. Il compte bien prouver ses propos en passant à l'action. C'est le début d'une étrange et terrible expérience.
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Finis Hominis is a mental patient who is kept in an insane asylum, and is known for his occasional escapes from the institution, including the most recent episode during which Finis Hominis became a powerful world figure during the few days of his escape.
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Playing himself, and having filmed the final scene of his most recent movie, Jose Mojica Marins gives an interview discussing his plans for his next film. After an interviewer asks Marins about the true existence of Coffin Joe, Marins replies “Coffin Joe does not exist”. A camera light then explodes. He states he will leave for vacation at the country home of his friend Alvaro to write the script for his next film, which he plans on calling “The Demon Exorcist”.
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The film opens with a surreal sequence of dancing women, monkey-like figures fearing lightning, and native Brazilian drummers. An old man begins chanting over a closed coffin. The coffin opens and a man rises. He appears with a top hat, cape, and long fingernails.