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Sarala est un film réalisé par Premankur Atorthy avec Ahindra Choudhury

Sarala (1935)

Sarala
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Durée 2h37
Réalisé par

Sarla is a 1936 Hindi socio-family film directed by Premankur Atorthy. The film was produced by Imperial Film Company. The director of photography was Rustam Irani with music by H. C. Bali. It starred Rattan Bai, Kumar, Hafisji, Pramila, Anant Marathe and Ahindra Choudhury.

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Suggestions de films similaires à Sarala

Il y a 6 films ayant les mêmes acteurs, 18 films avec le même réalisateur, pour avoir au final 23 suggestions de films similaires.

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Indranath’s son is ill, Guru Omkarananda suggests he pray to the goddess Kamala. His son improves but bad luck follows Indranath; his son and daughter die. Unable to stand the grief the Queen/Kalyani loses her mental equilibrium. Goddess Kamala manifests as Rupasi, the daughter of Omkarananda. Virodhananda and his son Tribhanga are the incarnation of Narad and Narayan on earth. The kingdom goes through difficult times. Omkarananda is arrested and Rupasi goes to meet Bastabesh/Indranath who is attracted to her. Rupasi takes refuge in Birodhananda’s house to avoid Bastabesh’s advances. Birodhananda is interested in getting his son Tribhanga married to Rupasi. Bastabesh goes after Rupasi/Kamala who blinds him. Finally the gods perform their miracle and a repentant Bastabesh is restored his sight and kingdom.
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Jibananda is a drunkard zamindar. Ekkari is his companion in all his sinful deeds and greed for money. Sorashi is the priestess in the local Chandi temple and the ex-wife of Jibananda. She is adamant and responsible, but stubborn and honest. She has immense influence in certain sections of local society. When he was young, he married her. Then she was known as Alaka. During extreme debanchery and toture Jibananda realised Sorashi is actually her ex-wife Alaka. Aalka also identifies Jibananda. Sorashi was forced to stay whole night in the drunk Jibananda's house. It created a ripple amongst the local villagers when they come to know about this incidence. But Sorashi gave a legal statement to the police and magistate that she went to the zamindar's house villingly. Jibananda was freed from all offences due to this statement. But the village leaders were very strict to their decision. Sanbeswar Shiromani Mr Chowdhury, Janardan Bapu decided not to asssign the responsibility of a priestess of the temple to Sorashi any more. Nirmal, son-in-law of Sabeswar Shiromani, is very impressed by the attitude and intelligence of Sorashi. Probably he is in love with her. Nirmal's wife understands Nirmal's intention through she has a high regard for Sorashi also. In the meantime for no reason Jibananda goes against Sorashi. He wants to get near her. But as Sorashi opposes this Jibananda gets angry and tries to evict her from her shelter. Sagan and his team wait for Sorashi's order to fight against jibananda. But Sorashi is totally dispassionate. She leaves the temple. But the end mightly Jibananda realises his faulto and surrenders to Sorashi.
Chirakumar Sabha, 2h39
Réalisé par Premankur Atorthy

Purna is a newcomer to the group of bachelors at Professor Chandra Basu’s house. Also attending are three other bachelors Akshay, Bipin and Shirish. Alshay is ousted from the committee when he gets married. He suggests that all members meet at his place instead. Nirmala, the Professor’s daughter also joins the crowd becoming the only female member. Purna is attracted to Nirmala and suggests marriage, which Nirmala refuses. Akshay has three sisters Shailabala a child widow, Nripabala and Nirabala. His mother is busy fixing matches for Nripabala and Nirabala. Finally the two sisters are matched with Shirish and Bipin, while Nirmala and Purna get together.