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Nigar Sultana est une Actrice Indienne née le 21 juin 1932

Nigar Sultana

Nigar Sultana
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Nationalité Inde
Naissance 21 juin 1932
Mort 21 avril 2000 (à 67 ans)

Nigar Sultana (21 June 1932 - 21 April 2000) was an Indian actress. She appreared in Aag (1948), Patanga (1949), Sheesh Mahal (1950), Mirza Ghalib (1954), Yahudi (1958), Do Kaliyaan (1968), etc. but she is most notably remembered for playing the role of Bahar in historical epic film Mughal-e-Azam(1960) . She was the wife of filmmaker K. Asif. She died in May 2000, in Mumbai, India.

Indian actress Heena Kausar is the daughter of Nigar Sultana.

Le plus souvent avec

Sohrab Merwanji Modi
Sohrab Merwanji Modi
(3 films)
Suraiya
Suraiya
(3 films)
Raj Kapoor
Raj Kapoor
(1 films)
K. Asif
K. Asif
(1 films)
Johnny Walker
Johnny Walker
(2 films)
Source : Wikidata

Filmographie de Nigar Sultana (14 films)

Afficher la filmographie sous forme de liste

Actrice

Mere Hamdam Mere Dost
Mere Hamdam Mere Dost (1968)

Genres Drame, Thriller
Acteurs Sharmila Tagore, Dharmendra, Rehman, Mumtaz, Om Prakash, Achala Sachdev
Rôle Mohinii
Note69% 3.493393.493393.493393.493393.49339
Sunil (Dharmendra) lives with his mother and sister a middle-class life in Delhi. He works for Chopra & Co., Chartered Accountants. He comes across a beautiful woman posing for a painting, and thinks she is poor and needy, and gives her a tip. The woman's name is Anita, and both are attracted to each other. Sunil and Anita intend to marry, and Sunil even introduces Anita to his mother. One day when attending a party, Sunil is shocked to learn that Anita is a multi-millionaire. Stunned at this deception, he swears he will have nothing to do with her. When Anita attempts to sooth things over, Sunil does cool down. It is then he finds out that Anita's dad, who is serving time, had killed his father, and that Anita mother is still alive, after making her living as a former prostitute.
Mughal-E-Azam
Mughal-E-Azam (1960)
, 2h53
Réalisé par K. Asif
Origine Inde
Genres Drame, Biographie, Romance
Thèmes La musique, Politique, Théâtre, Musique, Politique, Adaptation d'une pièce de théâtre, Bollywood, Royauté
Acteurs Prithviraj Kapoor, Dilip Kumar, Madhubala, Durga Khote, Nigar Sultana, Ajit Khan
Rôle Bahar
Note80% 4.045664.045664.045664.045664.04566
L'histoire se situe au XVI siècle dans l'Empire moghol. Envoyé sur le champ de bataille pour affermir son caractère, le prince héritier Salim, revient au palais impérial auréolé de quatorze années de guerres victorieuses. Accueilli avec fierté par son père, l'empereur Akbar, et avec amour par sa mère, la reine Jodhaa Bai, il retrouve avec plaisir la douceur de la cour. Il y tombe follement amoureux de la danseuse Anarkali dont il veut faire sa femme. Soucieux des intérêts de l'empire, Akbar rejette violemment cette mésalliance, emprisonne la jeune femme et la condamne à mort. Le prince s'oppose alors à son père, lui contestant le droit de régir ses sentiments comme il le fait du pays. Il fait évader Anarkali, la cache et se rebelle, entraînant une partie de l'armée avec lui. L'affrontement se solde par la victoire d'Akbar qui se résout à faire exécuter son fils unique. Anarkali se livre alors à l'empereur pour sauver l'homme qu'elle aime.
Yahudi
Yahudi (1958)
, 2h50
Réalisé par Bimal Roy
Origine Inde
Genres Drame, Action, Péplum, Romance
Thèmes Afrique post-coloniale, Religion, Politique, Religion juive, Adaptation d'une pièce de théâtre, Royauté
Acteurs Dilip Kumar, Meena Kumari, Sohrab Merwanji Modi, Nazir Hussain, Nigar Sultana, Helen Khan
Rôle Octavia
Note70% 3.5260753.5260753.5260753.5260753.526075
Le film se déroule dans la Rome antique à une époque où les Juifs sont persécutés par l'empire. Brutus (Nazir Husain) est accidentellement blessé au cours d'une parade en ville par le fils du joaillier juif Ezra (Sohrab Modi). Irascible et tyrannique, Brutus s'obstine à croire à un attentat et fait exécuter l'enfant en le faisant jeter aux lions dans l'arène du cirque. Pour tirer vengeance de Brutus, Ezra parvient à faire kidnapper sa fille, Lydia, encore enfant, qu'il renomme Hannah et élève comme sa propre fille. Devenue adulte (jouée alors par Meena Kumari), elle rencontre un homme dont elle tombe amoureuse. Mais elle ignore qu'il s'agit d'un prince romain, Marcus (Dilip Kumar), fils de l'empereur lui-même, et déjà destiné à un mariage arrangé avec la nièce de Brutus, Octivia (Nigar Sultana), qu'il n'aime pas.
Do Mastane
Do Mastane (1958)

