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Kundan Lal Saigal est un Acteur et Playback Singer Indien né le 11 avril 1904

Kundan Lal Saigal

Kundan Lal Saigal
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Nationalité Inde
Naissance 11 avril 1904
Mort 18 janvier 1947 (à 42 ans) à Jalandhar (Inde)

Kundan Lal Saigal often abbreviated as K. L. Saigal (11 April 1904 – 18 January 1947) was an Indian singer and actor who is considered the first superstar of the Hindi film industry, which was centered in Kolkata during Saigal's time, but is currently centered in Mumbai.

Le plus souvent avec

Nitin Bose
Nitin Bose
(8 films)
Pahari Sanyal
Pahari Sanyal
(11 films)
P.C. Barua
P.C. Barua
(4 films)
Source : Wikidata

Filmographie de Kundan Lal Saigal (31 films)

Afficher la filmographie sous forme de liste

Acteur

Bhanwara
Bhanwara (1944)

Réalisé par Kidar Sharma
Genres Drame
Acteurs Kundan Lal Saigal, Yakub

Two friends, Pancham (K. L. Saigal) and Rekhab (Arun) have just arrived in the city. They are looking for jobs and accommodation. Pancham interested in music, finds a job in a music and dance school to teach singing. There he meets Indu, who teaches dancing to the students. She also happens to be his upstairs neighbour where he has rented a room. Indu lives there with her sister Bindu (Kamala Chatterjee). Rekhab manages to rent a room below a wrestler's (Lala Yakub) accommodation. The two friends fall in love with the two sisters. The wrestler helps Rekhab to develop his physique in order to impress his sweetheart. Through comic situations that follow, the film ends happily.
Tansen
Tansen (1943)
, 2h2
Genres Biographie
Thèmes La musique, Musique, Politique
Acteurs Kundan Lal Saigal, Khursheed Bano
Rôle Tansen
Note73% 3.6571753.6571753.6571753.6571753.657175
Tansen becomes orphan at a very young age and lives with his paternal uncle. He goes to a music teacher to learn music and returns to his native village after many years of training. In the village the shepherdess Tani is considered a gifted singer. Tansen falls in love with the shepherdess Tani. Tani rescues an elephant and Tansen tames it by his singing. This captures the attention of Raja Ramchandra. He becomes Tansen's friend. At the same time in Agra, the Mughal emperor Akbar regrets why there is no musician in his navratnas. Akbar sends a few of his workers to the countryside to find out the best musician. While his workers are searching the best musician they come across Tansen, who while singing for Tani brings a leafless tree to bloom. The workers are overwhelmed at this and ask Tansen to go to the court of Akbar along with them. Tansen refuses at first by saying that he will sing for no one other than her sweetheart Tani. After repeated persuasions he finally agrees to go to Agra where he enthralls Akbar by his singing. Akbar appoints him as one of his navratnas. The other musicians in the royal court see this move as a threat to their reputation and status in the court.
Lagan
Lagan (1941)

Réalisé par Nitin Bose
Acteurs Kundan Lal Saigal, Kanan Devi
Rôle the Poet

At the annual college event the main singer goes missing. To help matters, Kusum Kumari (Kanan Devi) plays a record. The lyrics of the song are by a young poet (K. L. Saigal) living in a village. The Principal of the college, impressed by the poet’s work brings him to the city. The poet takes to training Kusum to sing for the next event and falls in love with her. One of the patrons (Nawab) is a wealthy businessman. He is enthralled by Kusum and after negotiations with her father, gets married to her in spite of the poet trying to intercede. The poet disappears but after some time the husband listens to Kusum and helps in furthering the poet’s career. The gesture is misunderstood by the poet who thinks that the help was given to him because of Kusum’s love for him. Finally Kusum has to let him know that for her the poet was a Guru she respected.
Street Singer, 2h15
Réalisé par Phani Majumdar
Genres Drame
Acteurs Kundan Lal Saigal, Kanan Devi

