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Arohan est un film réalisé par Shyam Benegal avec Om Puri
Arohan (1983)
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Ajouter à une liste de filmsArohan (The Ascent) is 1982 Hindi film by Shyam Benegal, starring Victor Banerjee and Om Puri in the lead roles.
Synopsis
Hari Mondal(Om Puri) is a poor village farmer who lives in the remote Bengal village of Giripur in Birbhum district with his wife, two sons, brother, an old widowed aunt Kalidashi (Gita Sen)and her daughter Panchi. The movie opens in the mid sixties when the Naxalbari uprising is spreading across Bengal and oppressed farmers are being united by youths who believe in communism ans a socialist republic. Hari and his brother Bolai (Noni Ganguly) are Borgadars, land tillers who plough and harvest the crop on land owned by Jotdars. Bibhutibhushan Ganguly (Victor Banerjee) is the young jotdar who has just lost his father and now wishes to employ new laws on his Borgadars ensuring his greatest profit while the poor farmer languishes in poverty. His estate agent Karmakar(Rajen Tarafdar)does most of his dirty dealings on his behalf that include keeping the poor villagers scared and in command. Hari's sister is about to get married and Hari asks Bibhutibhushan for a loan. Bibhutibhushan asks him to not register his Bargadari rights under the government office in exchange. Hari is naive and moulded under generations of servility and oppression to realise that his basic righta are being squandered although his younger brother Bolai isn't happy remaining as mere servants to the landlord. Bolai protests on multiple occasions only to be reprimanded by his brother and Karmakar. Bolai and Panchi(Sreela Majumdar) love each other.Acteurs
Om Puri
(Hari Mondal)
Victor Banerjee
(Jotdar Bibhutibhushan Ganguly)
Pankaj Kapur
(Village Teacher)
Rajen Tarafdar
Amrish Puri
(Judge in High Court)
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Suggestions de films similaires à Arohan
Il y a 243 films ayant les mêmes acteurs, 23 films avec le même réalisateur, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Arohan, vous aimerez sûrement les films similaires suivants :
Antarnaad (1991)
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Note77%
Antarnaad is a movie explaining the theory of the Swadhyay Movement run by P.P. Pandurangshastriji Athavale. It explains how to Spread the divine power of the Lord Bhagawan's message of Love through meeting all kinds & categories of people all over the country & communicate, make a friendly relation. As the relation moves on just motivate the people to remember to perform the God's heavenly service of Remembering him, Salute & thank him as well for this beautiful Life. Since that is the great power which run our daily BodyShores. Make those people so devout through their honest daily work of earning bread and butter & homeshores by accompanying them.
Susman (1987)
, 2h20Réalisé par Shyam Benegal
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Un instituteur et son épouse arrivent dans un village de la région d'Hyderabad sur lequel une fratrie de zamindars (propriétaires terriens) fait régner la terreur. Le plus jeune des frères s'éprend de la jeune femme et l'enlève. Son mari tente de la libérer par lui-même, puis fait appel, sans succès, à la police, au conseil du village, à la justice, et au prêtre du temple local. Pendant ce temps, dans le palais des zamindars, Sushila s'accommode de son sort.
Le barattage (1976)
, 2h14Réalisé par Shyam Benegal
Origine Inde
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Note76%
Le docteur Rao (Girish Karnad), un vétérinaire, vient fonder une coopérative laitière dans un village où les producteurs de lait sont en majorité des dalits (intouchables). Il doit faire face à Mishraji (Amrish Puri), qui achète à bas prix le lait de tous les villageois, mais aussi au chef du village (Kulbhushan Kharbanda) qui souhaite utiliser la coopérative naissante pour renforcer son pouvoir. Rao s'aperçoit vite qu'il a besoin du soutien de la population dalit pour réussir son entreprise. Bindu (Smita Patil), une femme de caractère appartenant à cette communauté, sympathise avec lui et accepte d'y participer, entrainant avec elle les autres femmes. Mais Bhola, dont la forte personnalité fait le leader de la communauté, reste sur ses gardes. Sa méfiance s'aggrave lorsqu'il découvre qu'un des associés de Rao a une aventure avec une femme de sa caste. Lorsque Rao finit par convaincre Bhola, l'ensemble du village se rallie à sa cause et des élections sont organisées pour désigner le président de la coopérative. Le vainqueur est un dalit. Mais le chef du village n'accepte pas cette remise en cause de son pouvoir. Il trouve un allié en la personne de Mishraji dont l'entreprise est menacée par le développement de la coopérative. Mishraji parvient à convaincre Bindu, en grande difficulté financière, de prétendre que Rao l'a séduite. Rao et son équipe doivent quitter le village, mais la coopérative ne périclite pas pour autant : les producteurs de lait continuent son œuvre.
