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Houseful est un film de genre Drame réalisé par Bappaditya Bandopadhyay avec Prosenjit Chatterjee
Houseful (2009)
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Ajouter à une liste de filmsHouseful is a 2009 Bengali language film directed by Bappaditya Bandopadhyay. In this film, the star Prosenjit Chatterjee's character is a movie director who creates artistic films that flop and are not selected for awards. After several tries and exhausting his own funds, he is forced to do commercial Bengali films. In this film Sreelekha Mitra has a guest appearance.
Synopsis
Nikhil (Prosenjit Chatterjee) is in distress over his failures. His personal circumstances are in shambles and he's defaulted on most of his obligations. His assistant asks him to make a commercial film on the lines of a Tamil film to revive his career. He refuses and decides to make his own film by producing it himself. He convinces his father to mortgage their house. He receives a call from Subhash one day who provides him with finance, but in return he would have to accept the actress of the man’s choice. Nikhil agrees and they start shooting with Sujata, better known as Nandita (Rimjhim Gupta).Acteurs
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Suggestions de films similaires à Houseful
Il y a 136 films ayant les mêmes acteurs, 4 films avec le même réalisateur, 87044 ayant les mêmes genres cinématographiques (dont 11830 ayant exactement les mêmes 2 genres que Houseful), pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Houseful, vous aimerez sûrement les films similaires suivants :
কাঁটাতার (2006)
, 1h59Réalisé par Bappaditya Bandopadhyay
Genres Drame
Acteurs Sreelekha Mitra, Sudip Mukherjee, Rudranil Ghosh
Note57%
Kantatar (Barbed Wire) revolves around the journey of Sudha (Sreelekha Mitra),A socio-political-love drama, Kantatar centers on an illegal immigrant’s search for identity and her effort to survive sake and in search of an identity, moves from one man to another and from one religion to another. The sudden threat of cross border terrorism entirely changes the socio-political situation in a remote village close to the frontier, the army rolls into town, and the drastic changes take their toll on inter-personal relationships as they are marred by suspicion, competition and fear. Sudha takes refuge in a temporary weather camp just outside the village. She develops a physical relationship with Binod (Sudip Mukherjee), the weather balloonist, whose job it is to take note of the frequent change of wind direction. But soon Sudha's identity comes into question and she is seen as a suspect. Her dream of a secure shelter is once again threatened. This is a beautiful and engaging film, which luxuriates in the story and its location. The visual poetry and unfettered exploration of the ongoing conflict on the borders of India and Bangladesh come together with great impact and insight. There are brilliant touches of both satire and social comment, which go to show that Bappaditya Bandhopadhay has a lot to say about today's India. Sudha’s hard life consists of weaving herself in and out of different relationships with men and dabbling in various religions. The immediate threat of attack entirely changes the climate of her remote border village, and as the army rolls into town, inter-personal relationships are drastically affected. Suspicion, competition and fear start to grip the villagers. Sudha takes refuge in a temporary weather camp just outside the village. Binod, a meteorologist working in the village, becomes fascinated by Sudha, and they soon begin a physical relationship. But when Sudha's identity is called into question, she is seen as a terrorist suspect. Her dreams of security are once again threatened. Kantatar is visually engaging, luxuriating in the lush locales where it was filmed. Director Bappaditya Bandhopadhay relies on both satire and social comment to tell his story, all the while exploring the ongoing conflict on the borders of India and Bangladesh. Modern India is portrayed with great impact and insight.
Elar Char Adhyay (2012)
Réalisé par Bappaditya Bandopadhyay
Genres Drame
Acteurs Paoli Dam, Rudranil Ghosh, Indraneil Sengupta, Arunima Ghosh, Barun Chanda, Vikram Chatterjee
Note55%
The film is set in India under British Raj in 1940s. Indranath is a leader of a group which is fighting for Indian independence. Ela is the teacher of the group. Ela is caught in a dilemma between her love for Atindra and her commitment towards her country.
