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Nirbaak est un film de genre Drame réalisé par Srijit Mukherji avec Sushmita Sen
Nirbaak (2015)
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Ajouter à une liste de filmsNirbaak (English: Speechless) (2015) is an Indian Bengali Drama film directed by Srijit Mukherji, starring Sushmita Sen, Jisshu Sengupta, Ritwick Chakraborty and Anjan Dutta. As of August 2014, the shooting of the film is complete.This is the first bengali film for Sushmita Sen. The film is scheduled to release in Kolkata on 1 May 2015 and 15 May 2015 across india.
Synopsis
'Nirbaak' (meaning speechless) depicts the stories of affection, lust, jealousy, love and separation of four entities (a human being, a tree, a dog and a dead body). In all these stories though there is one common bonding 'Sushmita Sen'.Acteurs
Sushmita Sen
(Woman)
Anjan Dutt
Jisshu Sengupta
(Rahul)
Ritwick Chakraborty
(Mrityunjoy Karmakar)
Biswajit Chakraborty
(Neighbour of Samson)
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Suggestions de films similaires à Nirbaak
Il y a 95 films ayant les mêmes acteurs, 7 films avec le même réalisateur, 61557 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.Si vous avez aimé Nirbaak, vous aimerez sûrement les films similaires suivants :
Rajkahini (2015)
, 2h40Réalisé par Srijit Mukherji
Genres Drame, Historique
Acteurs Rituparna Sengupta, Jisshu Sengupta, Saswata Chatterjee, Abir Chatterjee, Kaushik Sen, Sudipta Chakraborty
Note71%
In August 1947, the British passed a bill regarding the partition of Bengal. Delving into the grim history of the Partition, Mukherjee's movie Rajkahini is weaved around a border between the two nations that runs through a brothel housing 11 women.
Chotushkone (2014)
, 2h28Réalisé par Srijit Mukherji
Genres Drame, Thriller
Acteurs Aparna Sen, Chiranjeet Chatterjee, Goutam Ghose, Parambrata Chatterjee, Payel Sarkar, Indrasish Roy
Note81%
The film starts with a woman writing a letter, which reads 'Amar mrittur jonne keu dayi noy' which means that 'no one is responsible for my death'; but she strikes out 'keu dayi noy', hinting that there is someone, or some people responsible. A man is seen coming out of a taxi, coming up the stairs, and then opening a study room where the woman is seen hanging from the ceiling. A young boy, who was probably sleeping on a bed nearby, rushes to greet the man, but discovers the woman's hanging corpse. Here the camera rolls back to sometime past. A beautiful woman named 'Nilanjana' is seen talking with some people, and then visits another man in a corner named 'Ritwik', and together, they go to meet someone. The audience is brought to the present again, where a producer and a director is seen having a deal that the latter would convince three famous film-artists to feature in the film. The director leaves, and starts doing what he said. There are various minor details as in introducing the three present characters. The director 'Joy', who seems close to one of those artists, Trina, meets her on a rooftop, and tries to convince her to take up this work against her wishes to work with another man who would feature in this collaboration. There is a slight hint that there is an old clash between them, possibly of love. Meanwhile, another such famous film-artist 'Sakhyo' tries to convince that very man named 'Diptyo' with whom Trina has a problem with to join this collaboration. The idea is that these people are to make a film, individually; thus, four directors get together and plan to make a film, consisting of four short stories one one theme-DEATH. They have an appointment with the producer on the outskirts of the city. Now, again, in a black-and-white screen, Nilanjana and Ritwik are meeting a producer, and they have just one request before finalizing the contract-their mutual friend 'Amitava' who is a struggling, but talented director. In the shooting set, it is clearly implied that 'Amitava' is in love with Nilanjana, and is filled by rage, and becomes jealous when he discovers Ritwik and she kissing in a room during the shooting. Coming back to the present, while the four are together, all three except Joy comes up with a story which is unique in its own way, but connected to the other stories by a common theme. Their stories are autonomous. In between the stories, some scenes reveal that there is something in between Trina and Diptyo. However, in the middle of the night, as they were going towards their destination, the car breaks down, and they spend the night in a nearby bungalow that is said to be belonging to the same producer; his cell phone is switched off. It is here that each of them revisits their past by the courtesy of Joy. In the beautifully crafted climax, Joy starts narrating his own story before meeting the producer. He says that his film named 'Nemesis' features three people-an actress, an actor and a director, of the '70s. The actress Nilanjana, is the leading superstar of that era. The actor Ritwik is a very good painter, and the director 'Amitava' is a struggling one, though talented. Diptyo interrupts and says that he shall send him his mail-id, here Joy can send his pay-cheque, implying that his characters are the very same people in that room. Joy, not quite interrupted, continues; he tells that 'these three were connected by a well known figure of geometry-Triangle'. Nilanjana fell in love with Ritwik after observing his acting skills; the couple were very compatible in the beginning, both had common likes and fancies. They started dating. 