Feeling Yes, Feeling No (French: Mon corps, c'est mon corps) is a film series produced and distributed by the National Film Board of Canada to teach children between the ages of six and twelve to avoid being sexually assaulted by people they trust, family members, and strangers. The films consist of recordings of a play that began development in 1980 in Vancouver, British Columbia by Green Thumb Theatre. Dennis Foon, Wendy Van Reisen, and Fran Gebhard finished writing the play in 1982. Initially performed in workshops with children, the play was very successful. The filmed version of the play consists of four films directed by Moira Simpson and released in 1984 along with accompanying printed matter intended to be used together as a sexual assault prevention program. The program is six hours long and explains the difference between good and bad physical intimacy. The series uses the terms 'yes' feelings and 'no' feelings and focuses on role-playing. The program was first implemented in primary schools in British Columbia and later spread to other Canadian provinces. In a 1991 study, 286 children in grades three and four went through the program and another 113 children were used as a control group. The study found that the children who went through the program had greater knowledge about sexual assault than the control children, and that the children who went through the program were slightly better than the control children at distinguishing between safe and unsafe situations.
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, 1h36 OrigineEtats-Unis GenresDocumentaire, Policier ThèmesL'enfance, Maladie, Sexualité, La pédophilie, Documentaire sur le droit, Documentaire sur la santé, Documentaire sur la maltraitance des enfants, Folie, Le handicap, Maltraitance des enfants Note69% Whitney, at the time a Wall Street executive, returns to his rural hometown of Carlotta, California, and interviews his family members about his maternal stepgrandfather, Melvin E. Just. Just sexually abused 10 of Whitney's relatives, including his mother, uncle, aunts and step-aunts, some as young as 2 years old. The consequeneces have resulted in dysfunction spanning three generations of the family. Whitney reveals he was also molested by his uncle, who now lives incestuously with his half-sister. Whitney's aunts discuss their struggles with alcohol and drug addiction, and bouts of homelessness and prostitution.
, 1h36 Réalisé parBenjamin Nolot OrigineEtats-Unis GenresDocumentaire, Policier ThèmesL'enfance, Esclavagisme, Sexualité, Erotique, La pédophilie, Prostitution, Documentaire sur le droit, Documentaire sur une personnalité, Documentaire sur la prostitution, Documentaire sur la maltraitance des enfants, Maltraitance des enfants ActeursBill Oberst Jr. Note73% The first scene of the film is a reenactment of a kidnapping. A girl is kidnapped and brought to the apartment of a criminal organization, where she is confined with other girls in a room with a creaky ceiling lit by a flickering lightbulb. The girls are naked and cry from fear as men examine them and shout commands and threats at them. One girl is dragged away into another room. The girls are then brutally abused until they become sexually submissive. These events take place in a small European town, possibly in Moldova. The film asserts that 10% of the population of Moldova has been sexually trafficked. From there, the film tracks the girls through Serbia and Croatia to Amsterdam's red-light district and markets in Berlin and Las Vegas. Among legal prostitution in cities, the slavery goes undetected. Slaves are depicted in confinement, at their places of work, and as they are sold. Many of the girls are orphans and all are either initially kidnapped or tricked into forced prostitution. The methods that the traffickers use to keep the girls include hard drugs, mind control, and both sexual and physical abuse.