Devaki (2005)
, 1h27Réalisé par Bappaditya Bandopadhyay
Genres Drame
Acteurs Ram Kapoor, Suman Ranganathan, Perizaad Zorabian, George Baker
Note45%
Devaki takes a look at the parallel lives of two young women, belonging to strikingly different backgrounds, who were both betrayed by their fathers and lovers.
কাল (2007)
, 1h58Réalisé par Bappaditya Bandopadhyay
Genres Drame
Acteurs Chandrayee Ghosh, Rudranil Ghosh, Samapika Debnath, Nemai Ghosh
Note58%
KAAL is about four women who are trapped in the world of human trafficking because of poverty. They move from a rural area into a large citya fter being abducted in various ways by the local middleman Ratan (Rudranil Ghosh). They ultimately become call-girls for the sake of survival. Ranidi (the boss, played by Sandhya Shetty) grooms the depressed and oppressed girls and gives them a complete make over in a short time.
শিল্পী (1994)
Genres Drame
Acteurs Anjan Dutt, Meghnad Bhattacharya, Sreelekha Mitra, Rita Dutta Chakraborty
Note71%
অন্নদাতা (2002)
Réalisé par Rabi Kinagi Adhikari
Acteurs Prosenjit Chatterjee, Sreelekha Mitra, Abdur Razzak, Rajesh Sharma, Bharat Kaul, Anuradha Ray
Note78%
Honest businessman Amar Chowdhury (Rajak) had a happy family with his wife, two sons, daughters-in-law and a daughter. He reared Sankar (Prasenjit), an orphan boy as his own son. Sankar looked after each and every need of this family. Amar Chowdhury won the post of president of the mill owners' association by defeating strong competitor Rudraprasad Sen (Dulal Lahiri) . Out of grief, Rudraprasad Sen burnt the factory of Amar Chowdhury with the help of Vikram (Arun Banerjee), and made every effort to make him pennyless. In that helpless situation, Arun Chowdhury's sons insulted and deserted him. They also slandered Sankar. Amar Chowdhury drove Sankar out by showing false anger. Sankar achieved his goal of becoming an actor with the help of Kesto da (Sunil Mukherjee), a production manager. After the completion of Chowdhury Villa Shanti Devi (Anuradha Roy) died out of grief. Sankar became rich and artfully saved 'Chowdhury Villa' from Rudraprasad Sen.
Pathbhola (1986)
Réalisé par Tarun Majumdar
Genres Drame, Comédie
Acteurs Haradhan Bandopadhyay, Prosenjit Chatterjee, Tapas Paul, Utpal Dutta, Abhishek Chatterjee, Sandhya Roy
Note73%
Ashchorjyo Prodeep (2013)
, 2hRéalisé par Anik Dutta
Genres Drame, Comédie
Acteurs Saswata Chatterjee, Rajatava Dutta, Manoj Mitra, Mumtaz Sorcar, Sreelekha Mitra, Paran Bandopadhyay
Note70%
This is a modern day fantasy tale and deals with contemporary consumerist society and consumerist trends.
Autograph (2010)
, 2hRéalisé par Srijit Mukherji
Genres Drame
Acteurs Prosenjit Chatterjee, Nandana Sen, Indraneil Sengupta, Rituparna Sengupta, Pijush Ganguly, Biswajit Chakraborty
Note73%
The film starts with a proposal of remaking Satyajit Ray's famous Nayak by a debutant director and storywriter Shuvobrata (Indraneil Sengupta) to famous Bengali actor Arun Chatterjee (Prosenjit). Arun approves Shuvobrata's proposal and agrees to finance the project. Shuvobrata requests his live-in girlfriend Srinandita or Shrin (Nandana Sen) to act opposite Arun. In the meantime, Arun and Shrin become close friends and Arun tells her about various incident from his past in an emotionally triggered condition. The exchange is videotaped accidentally and Shuvobrata on discovering it leaks it to the press, without Srinandita's consent, as a publicity stunt for the film. Srinandita leaves Shuvobrata on learning of this indiscretion. Arun, furious about the leak, bars the film from being released. Arun later learns that Shrin had no role in the leak and apologizes to her. The movie ends with Shrin leaving a note and a phone number for Arun at a roadside dhaba where they had met earlier.