'Amitava' had to live with unreciprocated love, but this did not affect the friendship among them. But then, when the film is about 70% complete, the relationship between Nilanjana and Ritwik breaks, and Amitava, no longer able to see the two brimming with romance, decides to leave the film. In between all this, the producer, who was up with a new idea in the world of Bengali Films, and had spent a lot of money, went bankrupt. Although this man could somehow manage to live, his wife, who noticed that her jewellery was one by one consumed to make up for lost money, hung herself due to a financial insecurity. The man was broken and devastated-he became mentally unstable, and turned mad. Joy stops here. The rest three, who remained a bit shocked at the recurrence of past events, that actually featured them, however, praised him for the plot. Diptyo asked him where was the connection of retribution, or nemesis with these events. In response, Joy says that this ways just the pre-title - the real story takes place 20 years later. In the real story, this producer's step-brother, whom they loved more than their own child was scarred for life when he saw all these happen. He was brilliant student, and even out of all financial crisis there was no bar put before his education-he went abroad with a scholarship, but came all the way back to Calcutta to direct films, because that was in his blood. He wanted to do that desperately. After filming some low-grade films, he draws up courage for his final act. He told the three of a fake producer, a fake deal, with a fake card and a fake cell-phone number. Right then, Diptyo tries to look into his mobile to check on something, when Joy shouts, calls in the driver of their car 'Sanjay', who was supposedly in the city with the faulty parts of the car. Sanjay, though reluctantly, points a revolver with 4 bullets, at them, and takes away their cell phones. Joy now continues; He says, "After successfully entrapping them in a desolate bungalow in the middle of a jungle...this guys, he decides to...kill them!...one by one." Now as the climax draws to an end, at first the revolver is aimed at Sakhyo, but the cabinet is empty when the trigger is pressed! With the next culprit Diptyo, the same thing happens. Next, when it is pointed at Trina, and there is no doubt that this time there will be a shot, Trina declares that she still loves Diptyo. Just when the trigger was about to be pressed, a quick thought from Diptyo made him pull Trina out of the bullet's way, which in turn hit Joy, fatally. The camera is seen drifting away from a scene of regret and sobs from the driver and another old servant in the house. This was his film, 'Nemesis.
হেমলক সোসাইটি (2012)
Réalisé par Srijit Mukherji
Genres Drame, Musical
Thèmes Musique
Acteurs Parambrata Chatterjee, Koel Mallick, Soumitra Chatterjee, Deepankar De, Roopa Ganguly, Jeet
Note74%
The movie is a strong insight into psychological dilemma about the primal existence of life. It reiterates the fact that you can 'shock someone by letting her know that death is impending and inescapable.’ It is a dark comedy which successfully evokes an awareness of life. The comic element is used dexterously to bring out the fear of death. The protagonist Meghna (Koel Mallick), misses her mother, hums the songs of her favorite Sidhartha Roy numbers, blames the new lady in her father’s life, shaken by the dejection by her fiancé. Yet, as an escape route from the world of pain and suffering she goes to her father doctor to get prescribed sleeping pills. Ananda Kar (Parambrata) as the name suggests ‘make merry’ refrains her from ending her life. He comes with an unusual proposal of imparting her technical know how about committing suicide. He adds 'the training will save you from embarrassment if suicide becomes a vain attempt'. Ananda Kar is the founder of the Hemlock Society, that teaches aspirants how to successfully commit suicide. The names of the professors are also significant of the tricks they will teach to execute the end. The society is a film studio. Meghna assembles with all other suicide aspirants being addressed by the over-enthusiastic professors, trainlet, jhulan, dhamani, raktim, shikha, all specialists in different suicide methods. Meghna goes with him, leaving a goodbye message for her parents at her apartment door. Dr. Basu comes in search of his daughter, finds the note and shatters in grievance. Dr. Basu and Niharika start their search for Meghna and almost leave no stone unturned. Meanwhile at Hemlock Society, Meghna encounters with miscellaneous experiences related to humans lives and death. The three day workshop at the society makes her understand the importance of life and what difference her loss would mean to her near and dear ones. The metamorphosis of Meghna occurs when she realizes the miseries of other inmates and considers herself lucky. On the final day, Meghna confesses to Ananda that she wants to live and a vital reason which worked behind her changing of mind is that she had fallen in love with Ananda. Ananda informs her that he is suffering from 'Lymphocytopenia' a medical condition for which he would survive only for two more years. Meghna leaves Hemlock Society, sobbing and returns to her father. The very thought that someone near the cradle of death can ‘drink life to the lees’ in spite of complain and regret, surprises her. She learns from Ananda, that Hemlock society is an institute that refrains people from ending their life by making them aware of the importance of life. Six months later, Meghna reconciles with Ananda while he is on a nursing home bed, after having a blood-transfusion. The film ends with a witty note where Meghna’s fiancé (Saheb Chatterjee), now a dejected soul and undoubtedly suicide aspirant, being taken to 'Hemlock Society'.