Ankur (1974)
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Lakshmi et son mari Kishtayya sont deux intouchables au service de Surya, le fils d'un riche propriétaire terrien. Kishtayya, potier sourd-muet et alcoolique, ne communique que par gestes. Surya, marié contre sa volonté à une fille trop jeune, ne parvient pas à maîtriser ses frustrations et se tourne vers Lakshmi. Celle-ci se refuse à lui et pour se venger, il chasse Kishtayya …
Charandas Chor (1975)
, 2h36Réalisé par Shyam Benegal
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Note77%
The film is derived from a classic folk tale, originally narrated by Vijaydan Detha, and interpreted as folk play by Habib Tanvir. The film charts the tumultuous life of a petty thief, Charandas (Lalu Ram). Curiously he is a man of principles – an honest thief with a strong sense of integrity and professional efficiency. He makes four vows to his Guru, that he would never eat in a gold plate, never lead a procession that is in his honour, never become a king and never marry a princess, thinking all of them are far out possibilities for him. Later, his guru adds a fifth one - never to tell a lie and sets him of on his life's journey which leads him to a kingdom, where the turn of events make him famous, and eventually he is offered the seat of political power which he has to refuse. Later, the local princess (Smita Patil) gets enchanted by him, and proposes to marry him. This is when his refusal costs him his life. As he is put to death, he illustrates the inherent paradox in human existence, where truthful existence becomes an impossibility, for the truthful and the accidentally truthfuls, alike.
Bhumika (1977)
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L'ascension vers la gloire et les vicissitudes de la vie d'une actrice de Bollywood, Usha.
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The story is set around the Indian Mutiny of 1857. Javed Khan (Shashi Kapoor) is a feckless feudal chieftain with a Muslim Pathan heritage, whose world revolves around breeding carrier pigeons. His younger brother-in-law, Sarfaraz Khan (Naseeruddin Shah) is politically awakened and actively plots the fight against the British. Freedom fighters attack the local British administrators while they are in Sunday Worship at Church, massacring them all. Miriam Labadoor, Jennifer Kendal) manages to escape with her daughter, Ruth (Nafisa Ali) and mother. The three women seek refuge with the wealthy Hindu family of Lala Ramjimal (Kulbhushan Kharbanda). Lala is torn between his loyalty for India and his privileged position under the British. However, matters are taken out of his hand by Javed Khan who barges into Lala's house and forcibly takes Ruth and her family to his own house. This leads to jealousy on part of his wife, Firdaus (Shabana Azmi) and anger on part of his brother, who ultimately gives in to the Pathan tradition of offering hospitality and sanctuary (Nanawatai) even to uninvited guests. Various situations ensue due to cultural misunderstandings in the domestic routine of the Muslim household with its new English guests. Javed falls in love with Ruth, and wants to marry her but is opposed bitterly by her mother. Noticing intense feelings of Javed for her daughter Ruth, Miriam Labadoor (mother) cleverly makes an agreement with Javed that she would only give her daughter’s hand to Javed if British were defeated. At first instance, Javed is hesitant but accepts the offer when again Miriam asks him if he has misgivings in his war against the British. There are simmerings of a love affair under the watchful suspicious eyes of Firdaus.
कोन्दुरा (1978)
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The film is tale of intrigue, plots and the inevitable war between the two families. Ramchand and Bhishamchand were two pioneering brothers in business. Bhishamchand, a lifelong bachelor, brought up the two sons of Ramchand upon his demise. He also gave the family business a firm foundation. Khubchand (Vinod Doshi), the elder son of Ramchand begets two sons, Dhanraj (Victor Banerjee) and Sandeepraj (Akash Khurana). Puranchand, Khubchand's younger brother, had died a few years ago. His three sons are Dharamraj (Raj Babbar), Balraj (Kulbhushan Kharbanda) and Bharatraj (Anant Nag). Another player in the game is Karan (Shashi Kapoor), an orphan brought up by Bhishamchand. A series of events take place that bring the long hidden feud between the two families to light. Despite Bhishamchand's efforts to mediate between the two, the situation gets out of hand and events take a tragic turn. Dhanraj's men accidentally kill the young son of Balraj and to take revenge Bharatraj murders Karan. Quite a few skeletons from the family cupboard are brought into the open that only adds to the tensions and hatred, finally culminating in the destruction of the two families, making us ponder on the brittleness of our moral fabric.