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Parakh est un film réalisé par Sohrab Merwanji Modi avec Mehtab
Parakh (1944)
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Parakh is a Bollywood social film. It was released in 1944. Directed by Sohrab Modi, it starred Mehtab, Yakub, Eruch Tarapore, Latika and Balwant Singh. The music was composed by Khursheed Anwar and Saraswati Devi.
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Suggestions de films similaires à Parakh
Il y a 46 films ayant les mêmes acteurs, 23 films avec le même réalisateur, pour avoir au final 65 suggestions de films similaires.Si vous avez aimé Parakh, vous aimerez sûrement les films similaires suivants :
Jhansi Ki Rani (1953)
, 2h28Réalisé par Sohrab Merwanji Modi
Genres Drame, Historique
Acteurs Sohrab Merwanji Modi, Mehtab, Sapru, Srinath
Note68%
Rajguru (Sohrab Modi) decides that Jhansi should get its proper recognition in history. He comes across a young girl Manu (the young Rani Lakshmibai) played by Baby Shikha. Her father has been hit by a carriage driven by an English driver. She gathers a few children to confront the driver. This and her confrontation with an elephant impresses the Rajguru who takes her in hand, shaping her into becoming a determined leader. He arranges for her, at the age of nine, to marry the much-older ruler of Jhansi, Gangadhar Rao (Mubarak), who is about fifty years, and become Queen.
Ek Din Ka Sultan (1945)
, 2h27Réalisé par Sohrab Merwanji Modi
Genres Drame, Historique
Thèmes Politique, Royauté
Acteurs Mehtab, Sohrab Merwanji Modi, Ghulam Mohammed
Jhansi Ki Rani (1953)
, 2h28Réalisé par Sohrab Merwanji Modi
Genres Drame, Historique
Thèmes Mythologie, Religion
Acteurs Mahipal Singh, Shobhna Shilotri Samarth, Mehtab
The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Samay Bada Balwan (1968)
, 2h27Réalisé par Sohrab Merwanji Modi
Acteurs Mehtab, Aruna Irani
Uttam (Sohrab Modi) is a rich cotton merchant who lives in a mansion with his wife Damyanti (Mehtab). Uttam's younger brother Ram (Sailesh Kumar), who is engaged to Seth Dhanichand’s (Wasti) elder daughter Gauri (Shahida), also lives with them. Damyanti's opportunistic brother, Dwarkadas (K. N. Singh) is in partnership with Uttam. Uttam loses his merchandise in a fire and becomes financially destitute, though continuing to live in the big mansion. Ram's engagement is called off by Dhanichand. Dwarkadas breaks off his partnership with Uttam and gets his son engaged to Dhanichand's younger daughter. Uttam attends the engagement ceremony but is humiliated and accused of stealing money. He is also beaten up on his way home by some thugs sent by Dwarkadas. The film the n follows Uttam's slow rise back again financially while Dhanichand and Dwarkadas now face poverty.
Pukar (1939)
, 2h45Réalisé par Sohrab Merwanji Modi
Genres Historique
Thèmes Politique, Royauté
Acteurs Chandra Mohan, Sohrab Merwanji Modi, Chandra Mohan, Naseem Banu, Sardar Akhtar
Note70%
Set at the court of the harsh Mughhal Emperor Jehangir (Chandra Mohan), the film tells two separate love stories: the first of Mangal Singh (Ali) and Kanwar (Sheela) amid the violent feud raging between their families, and the second, the famous one of Jehangir and Nurjehan (Banu). Mangal kills the brother and father of his lover. His father, the loyal Rajput chieftain Sangram Singh (Modi), captures his son and Jehangir passes the death sentence. Jehangir's claim that the law knows no class distinction is put on the test when a washerwoman (Akhtar) accuses Queen Nurjehan of having inadvertently killed her husband during a hunt. Jehangir offers his own life but the washerwoman magnanimously forgives him.
Sikandar (1941)
, 2h26Réalisé par Sohrab Merwanji Modi
Genres Drame, Guerre, Historique, Péplum
Thèmes Politique, Politique, Royauté
Acteurs Prithviraj Kapoor, Sohrab Merwanji Modi, Meena Shorey, K. N. Singh (Krishan Niranjan Singh), Noor Jehan
Note70%
Le film relate l'affrontement entre Alexandre le Grand (dont Sikandar est le prénom persan) et le roi indien Pûru.
Prithvi Vallabh (1943)
Réalisé par Sohrab Merwanji Modi
Acteurs Durga Khote, Sohrab Merwanji Modi, K. N. Singh (Krishan Niranjan Singh), P. Santha Kumari, Amirbai Karnataki
Note73%
Mirza Ghalib (1954)
, 2h25Réalisé par Sohrab Merwanji Modi
Genres Drame, Biographie, Historique, Musical, Romance
Acteurs Bharat Bhushan, Suraiya, Durga Khote, Nigar Sultana, Kumkum, Iftekhar
Note69%
The film depicts the life of one-time wealthy and noble poet Mirza Ghalib. The story revolves around his trials, successes and failures and his ultimate descent into poverty. Ghalib falls in love with a beautiful courtesan named Chaudvin; however, tragedy befalls their ill-fated relationship. Set in a historical background, the film deals with the eternal psychological and social problems in the career of a genius poet. This film portrays one aspect of life of Mirza Ghalib (born 27 December 1797; died 15 February 1869, at age 73) in which the conflict between love and loyalty had deeply affected a sensitive artist. Mirza Ghalib fails to make an impression at the Royal Court 'Mushaira' of Emperor Bahadur Shah Zafar but at the same time, unknowingly wins the heart of Chaudvin, an accomplished court dancer.
Raj Hath (1956)
, 2h30Réalisé par Sohrab Merwanji Modi
Acteurs Madhubala, Pradeep Kumar, Tun tun (Uma Devi Khatri), Sohrab Merwanji Modi
Note62%
The king of Jagmer, Maharaja Daljeet (Sohrab Modi), sends a marriage proposal to the king of a neighboring city, Sultanpur. In the proposal Maharaja Daljeet asks to marry his daughter, Raja Beti (Madhubala), to Kumar (Pradeep Kumar), the son of the king of Sultanpur (Ulhas). The king of Sultanpur strongly rejects the proposal and states that the long term rivalry between the two empire is the reason for his refusal; he is injuriously disrespected by the messenger, Sabgram Singh (Murad). Later, the king of Sultanpur also says that Daljeet has conspired against his empire and by proposing the marriage he wants to take revenge. The disrespectful behavior of the king of Sultanpur makes Daljeet angry, and he orders preparations for a war against Sultanpur. Daljeet also provokes his daughter to take vengeance against the king of Sultanpur for the insult. The fortress of the king of Sultanpur is well known for a trap in which troops flounder. Daljeet learns of a map of the fortress, which will help troops navigate across the trap. While retrieving the map from the enemy camp, one of the Daljeet's important soldiers is caught and killed. Daljeet realizes the task is full of risk so he invites the bravest soldiers in the kingdom to try, but they all refuse. After the denial of the brave soldiers, Juhi (Kammo) and Raja Beti accept the task and dress up as men to infiltrate the enemy camp. After much hardship they at last get the map. While returning in disguise as a shepherdess, Raja Beti meets Kumar. Kumar on his first meeting begins to fall in love with her, but he is unaware that the shepherdess is actually the princess of Jagmer.