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Sampoorna Ramayanam est un film réalisé par Babubhai Mistry avec Mahipal Singh

Sampoorna Ramayanam (1961)

Sampoorna Ramayanam
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Durée 3h3
Réalisé par
Themes Mythologie,    Religion
Note74% 3.742243.742243.742243.742243.74224

Sampoorna Ramayana (English trans.: Complete Ramayana) is a 1961 Indian mythological film, directed by Babubhai Mistry, based on epic Ramayana by Valmiki, starring Mahipal and Anita Guha as Rama and Sita respectively. The film was box office hit, and became a milestone in the history of Hindu mythology It was the second significant Hindi film based on Rama, after Vijay Bhatt's hugely popular Ram Rajya (1943). Babubhai known for his special effects throughout his career, made extensive use of effects to enhance dramatics The film also made lead actor, Anita Guha who played the role of Sita, a household name.Lata Mangeshkar sang two most top class semi-classical songs in this movie, namely 'San sanan, sanan, sanana, ja re O Pawan' and 'Badalon barso nayan ki Or se' which are still very popular.

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Suggestions de films similaires à Sampoorna Ramayanam

Il y a 252 films ayant les mêmes acteurs, 12 films avec le même réalisateur, 3589 films qui ont les mêmes thèmes (dont 106 films qui ont les mêmes 2 thèmes que Sampoorna Ramayanam), pour avoir au final 70 suggestions de films similaires.

Si vous avez aimé Sampoorna Ramayanam, vous aimerez sûrement les films similaires suivants :
Mahabharat
Mahabharat (1965)
, 2h43
Réalisé par Babubhai Mistry
Origine Inde
Genres Drame, Fantasy, Action, Aventure
Thèmes Religion
Acteurs Abhi Bhattacharya, Sivaji Ganesan, Pradeep Kumar, Dara Singh, Padmini Ramachandran, Jeevan
Note70% 3.5069353.5069353.5069353.5069353.506935
Le film reprend les principaux épisodes de l'épopée, à savoir la lutte entre les cinq frères Pandava et les cent frères Kaurava, sans pouvoir en relater les origines ni tous les détails.
Parasmani
Parasmani (1963)

Réalisé par Babubhai Mistry
Acteurs Mahipal Singh, Aruna Irani, Helen Khan
Note63% 3.171413.171413.171413.171413.17141
Paras (played by Mahipal) is the son of the Senapati and is lost when his ship strikes storms at sea. Paras is then found by a poor villager, who brings him up as his own. Paras grows up and becomes an accomplished swordsman and singer. One day he encounters the princess (played by Gitanjali) and falls in love with her. His fame soon reaches the palace, and the Emperor summons him to sing for him. Pleased with his singing, the Emperor asks him for a wish, and Paras asks for the hand of his daughter. Enraged, the Emperor decides to punish Paras, but Paras escapes. Appearing defeated, the Emperor asks Paras to seek a rare gem called a Parasmani, because he is under a curse that states as soon as his daughter marries, it will be the last day for the Emperor. If Paras is can find the 'parasmani' the life of Emperor can be saved. Only then can Paras marry the princess. Parasmani is a hypothetical jewel which is considered to keep the bearer young forever. Paras agrees to this and leaves on the search with his sister and brother.
Jai Santoshi Maa, 2h10
Genres Drame
Thèmes Mythologie, Religion
Acteurs Kanan Kaushal, Bharat Bhushan, Anita Guha, Mahipal Singh, Leela Mishra
Note63% 3.1912053.1912053.1912053.1912053.191205
The film opens in Dev Lok or "the world of the gods," a Hindu heaven located above the clouds, where we witness the "birth" of Santoshi Ma as the daughter of Ganesha, the elephant headed god of good beginnings, and his two wives Riddhi and Siddhi ("prosperity" and "success"). A key role is played by the immortal sage Narada, a devotee of Vishnu, and a cosmic busybody who regularly intervenes to advance the film's two parallel plots, which concern both human beings and gods. We soon meet the maiden Satyavati (Kanan Kaushal), Santoshi Ma's greatest earthly devotee, leading a group of women in an aarti (song and ceremony of worship) to the goddess. This first song, "Main To Arti Utaru", "I perform Mother Santoshi's arti," exemplifies through its camerawork the experience of darshan —of "seeing" and being seen by a deity in the reciprocal act of "visual communion" that is central to Hindu worship.
Hanuman Patal Vijay, 2h19
Thèmes Mythologie, Religion
Acteurs Meena Kumari, Mahipal Singh

The story is about Hanuman and his confrontations with The King of Patal, Ahiravan and his brother Mahiravan who have been asked by Ravan to kill Ram and Lakshman. The film follows Hanuman’s encounter with Makari the daughter of the sea who wants to marry him, but instead through the swallowing of a bead of his sweat she gives birth to Makardhwaj who guards the gates of Patal (Hell) where Ram and Lakshman are taken when kidnapped. Hanuman gets the better of Makardhwaj and rescues Ram and Lakshman. A major battle ensues and Ahiravan and Mahiravan are killed, but somehow they keep regenerating. Hanuman manages to find out the secret of their regeneration and puts a stop to it with the help of Ahiravan’s wife Chandrasena.
Jhansi Ki Rani, 2h28
Réalisé par Sohrab Merwanji Modi
Genres Drame, Historique
Thèmes Mythologie, Religion
Acteurs Mahipal Singh, Shobhna Shilotri Samarth, Mehtab

The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Shri Ganesh Mahima
Thèmes Mythologie, Religion
Acteurs Meena Kumari, Mahipal Singh

Ganesha curses Chandra (Moon) for his vanity when he laughs at him. On asking forgiveness the curse is changed so that the effect occurs only on the auspicious day of Ganesh Chaturthi. Anyone looking at the moon will fall prey to false charges. Lord Krishna (Mahipal) looks at the moon and is accused of having stolen the Syamantaka Mani by Satrajit whose daughter Satyabhama (Meena Kumari) is keen on marrying Krishna. The film follows the fight between Lord Krishna and Jambavan for twenty-one days, with the recovery of the jewel and his marriage to Satyabhama.