Autograph (2010)
, 2hRéalisé par Srijit Mukherji
Genres Drame
Acteurs Prosenjit Chatterjee, Nandana Sen, Indraneil Sengupta, Rituparna Sengupta, Pijush Ganguly, Biswajit Chakraborty
Note73%
The film starts with a proposal of remaking Satyajit Ray's famous Nayak by a debutant director and storywriter Shuvobrata (Indraneil Sengupta) to famous Bengali actor Arun Chatterjee (Prosenjit). Arun approves Shuvobrata's proposal and agrees to finance the project. Shuvobrata requests his live-in girlfriend Srinandita or Shrin (Nandana Sen) to act opposite Arun. In the meantime, Arun and Shrin become close friends and Arun tells her about various incident from his past in an emotionally triggered condition. The exchange is videotaped accidentally and Shuvobrata on discovering it leaks it to the press, without Srinandita's consent, as a publicity stunt for the film. Srinandita leaves Shuvobrata on learning of this indiscretion. Arun, furious about the leak, bars the film from being released. Arun later learns that Shrin had no role in the leak and apologizes to her. The movie ends with Shrin leaving a note and a phone number for Arun at a roadside dhaba where they had met earlier.
জাতিস্মর (2014)
, 2h30Réalisé par Srijit Mukherji
Genres Musical
Acteurs Prosenjit Chatterjee, Jisshu Sengupta, Swastika Mukherjee, Abir Chatterjee, Arunoday Banerjee - Rahul, Riya Sen
Note79%
In the present timeline, Rohit Mehta (Jisshu Sengupta), a Gujarati born and brought up in Calcutta, falls in love with Mahamaya (Swastika Mukherjee) and tries to woo her. Since he can just barely utter a few Bengali words (and that too in the wrong places), Mahamaya throws him a hurdle to cross - if he can write a song with correct Bengali lyrics and sing it without any accent or mistake, she would think of a possible relationship. Rohit accepts the challenge and goes to Portugal to study colonial history.
Mishawr Rawhoshyo (2013)
, 2h15Réalisé par Srijit Mukherji
Genres Aventure, Policier
Thèmes Films pour enfants
Acteurs Prosenjit Chatterjee, Indraneil Sengupta, Aryann Bhowmik, Rajit Kapur, Rajat Kapoor, Swastika Mukherjee
Note61%
The film starts with Kakababu (Prosenjit Chatterjee) and his nephew Shontu (Aryann Bhowmik) smiling after watching news informing of the imminent overthrow of the dictatorship in Egypt.The film rewinds into a flashback. It is 2010. Kakababu is contracted by Egyptian businessman Al Mamun (Rajit Kapur) to decipher the meanings of hieroglyphic symbols that his teacher, Mufti Muhammad (Barun Chanda), had drawn on a piece of paper supposedly during his sleep. Muhammad is terminally ill and is about to grant his last wish while he is being treated in Delhi. Mamun thinks that the symbols are the key for locating Mufti Muhammad's will which will describe where to find treasures Mufti Muhammad had acquired during his tenure as a political leader and revolutionary. However, Kakababu is convinced that the symbols have a different meaning and they are very unusual in their nature. Mufti Muhammad symbolically requests Kakababu to verify something, a very unusual last wish. Meanwhile, a war of rivalry ensues between Mamun and Hani Al Qadi (Indraneil Sengupta), another of Mufti Muhammad's disciples (Also a rival of Mamun) who accuses Mamun of stealing a secret that isn't rightfully his. While in Delhi, there was an attempt to murder Kakababu, in which Kakababu was injured. Kakababu took the challenge to uncover the truth for which he and his nephew Shontu head to Egypt where they are drawn into the very vortex of the mystery. Kakababu gets kidnapped by Al Qadi's men which sets off a chain of events, culminating in a climax underneath a pyramid. Inside the pyramid, Kakababu discovers the lost mummy of an Egyptian queen with the help of the hieroglyphics code written by Mufti Muhammad. The present day political turmoil in Egypt also subtly reverberates in the film. At the end, Kakababu gives Hani Al Qadi the coded message written inside the coffin of the mummy and wishes him good luck for his upcoming revolution to free Egypt from the corrupt dictator Jashni Mubarak (fictionalized Hosni Mubarak).