Acteurs Geeta Bali, Motilal, Nigar Sultana, Begum Para, Johnny Walker, Mukri

This script must be run from the command line
Mirza Ghalib
Mirza Ghalib (1954)
, 2h25
Réalisé par Sohrab Merwanji Modi
Genres Drame, Biographie, Historique, Musical, Romance
Acteurs Bharat Bhushan, Suraiya, Durga Khote, Nigar Sultana, Kumkum, Iftekhar
Rôle Umrao Begum
Note69% 3.455843.455843.455843.455843.45584
The film depicts the life of one-time wealthy and noble poet Mirza Ghalib. The story revolves around his trials, successes and failures and his ultimate descent into poverty. Ghalib falls in love with a beautiful courtesan named Chaudvin; however, tragedy befalls their ill-fated relationship. Set in a historical background, the film deals with the eternal psychological and social problems in the career of a genius poet. This film portrays one aspect of life of Mirza Ghalib (born 27 December 1797; died 15 February 1869, at age 73) in which the conflict between love and loyalty had deeply affected a sensitive artist. Mirza Ghalib fails to make an impression at the Royal Court 'Mushaira' of Emperor Bahadur Shah Zafar but at the same time, unknowingly wins the heart of Chaudvin, an accomplished court dancer.
Sheesh Mahal
Sheesh Mahal (1950)
, 2h24
Réalisé par Sohrab Merwanji Modi
Genres Drame
Acteurs Naseem Banu, Sohrab Merwanji Modi, Gajanan Jagirdar, Nigar Sultana, Pran Krishan Sikand, Leela Mishra
Rôle Roopa Devi
Note18% 0.9468950.9468950.9468950.9468950.946895
An old feudal aristrocrat, Thakur Jaspal Singh (Sohrab Modi) lives with his two daughters, Ranja (Naseem Banu) and Nalini (Pushpa Hans), and son Balram in a grand mansion called Sheesh Mahal. He maintains his long family ancestry and honour, citing the valour of olden days. His way of life far exceeds the money he has. His children try to warn him regarding his excessive spending but his feudal mind-set refuses to let others see that they are in dire straits. They finally have to sell their mansion to a former worker, Durgaprasad (Mubarak), who is now rich. They settle in a small hovel-like place. The brother finds work in the factory but meets with an accident where his leg is amputated. Desperate Ranjana finds work as a maid to Roopa (Nigar Sultana) Durgaprasad’s daughter. Jaspal Singh refuses Durgadas when he comes to ask for his daughter's hand in marriage to his son Vikram (Jawahar Kaul) claiming that Durgadas may have bought the Sheesh Mahal but he's still a labourer compared to the aristocratic family. Balram argues with his father about keeping up false pretences. Sundarmukh (Pran) who was to marry Ranjana but has broken the engagement because they are poor, comes and tells Jaspal that his daughter, in the guise of working at Durgadas' house is having an affair with his son. Jaspal is furious and rushes to kill Ranjana to avenge the Rajput honour. At the Sheesh Mahal, Durgadas stops him with a lecture on different warriors and honour. Jaspal falters and falls down the steps. Before he dies he blesses the union between Ranjana and Vikram.
Aag
Aag (1948)
, 2h10
Réalisé par Raj Kapoor
Genres Drame, Romance
Acteurs Raj Kapoor, Nargis, Kamini Kaushal, Prem Nath, Shashi Kapoor, Kamal Kapoor
Rôle Nirmala
Note69% 3.487263.487263.487263.487263.48726
Kewal (Raj Kapoor) reluctantly accepts his father (Kamal Kapoor)'s demands to continue the family tradition by studying law and become a successful lawyer just like him. However, due to a lack of interest in becoming a lawyer and more interest in opening up his own theatre company, he fails his law exams and is thrown out of the house by his father. Luckily he finds a patron of the arts Rajan, (Premnath) who is the owner of a theater company, that has closed down. A childhood romance with a girl named Nimmi haunts his fantasies, and Kewal searches for her in other women, even renaming them after his former sweetheart. With a theater, a play and a feminine image in his mind, he discovers a woman made homeless by Partition (Nargis) and the play of his dreams can at last be written and performed.