Bhulwa helps Manju escape from a burning orphanage and from the care of the tyrannical manager of the orphanage. The two street urchins go from village to village, singing and making money. Bhulwa’s big dream is to someday sing in a theatre in Calcutta. Several years later both are singing on the streets in Calcutta and Manju (Kanan Devi) is employed by a theatre to sing. Bhulwa (K. L. Saigal) encourages her through her nervousness and she becomes a popular singer. However her attitude towards servants and other people changes and Bhulwa is disappointed and tells her off. Bhulwa is still struggling but manages to get a chance to sing on the radio. Manju comes to know of his singing assignment when she listens to him sing on the radio. Feeling slighted she decides to sing Bhulwa’s song in a new style, the way the actor-manager Kailash wants. She leaves a message with the servant asking him to send Bhulwa to the theatre. Bhulwa gets drenched in the rain and is feverish but he goes to listen to Manju. On hearing the new tune given to his favourite song he gets aggressive on the stage and then leaves from there. Manju by now is repentant and decides to search for him. She asks the manager-actor Kailash to drive her and searches the roads by which both had travelled to come to the city. She spies Bhulwa in a boat which is being tossed around due to the wind and storm. The boat crashes against the banks. Manju rushes to Bhulwa and cradles his head on her lap. Kailash leaves them, while both look towards the road leading to the village.
Badi Bahen
Badi Bahen (1937)
, 1h58
Réalisé par Nitin Bose, D.D. Kashyap
Genres Drame
Acteurs Kundan Lal Saigal, Geeta Bali, Pran Krishan Sikand, Rehman, Suraiya, Kuthiravattam Pappu
Rôle Prakash

Shyama (Suraiya) gets a job as a servant so she can pay for her younger sister, Kiran's (Geeta Bali) education in the city. Kiran, though, is in love with a rogue, Ajit (Pran). Ajit makes Kiran splurge all the money Shyama sends her on them. Meanwhile, Shyama meets and falls in love with Shyam (Rehman), the son of the family she works for and who is a doctor who wants to treat the poor. With both of being ill-treated by the woman of the house, who is Shyam's step mother, they decide to elope. However, Kiran comes to her, abandoned and impregnated. Shyama goes along with her without informing Shyam in order to find Ajit. They find Ajit but he escapes from them. The two sisters then relocate to another town. Kiran has the child, Shyama works in another house, where in order to get Kiran settled with the young man of the house and to prove her to be without blemish, she takes it upon herself to claim to be the mother of the child. This causes further complications with Shyam, who has managed to trace her out and now believes that she has been unfaithful to him. Wallowing in grief, he falls ill. Finally, with the help of a kindly army colonel, also Ajit's uncle (Ulhas), all ends well that well with a repentant Ajit marrying Kiran and Shyama reunited with Shyam.
Didi
Didi (1937)
, 2h32
Réalisé par Nitin Bose
Genres Drame, Musical, Romance
Acteurs Kundan Lal Saigal, Prithviraj Kapoor, Chandrabati Devi
Note63% 3.1708353.1708353.1708353.1708353.170835
Prabhavati’s (Kamlesh Kumari) parents died when she was very young and the onus of looking after the Prabhavati Cotton Mills Ltd. has come to her. Her entire focus is on the factory and she is a strict and hardworking proprietor. Her only close companion is Dr. Sethi but even here there is a reserve. Prakash (K. L. Saigal) works at one of the machines in the mill. He finds that the machines they are working on are old and dangerous. He designs a safer and more efficient one and takes the design to the President of the company. She gets angry at his suggestion that the machines in her factory are dangerous and fires him. Prakash is out of a job and looking desperately for any form of income. He meets a young girl Sheela (Leela Desai) outside a girl’s hostel with whom he gets friendly. The girl unknown to him is Prabhavati’s younger sister.