Baishe Srabon (2011)
, 2h20Réalisé par Srijit Mukherji
Genres Thriller, Musical
Thèmes Musique
Acteurs Prosenjit Chatterjee, Parambrata Chatterjee, Raima Sen, Abir Chatterjee, Goutam Ghose, Rajesh Sharma
Note80%
Several murders have taken place throughout Kolkata, for which a serial killer is believed responsible. The murderer strikes in accordance with verses of Bengali poetry, which he leaves next to the victims. The police are baffled; chief detective Abhijit Pakrashi (Parambrata Chatterjee) struggles to solve the case, which takes a toll on his relationship with girlfriend Amrita Mukherjee (Raima Sen). Pakrashi's superior brings back an ex-cop, Prabir (Prosenjit Chatterjee), to help solve the case. Prabir, earlier suspended for his violent methods, is notoriously ill-tempered and foul-mouthed. Prabir and Pakrashi work together, while Amrita (a television journalist) and colleague Surya Sinha (Abir Chatterjee) research serial killers for a series whose thirteenth—and final—episode will be about a contemporary murderer. Meanwhile, eccentric poet Nibaron Chakraborty (Gautam Ghosh)—who considers himself part of the Hungry Generation—wanders Kolkata at night reciting poems.
Ek Phali Rodh (2014)
, 1h47Réalisé par Atanu Ghosh
Genres Drame
Acteurs Dhritiman Chatterjee, Ritwick Chakraborty, Aparajita Ghosh Das, Tota Roy Choudhury, Jisshu Sengupta, Arunima Ghosh
Note66%
Dr. Somshankar Roy, a social scientist, engages Swagato and Anwesha to create 'mock' crisis on the streets. The aim was to observe reactions of people to different forms of crisis happening around them, and to analyse and derive conclusions about human behaviour from them. But all theories and deductions go astray when they come face to face with a real crisis in their own lives and cannot decipher whether the crisis is MOCK or REAL.
Chitrangada (2012)
, 2h15Réalisé par Rituparno Gosh
Genres Drame
Thèmes Sexualité, Homosexualité, LGBT, LGBT
Acteurs Jisshu Sengupta, Rituparno Gosh, Anjan Dutt, Raima Sen, Deepankar De
Note62%
Rudra Chatterjee has spent his life going against social convention. As a young man he defied his father's wishes, and became a choreographer instead of an engineer. As he prepares with his team to stage Tagore's Chitrangada, he meets Partho, Jisshu Sengupta who is a drug-addict percussionist introduced to the team by the main dancer Kasturi Raima Sen. Soon, Rudra develops a chemistry with Partho and they are deep into a passionate love affair. During the course of their relationship, they decide to adopt a child. But there is one problem: same-sex couples are not permitted to adopt children. So Rudra decides to go through a gender change treatment to embrace the womanhood he longs for. But will this surgery change his life and fulfill all his long-cherished dreams? The story ends with the line 'Be What You Wish To Be'. The movie comes out with the message that it's your wish to choose your gender. The movie was a great success with the first class acting of Rituparno Ghosh and other casting crew. The movie exhibits the struggles and day-to-day life of a gay choreographer and his father and mother. It becomes an inspiration to a million for the acceptance of all people in the society and it also becomes an inspiration to the people who can relate themselves with Rudra. Hence the tagline of the film 'The Crowning Wish' is justified with this message. It is a must watch specially for the adult and young adults.
Biwi No. 1 (1999)
, 2h39Réalisé par David Dhawan
Origine Inde
Genres Drame, Comédie, Romance
Thèmes La musique, Musique, Bollywood
Acteurs Salman Khan, Karisma Kapoor, Sushmita Sen, Anil Kapoor, Tabu, Himani Shivpuri
Note57%
Prem (Salman Khan), marié et père de deux enfants, trompe sa femme avec le top model Rupali (Sushmita Sen). Il préfère Rupali à sa femme Pooja (Karishma Kapoor) car Rupali est moderne ...