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Phera est un film de genre Drame réalisé par Buddhadev Dasgupta avec Biplab Chatterjee

Phera (1988)

Phera
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Durée 1h34
Réalisé par
Genres Drame
Note63% 3.1907853.1907853.1907853.1907853.190785

Phera (English language:The Return) is a 1988 Bengali drama film directed and written by Buddhadeb Dasgupta. It was entered into the 38th Berlin International Film Festival, competition section.

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Suggestions de films similaires à Phera

Il y a 48 films ayant les mêmes acteurs, 17 films avec le même réalisateur, 61741 ayant les mêmes genres cinématographiques, pour avoir au final 70 suggestions de films similaires.

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The film attempts to touch the nostalgia of childhood. The story of the film revolves around an urban couple Bimal and Meera and a broken window of Bimal's school's classroom. Bimal plans to visit his school where he spent many years of his childhood. When he visits the school, he finds the building in a very ill condition. He specially notices one broken window of a classroom corner where he used to sit daily and look outside through the window. Though Bimal has little money, he wants to donate something to school authority to repair that window. Since Bimal does not have sufficient money, he uses the money from his fiancée Meera's savings without informing her. When Bimal presents the window to the school authority, they reject it. Conditions get worse when Meera learns about it and she breaks relation with Bimal.
Kalpurush
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The film tells the story in a non-linear fashion, with two timelines being depicted simultaneously. Rahul Bose has a dysfunctional marriage with Sameera Reddy who has an extra-marital affair.. Rahul tries to reconnect with his long-lost father (played by Mithun Chakraborty), while Sameera dreams of breaking free of her stifling domestic life. Rahul is considered as a failure both in professional and personal lives. However, an honest and simple man, he clings to simple joys of life and memories of his childhood. The back-and-forth movement of the story between two timelines (the present day and Rahul's childhood) and the arrangement of the sequences make Mithun a mystery man—he could be dead, alive, or, just a figment of Rahul's imagination.
Ami, Yasin Ar Amar Madhubala, 1h55
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When a Kolkata surveillance specialist and his roommate install a small camera in the home of their beautiful neighbor, they somehow become terror suspects in director Buddhadeb Dasgupta's cutting commentary on CCTV society. Yasin (Amitav Bhattacharya) and his roommate Dilip (Prosenjit Chatterjee) are smitten with their beautiful new neighbor Rekha (Sameera Reddy). Innocent pining becomes silent obsession, however, when Dilip decides to install a surveillance camera directly over Rekha's bed. At first Rekha remains blissfully unaware that her privacy has been invaded, but when she finally realizes she's being spied on, her nosy neighbors are forced to go on the run. Little do Yasin and Dilip realize that across town a terrorist cell is plotting their latest attack, and now the local authorities believe that Yasin may be a key part of their diabolical plans.
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Nabin Dutta (Subhendu Chattopadhyay) was a 47-year-old dentist. He had a son Kushal who was studying in Darjeeling. His wife was not satisfied with him and wanted to be separated. Nabin thought he had some acute disease, but it was nothing serious. Every moment Nabin felt a lack of satisfaction.
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Paresh (Prosenjit Chatterjee), the protagonist in Swapner Din, cannot afford the luxury of reaching out for the unexplored. For him, travelling in an official jeep across the state is a matter of keeping alive, a business he is forced to do. He screens badly put together family planning films in villages that fall along his predetermined route, often meeting with unpleasant responses from his target audience. His faith in life is sustained by his love for his dream girl — a beautiful actress he saw crying away in a film five years ago and has been haunted by. He has never met her. She accompanies him on his daily sojourns through a sticker of her picture pasted on the projector box he carries along.
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